As part of the 2018 theme, The Future, artist Chitra Ganesh will kick-off her residency on May 4th with a free celebration from 6:00pm to 10:00pm, featuring music by DJ Rekha, and the performance “Blessed Avenue” by Jacolby Satterwhite. This is exciting and pertinent programming, exploring responsibility, feminism, transformation and The Future.
Face The Future with artist, Chitra Ganesh during her fellowship at The Rubin Museum of Art.
With great anticipation, artists and art patrons look forward to the opening of The Shed, New York’s first multi-arts center designed to commission, produce, and present all types of performing arts, visual arts, and popular culture, and expected to open in the Spring of 2019.
Beginning Thursday, April 5th at Noon, tickets for The Shed will be available to the public. The free two-week arts event will run from May 1-13 and will showcase The Shed’s mission to support artistic invention, and present multiple art forms in one flexible space.
The Avenue P on the F Train in Brooklyn can look forward to a new MTA Arts & Design installation coming soon. The 28 new laminated glass panels, created by artist Jackie Battenfield, will grace the stairways on the ground platform. The first 7 panels are ready for installation now.
#TheWorldLetter Project originally started as a one-time street installation in May of 2017 as a Love Letter to the World. But then something interesting happened. The World began to write a Love Letter to the World. And so it continues on most days in Washington Square Park, weather permitting.
Image: David Zwirner, 43 Green Street, New York, 2001 (during the exhibition Diana Thater: The sky is unfolding under you).
Celebrating 25 Years, the David Zwirner Gallery will throw open its doors on all of its galleries to present a special exhibition, highlighting the artists who have shaped the gallery’s program since its founding in 1993.
The celebrated graphic designer, Milton Glaser, has unveiled three new public works in the New York City subway stations this week, in direct response to our current political climate and the administrations attack on humanity. On Monday, December 4, the MTA installed his latest campaign on subway platforms all over this city.
On the left, we have Swoon, classically trained (Pratt), well-known street artist specializing in life-size wheatpaste prints and paper cutouts of figures, often politically movitaved. She gained recognition after a solo show at Deitch’s SoHo gallery in 2005, attracting the attention of The Museum of Modern Art in New York. Her solo show “Submerged Motherlands” at the Brooklyn Museum in 2014 was the museum’s first exhibition dedicated to a living street artist.
On the right, we have Jeffrey Deitch of Coney Art Walls, Wynwood Walls and Art in theStreets exhibition at Museum of Contemporary Art in L.A., not to mention the author of several books on the subject, including a monograph on Keith Haring published by Rizzoli, and a partnershipwith the Goldman Group on The Bowery Art Wall. Deitch Projects produced over 250 projects with artists from thirty-three countries ~ an impressive and lengthy list.
Borinquen Gallo: Like a Jungle Orchid for a Lovestruck Bee will open at Burning in Water, with an Opening Reception on September 7 from 6:00-9:00pm. The exhibit is a colorful and creative re-use of a mix of street materials like yellow and red caution tape, blue tarps, garbage bags and even hub caps, to name a few.
Delirious: Art at the Limits of Reason, 1950-1980 is just what the doctor ordered for September at Met Breuer, and is as pertinent in today’s climate of turmoil as it was in the years covered by this exhibit. Deliriouswill include about 100 works of art by 62 diverse artists, that will take the viewer in four directions ~ Vertigo, Excess, Nonsense, and Twisted, exploring the depths of imagination of both the artist and viewer.
A city-wide exhibition entitled Ugo Rondinone: I ♥ John Giornowill celebrate the extraordinary life and work of the poet, artist and activist, John Giorno in thirteen locations, featuring films, drawings, archival presentations, paintings, and sound installations in a retrospective of Giorno’s work, as well as work inspired by him.