Closing the door on 2021, New Yorkers will step into 2022 grateful to be living in the City that never sleeps ~ a city that never stops creating, educating and inspiring. Here are a few suggestions to brighten your days in January, 2022.
Happy New Year!
The holidays are fast approaching, and so too is NYC Parks’ annual Mulchfest tree chipping celebration! Beginning December 26, 2021, New Yorkers can “tree”-cycle their holiday trees at local parks, with convenient drop-off sites in all five boroughs.
Living with Art Salon will open its doors to the first annual ‘Members Only‘ exhibition showing over 75 works of art created by 15 visual artists ~ all members of Art Lives Here, a non-profit arts organization, creating opportunities for emerging artists.
The New York Studio School presents Likkle Tings, an exhibition curated by Curtis Talwst Santiago, on view December 9, 2021 – January 23, 2022. Likkle Tings looks at contemporary artists engaged with small-scale works as a major and serious aspect of their practice. The exhibition title is derived from the Caribbean slang for Little Things. Including works by Lyndon J Barrois, Sr, Emma Bonnemaison, Susan Cianciolo, Christina Kenton, Maria Koubourli, Christian Quin Newell, Jill Orlov, Patrice Robinson, Anthony Santiago, Curtis Talwst Santiago and Alexander Richard Wilson.
JoAnne Artman Gallery is pleased to present, The Back Room: Winter Solstice, a group exhibition that celebrates the seduction and drama of entering a gallery’s private, back room. An exploration into past and upcoming shows, the works in The Back Room celebrates the art world’s unique ritual of inviting preferred patrons to view the gallery’s exclusive inventory. Including works by America Martin, Brooke Shaden, Carla Talopp, Jada + Jon, Jenna Krypell, and Swan Scalabre, all artists hold distinctive sensibilities in subject matter and concept, yet are linked through an expressive formal approach.
This year, Soho Photo Gallery, is celebrating its 50th anniversary as one of Americas’s oldest, most respected member-run photography galleries.
Jazz at Lincoln Center’s Dizzy’s Club continues its season of in-person performances in January and February 2022, presenting a diverse lineup that pays tribute to jazz greats, showcases rising stars on the scene, and welcomes award-winning artists whose work runs the gamut of jazz styles and traditions.
The Apollo Theater Unveils 2022 Winter/Spring Season, Kicking-Off January 9th, with Tickets Available Beginning ~ January 3
The Apollo announced details of its Winter/Spring 2022 season, with an array of free and ticketed programming in-person at the Apollo’s historic theater and online on the Apollo’s Digital Stage. Highlights include the long-anticipated return of the Amateur Night at the Apollocompetition on Wednesday, February 16 at 7:30pm EST; Apollo Master Artist-in-Residence Ta-Nehisi Coates and The Roots’ Tariq “Black Thought” Trotter, in conversation; the Lyricist Lounge 30th Anniversary Concert featuring hip-hop trailblazers to be announced; the premiere of The Gathering: A Collective Ring Shout, co-presented by the American Composers Orchestra and the Apollo and co-curated by National Black Theatre; the return of Africa Now! featuring East African jazz vocalist and Grammy nominee Somi; and more. The non-profit Apollo’s season centers Black artists and voices from the African Diaspora with myriad opportunities for artists and audiences to come back together at the iconic theater.
Atlantic Gallery will open its doors to Brooklyn-based artist, Susan Rostow with her exhibition Sense of Place. Susan Rostow’s sculptures resemble archeological artifacts with biomorphic traits, prompting us to probe into their origin and meaning. Peppered throughout the gallery space, the visceral and mysterious smaller scale sculptures titled Naiads, allude to the nymphs from Greek mythology who protect and reside over rivers and marshes. In the background along the walls these hybrid creatures form a comical procession. Going about their business, each projects a distinct gesture–a bulbous loner in orange hues by a tall pale figure with a protruding belly, a pair pausing to engage in a vivid conversation or perhaps an argument.
The 45th Annual Three Kings Day will be celebrated virtually, with some in-person programs in El Barrio this year, with the fitting theme: Samos el Cambio: Protecting the Environment for Future Generations, honoring the work of those who call on us to sustainably steward our environment, and help foster cultural transformation through community empowerment and artistic expression. The Event also takes into consideration the health and safety of the community by celebrating on-line, and presenting a series of activities spread out over several weeks.
The Art Students League’s Exhibition Outreach program presents its first student exhibition of 2022, in partnership with ChaShaMa and featuring 25 artists exploring themes of mystery, magic, and light. Titled Searchlight, the exhibition is organized by guest Curator Samuel Rowlett, a League alumnus, and is on view at One Brooklyn Bridge Park January 6–March 10, 2022. The exhibition plays in a range of shadowed depths and colorful surfaces, taking viewers from the small, quiet space of a computer screen to the vast landscape of an entire world. A glowing thread weaves its way through each work on view; it runs through a cloud-covered sun in winter and chases a pair of friends ambling through a forest. Light, and the ways in which it can be filtered and interpreted, appears before us in steel thorns, in driftwood textured with beeswax, and in rich abstractions. What is this guiding light in search of? Where will it take us?
Ki Smith Gallery is pleased to present Half Life, the gallery’s first exhibition across both spaces with multimedia artist Kiyomi Quinn Taylor. With a staunch belief in both a life after death and the presence of the deceased in our lived realities, Taylor presents her audience with a world that is both fantastical and autobiographical; one built on memory, a rich family history, dreams, and fables.
P·P·O·W Gallery will open its doors to Chris ‘Daze’ Ellis’s second solo exhibition with the gallery entitled ‘Give It All You Got’. Born in 1962 in New York City, Daze began his career as part of the second of graffiti writers, painting New York City subway cars in 1976 while attending The High School of Art and Design.
nside Rosemary Ollison’s home in Milwaukee, Wisconsin, an intricate art environment has evolved over the course of 30 years. She has obsessively filled her space with homemade rugs and window treatments, textile constructions and quilts made with leather, denim and a wide assortment of other found materials, and stacks of drawings documenting her life. Her exuberant self-made world is a tribute to the hardships she has overcome, the power she feels as a Black woman, and her unwavering devotion to God.
On Monday (1/10) the Garment District Alliance will unveil Passage, an interactive art installation comprised of 20 circles of light that will form a pedestrian tunnel on Broadway in the Garment District. As visitors walk through the exhibition, each circle will emit light and sounds, creating a transformative, playful experience in the heart of Midtown Manhattan. Passage is free and will be open to the public through February 13th on Broadway in the Garment District between 39th and 40th Streets.
Now, the nonprofit ~ true to its mission of forming unique connections between artist and model during body painting ~ focuses on the vulnerabilities between models and artists, creating significant impact on artist, models and the public, as they strive to build a world where all people are accepted, regardless of race, gender, size, shape, age and even political views.
The Public Theater (Artistic Director, Oskar Eustis; Executive Director,, Patrick Willingham) announced the full line-up for the 18th annual Under the Radar Festival, running January 12-30, 2022. The innovative festival of The Public’s winter season returns to in-person performances at The Public Theater and partner venues Mabou Mines and PS21 with work by artists from across the U.S. and around the world, including JoAnne Akalaitis, Migguel Anggelo, Savon Bartley, Salty Brine, Inua Ellams, María Irene Fornés, Phillip Glass, Nile Harris, Miranda Haymon, Jasmine Lee-Jones, Eric Lockley, Michelle Memran, Alicia Hall Moran, Raelle Myrick-Hodges, Pascal Rambert, Mia Rovegno, Annie Saunders, Justin Elizabeth Sayre, Roger Guenveur Smith, Mariana Valencia, and Becca Wolff. Curated by UTR Festival Director Mark Russell, tickets beginning at $25 can be accessed now for Public Theater Supporters and Partners. Single tickets will be available beginning Wednesday, December 1.
Fremin Gallery will open its doors to KAAIEN, the first New York exhibition for Belgium artist Didier Engels. After a career of more than 30 years in the research of textures (20 years as textile stylist and 10 years as interior design architect), Didier Engels has shifted toward photography. As a self-taught Belgian photographer, he started his photographic work ‘Dry Dock’ and ‘Kaaien’ in January, 2015.
Celebrating the rich tradition of Black comics, The Schomburg Center for Research in Black Culture opens its virtual doors to the 10th Annual Black Comic Book Festival January 13-15th.
Monday, January 17, 2022 we will observe the national holiday, Martin Luther King Jr, Day. How will you reflect on the meaning of that day? Here are a few suggestions.
Surrealist sculptor Hugh Hayden subverts the classroom in a new commission for Madison Square Park entitled ‘Brier Patch‘. The installation will span across four separate lawns and feature a total of one-hundred wooden elementary school-style desks.
Street photography—the thoroughly unpredictable and often magical framing of a moment—was embraced early in the 20th century by women photographers. A new exhibition at Howard Greenberg Gallery will survey more than seven decades of work by 12 women photographers. A Female Gaze will be on view from January 19 through April 2, 2022 in the gallery’s new space on the 8th floor of the Fuller Building at 41 East 57th Street.
Firmly established in the canon of street photography, the artists in the exhibition—including Berenice Abbott, Diane Arbus, Jodi Bieber, Esther Bubley, Rebecca Lepkoff, Helen Levitt, Vivian Maier, Mary Ellen Mark, Frances McLaughlin-Gill, Lisette Model, Barbara Morgan, and Ruth Orkin—are known for remarkable and iconic images.
Till Human Voices Wake Us, And We Drown, a solo exhibition of work by Palestinian-American interdisciplinary artist Kris Rumman, will be on view at UrbanGlass from January 19 – April 8, 2022. Curated by Zeljka Himbele, the exhibition inaugurates UrbanGlass’ Curator-at-Large program, which will give an invited curator the opportunity to develop innovative concepts and public programs for 4 annual exhibitions presented in UrbanGlass’ Robert Lehman Gallery. The program’s goal is to address critical cultural issues and to contribute to the contemporary art and design dialogue through the material of glass.
Brooklyn Public Library (BPL) and The Lenape Center announced today Lenapehoking, the first-ever Lenape-curated exhibition in New York featuring masterworks by Lenape artists past and present. The new exhibition, opening January 20 and on view through April 30 at Greenpoint Library and Environmental Education Center, includes never-before-seen beaded bandolier bags from the 1800s, a newly created turkey feather cape, culinary tapestries from a seed rematriation project in the Hudson Valley, and more.
What do you think would happen if you dropped a self-described media artist/creative technologist into a free and open environment to consider technology as a canvas. Meet Barak Chamo – current Artist-in-Residence at Materials for the Arts. In his new exhibition, Everything and Nothing at All, presented by Materials for the Arts at ChaShama 14th Street, the artist attempts to embody the challenges of living in an invisibly despotic digital age.
David Zwirner is pleased to announce a group exhibition curated by the Pulitzer Prize–winning author, critic, and curator Hilton Als. On view at the gallery’s West 19th Street spaces, the exhibition will focus on the enormous output and cultural significance of Toni Morrison (1931–2019), and, as Als notes, “will add visual components that italicize the beauty and audacity of her work.” Included will be selected archival materials as well as work by artists Garrett Bradley, Beverly Buchanan, Robert Gober, Gwen Knight, Kerry James Marshall, Julie Mehretu, Irving Penn, Walter Price, Martin Puryear, Amy Sillman, Bob Thompson, and James Van Der Zee, among others, some of which have been commissioned for the exhibition and were made in direct response to Morrison’s writings.
Paper Unbound: The Drawn Menagerie, an exhibition of more than three centuries of works on paper featuring animals, will be on view at Christopher Bishop Fine Art in New York City from January 21 – February 19, 2022. The show will be presented as part of Master Drawings New York, which runs from January 21 – 29, 2022.
Hana Yilma Godine: A Hair Salon in Addis Ababa at Fridman Gallery + Rachel Uffner Gallery ~ January 22
Fridman Gallery and Rachel Uffner Gallery are honored to announce A Hair Salon in Addis Ababa, a solo exhibition by Ethiopian painter Hana Yilma Godine spanning the two galleries.
Each gallery will present Godine’s new paintings portraying female protagonists in domestic and public spaces of their own making, drawing on everyday scenes of her home town of Addis Ababa: preparing for wedding celebrations, interacting in hair salons, resting in their living rooms. In a patriarchal society torn apart by a brutal civil war, Godine presents a parallel dimension where women are safe from violence and free to express themselves independently of social restrictions.
Marinaro Inaugurates New Gallery Space in Noho with Kathleen Herlihy-Paoli: Intermission ~ January 22
Marinaro will inaugurate its new Gallery One space at 678 Broadway with a solo exhibition by Missoula-based artist Kathleen Herlihy-Paoli. This body of work continues Herlihy-Paoli’s ongoing series exploring environmental, social, and political issues that permeate contemporary society. The artist is known for her frequent use of curtains and the theater set in her paintings, incorporating them as a vehicle to place her subjects center stage both physically and metaphorically.
Public Art Fund expands on its use of the JCDecaux bus shelters as canvas with an ambitious new three-city exhibition, Global Positioning ~ new artworks by 20 international artists that reveals our fundamental shared humanity across the boundaries of geography, culture, language, history, and politics. Coming together from 17 countries across six continents, these creative voices span disparate regions including the Amazon rainforest in Colombia; the desert lands of the Indulkana Community in Central Australia; Yangon, Myanmar, where the military has seized control through a coup; and the West African port city of Accra, Ghana. The exhibition debuts on January 26 on 320 JCDecaux bus shelters throughout New York City, Chicago, and Boston.
The Collision Project—Industry City’s campus-wide arts initiative hosting emerging and established contemporary artists across disciplines and mediums—has announced the arrival of two new works to its campus: The Pool, a large-scale interactive installation by artist Jen Lewin, and an untitled set of five permanent sculptures by CHIAOZZA. These works add to more than a dozen existing public art pieces at the 6 million-square-foot creative complex, further solidifying the campus as a vibrant destination for art and design.
In perfect timing for Black History Month, Claire Oliver Gallery will open its doors to the New York debut exhibition A Contemporary Black Matriarchal Lineage in Printmaking featuring 21 works by nine contemporary Black women printmakers. Curated by two artists, founder of Texas-based nonprofit Black Women of Print Tanekeya Word and member Delita Martin, the exhibition explores the depth and breadth of printmaking through the lens of Black women and their myriad narratives. On view January 29th.
Still on View:
The Flatiron/23rd Street Partnership and Van Alen Institute unveiled the winner of the eighth annual Flatiron Public Plaza Holiday Design Competition: Interwoven, an interactive installation by design firm Atelier Cho Thompson. Interwoven will be on view November 22, 2021–January 2, 2022 in the Flatiron North Public Plaza on Broadway, Fifth Avenue, and 23rd Street, creating a highly visible landmark in the heart of Manhattan throughout the holidays.
ARTECHOUSE, the first innovative arts organization dedicated to the intersection of art, science and technology, with locations in Washington, DC, New York City and Miami, announces the return of Machine Hallucination: NYC, the groundbreaking immersive exhibition in collaboration with award-winning media artist and pioneer in the aesthetics of machine intelligence Refik Anadol. In partnership with digital art online auction platform Nifty Gateway, this special viewing of Machine Hallucination: NYC, which attracted more than 100,000 visitors in its first three-month showing, will also feature an exclusive location drop of exhibition-based experiential NFT art, a collection composed of 1,000 unique NFTs from Anadol available to visitors on-site only at ARTECHOUSE’s New York location. The NFTs (non-fungible tokens) will launch on November 1st during NFT.NYC, the leading annual non-fungible token event, and run for two months for the duration of this limited-time exhibition. Open to all ages, Machine Hallucination: NYC opens to the public on November 2, 2021 and will run through January 2, 2022 at ARTECHOUSE NYC, located in Chelsea Market at 439 West 15th Street.
Awaken: A Tibetan Buddhist Journey Toward Enlightenment at The Rubin Museum of Art will be on view to January 3, 2022
The Rubin Museum of Art invites visitors to unplug and discover the possibility to free their minds with “Awaken: A Tibetan Buddhist Journey Toward Enlightenment,” opening March 12, 2021. Organized by the Virginia Museum of Fine Arts, this traveling exhibition guides visitors on a journey toward enlightenment, showcasing the power of Tibetan Buddhist art to focus and refine awareness, and highlighting the inextricable relationship between artistic endeavor and spiritual practice in Tibetan Buddhism. The exhibition has been re-imagined and adapted for the Rubin Museum’s galleries and features 35 traditional objects, including 14 from the Rubin Museum’s collection, with two contemporary works by Nepal born, Tibetan American artist Tsherin Sherpa.
Galerie l’Atelier opened its doors to the first American solo exhibition of renowned Belgium photographer, Eric Ceccarini. The exhibition, ‘The Painters Project’, is a meeting between painter, model and photographer, in the artists’ ongoing collection of collaborations between the photographer with painters and models/performing artists.
The Austrian Cultural Forum New York and Undercurrent are pleased to present un/mute, an international group exhibition of collaborative works by 28 artists across multiple disciplines. On view at the Austrian Cultural Forum New York and Undercurrent, the exhibition is the culmination of an 18-month-long project that was launched in 2020 providing European and NYC-based artists with an opportunity for critical exchange and collaboration during the COVID-19 global pandemic.
The Garment District Alliance (GDA) announced the latest in its ongoing series of public art exhibits, showcasing seven paintings titled Stu.pe.fac.tion, created by Garment District-based artist Joanne Handler.
Leonardo Benzant: Across Seven Ruins & Redemptions Somo Kamarioka at Claire Oliver Gallery Extended to January 22, 2022
Claire Oliver Gallery will open its doors to the spectacular work of Leonardo Benzant in his first solo presentation with the gallery. Featuring six new multi-media works, including four large scale mixed media sculptures and two paintings on paper, Across Seven Ruins & Redemptions Somo Kamarioka is an extension of the artist’s multi-year exploration of his conception of the Urban Shaman, which Benzant deploys a wide variety of media and found objects to create dynamic hanging beaded structures inspired by the Yoruba and Kongo community and the beaded regalia of African material culture. The exhibition will be open to the public November 11 through January 8, 2022.
BRIC House will open its doors to two Fall 2021 Exhibitions, Athena LaTocha: In the Wake of … and Karen Miranda-Rivadeneira: The mountain I am, Urku ñuka kani on September 29th.
NYBG’s Holiday Train Show—a favorite holiday tradition—is back for its 30th year! See model trains zip through an enchanting display of more than 175 New York landmarks, each delightfully re-created from natural materials such as birch bark, lotus pods, and cinnamon sticks. And on select dates, start a new holiday tradition as day turns to night with NYBG GLOW.
Living with Art Salon will open its doors to the first annual ‘Members Only‘ exhibition showing over 75 works of art created by 15 visual artists ~ all members of Art Lives Here, a non-profit arts organization, creating opportunities for emerging artists.
Living Histories: Queer Views and Old Masters is the latest addition in a broader program in the past decade that has celebrated a range of voices and perspectives through digital productions, installations, publications, and collaborations. At various times during the next year, four New York–based artists will engage with Old Master paintings in the permanent collection, each presenting a single new work on the second floor, where paintings by Vermeer, Rembrandt, and Holbein are displayed. These “pop-up” presentations, each running for a limited number of months, will initiate fresh conversations with the institution’s traditional figurative holdings, with particular emphasis on issues of gender and queer identity typically excluded from narratives of early modern European art.
David Zwirner is pleased to present Tree of Knowledge, an exhibition of a rare set of Hilma af Klint’s groundbreaking 1913–1915 series of works on paper of the same title, on view at the gallery’s 34 East 69th Street location in New York. This recently discovered group of eight watercolors is among the few works by the artist to exist outside of the holdings of the Hilma af Klint Foundation. This will be a singular opportunity for New York audiences to experience the artist’s revelatory work, and follows the highly acclaimed 2018–2019 exhibition Hilma af Klint: Paintings for the Future, held at the Solomon R. Guggenheim Museum. This exhibition has been extended through February 5, 2022.
For years, the term “Blaxploitation” has been used derisively to dismiss or caricature a bygone era of low-budget Black cinema—but it was and is so much more as we will see in the exhibition, You Won’t Bleed Me: How Blaxploitation Posters Defined Cool & Delivered Profits, on view from September 2, 2021 to February 6, 2022.
The Museum of Arts and Design (MAD) will open its doors to a new major exhibition, Craft Front & Center on May 22nd, bringing together over 70 iconic and lesser-known works from MAD’s eclectic permanent collection to highlight significant periods in craft’s history that have led to the current moment.
Popular Painters and Other Visionaries ~ En Foco: The New York Puerto Rican Experience, 1973-74 at El Museo del Barrio on view to February 27, 2022
El Museo del Barrio will open its doors to two new exhibitions this fall: Popular Painters and Other Visionaries and En Foco: The New York Puerto Rican Experience, 1973–74. Expanding on last year’s virtual presentation, Popular Painters and Other Visionaries examines the practices of 42 artists working on the margins of modernism and the mainstream art world in different parts of the Americas around the mid-20th century. Concurrently, El Museo will present En Foco: The New York Puerto Rican Experience, 1973–74, which centers on a single portfolio of 79 photographs by the Bronx-based photographic collective, En Foco. Opening simultaneously, both shows are organized by El Museo’s curatorial department and reflect core values of the institution from its formative Nuyorican formative roots to its continued commitment to expand the art historical canon in the Americas. Each will be accompanied by fully illustrated catalogues, forthcoming in Winter 2021.
Recently Rediscovered works by Donatello, Tintoretto, and Antonio Lombardo at Colnaghi New York on view through February, 2022
This November, audiences will have the once-in-a-lifetime opportunity to experience rare and newly discovered masterworks by some of the greatest artists of the Italian Renaissance, including Donatello, Tintoretto, Antonio Lombardo, and Benedetto da Rovezzano, in a special exhibition at Colnaghi New York. Featuring five exquisite sculptures— including a recently rediscovered terracotta bust by Donatello—alongside a newly attributed portrait painting by the great Venetian master Jacopo Tintoretto, the exhibition marks a rare occasion in which such a significant number of museum-quality works from the Italian Renaissance will come to the market at one time.
The exhibition features over thirty works by twenty-seven artists. Labyrinth of Forms seeks to highlight the achievements of these groundbreaking artists and explores how works on paper, in particular, were important sites for experimentation and innovation. The exhibition is curated by Sarah Humphreville, Senior Curatorial Assistant, and is on view in the Museum’s third-floor Susan and John Hess Family Gallery from October 9, 2021 to March 2022.
Always something happening on The High Line. Still on view until March ~ The Musical Brain; Horizon Poems; Retainer; and 57 Forms of Liberty. Also on view, Sam Durant: Untitled (Drone).
Sanctuary: The 2021 Socrates Annual on view to March 6, 2022
The eleven projects selected represent a range of interpretations of the theme, drawing from diverse communities, traditions, and artistic strategies to create unique sculptures and installations of sanctuary. The artist(s) for each project are awarded a $6,000 production grant, $1,500 honorarium, and three-months of access to the resources and fabrication facilities of the Park’s outdoor artist studio. The fellowship culminates in The 2021 Socrates Annual: Sanctuary exhibition.
The Bronx Museum of the Arts is pleased to announce Bronx Calling: The Fifth AIM Biennial, a meditation on the practice of everyday life in uncertain times. Featuring artworks by 68artists who took part in the 2018 and 2019 cycles of the Bronx Museum’s AIM Fellowship program, the fifth edition of Bronx Calling finds artists responding to the conditions of contemporary life in manifold ways. Whether in traditional or new media, many of the works are recent creations, the result of processing multiple crises—of health, grief, the environment, and identity. The Biennial is part of a series of exhibitions and public programs celebrating the Museum’s 50th anniversary and legacy as an institution dedicated to social justice. Bronx Calling: The Fifth AIM Biennial is curated by Ian Cofre and Eva Mayhabal Davis.
Keith de Lellis Gallery presents a selection of sixteen accomplished mid-century Swedish photographers whose innovative work has remained relatively unfamiliar to the American public. Ten of these individuals were part of TIO (a Swedish word for “ten”), a collective of Swedish photographers established in 1958. From nature and industrial scenes to abstraction and fashion, Swedish Modern captures the broad range of creative styles and interests that were present in the minds of mid-century Swedish artists. What unites the wide variety of subject matter between the photographers in this exhibition is their shared attitude of inquiry into the possibilities of what the camera is capable of.
Founded by Seymour Chwast, Reynold Ruffins, and Edward Sorel—and soon joined by Milton Glaser—Push Pin served as a counterpoint to the slick ads being created on Madison Avenue and the rigid, grid-based designs popular in Europe. They were referential, drawing from troves of disparate and often forgotten tropes from past art movements and time periods, hurtling them into the new, playful visual language of the 1960s and beyond.
The Garment District Alliance (GDA) is brightening Midtown Manhattan this spring with a vivid, painted mural titled Spectrum, created by artist Kim Carlino. The artwork – which contains 34 unique colors and is painted on 82 concrete blocks along the 7th Avenue pedestrian corridor – signifies the city’s vibrant comeback as New Yorkers and visitors return following the pandemic.
Broadway Blooms: Jon Isherwood on Broadway on view to Spring, 2022
Broadway Blooms: Jon Isherwood on Broadway, a sculpture exhibition located at eight locations between 64th Street and 157th Street is now on view. The sculptures are shaped in the form of flowers, celebrating the return to life from a long and difficult winter into spring.
On July 29, Public Art Fund will unveil Rehearsal, Berlin-based artist Claudia Wieser’s public art debut. Featuring five distinct large-scale geometric sculptures clad with hand-painted glazed tiles, panels featuring photographs of New York City and Roman and Greek antiquities, and mirror polished stainless steel, Rehearsal will create an immersive experience for park goers to explore. The cluster of sculptures will be located at the iconic terminus of Washington Street, where the Manhattan Bridge frames the Empire State Building. Juxtaposed with the surrounding architecture and natural landscape of Brooklyn Bridge Park, Rehearsal highlights the dynamism of the city and its people.
Boris Lurie: Nothing To Do But To Try will be one view at The Museum of Jewish Heritage through April 29, 2022
The Museum of Jewish Heritage – A Living Memorial to the Holocaust announces Boris Lurie: Nothing To Do But To Try, a first-of-its-kind exhibition on the 20th century artist and Holocaust survivor and the Museum’s first contemporary art show, opening to the public on October 22, 2021.
Art House, the world’s first fine art hub of its kind, will open its doors in November 2021 at 660 Madison Avenue, the former flagship location of Barneys New York. Art House is envisioned by Co-Founders Michael Plummer, Jeff Rabin, and Geoff Fox, the team who previously collaborated to bring TEFAF to New York in what was a game-changing moment in what an art fair could be. Boasting an architectural refresh by Kulapat Yantrasast and the team of WHY Architecture, Art House provides fresh solutions to the critical needs of a new era in the art world.
Sculpture artist Zaq Landsberg created and presented the illustrations for this piece during the last administration, prior to COVID-19 and our citywide shutdown. It was inspired by Buddhist imagery, and meant to depict our iconic American landmark, weary, reclining, and asking the question ~ “what stage of America are we in.” COVID-19 closed our city, and Reclining Lady lay waiting, like all of us, for better days. Fast-forward one year (or-what a difference a year makes). With a new administration and a city that is beginning to bloom along with spring, Zaq Landsberg: Reclining Liberty will emerge from the artists’ studio, with an installation date set for May 1, 2021 in Morningside Park, Harlem.
BIRDLINK is an interactive habitat sculpture whose mission is to support migratory birds by inserting native plant systems throughout the urban and suburban corridors through which they travel. BIRDLINK attracts the wild birds that reside or migrate trough the city with native plants at the empty tower and middle canopy levels. Visit Anina Gerchick: BIRDLINK in Crotona Park, Bronx, on view to May 21, 2022.
Harlem Art Park unveiled its latest temporary public art installation, Plastic Fantastic! With a kaleidoscope of color, artist Capucine Bourcart encourages the viewer to evaluate their own environmental footprint. The large-scale installation measures over 66-feet wide and 7-feet high, demonstrating the abundance of single use plastics and its impact on our public spaces and our environment. Plastic Fantastic! interacts with Jorge Luis Rodriguez’s permanent sculpture, Growth, installed in 1985, along with the unique architectural elements that make this park a hidden gem in East Harlem.
Harlem-based non-profit the Marcus Garvey Park Alliance, Public art organizer Connie Lee and Harlem-based artist Susan Stair are pleased to announce the installation of Ascending the Mountain, a public artwork in Marcus Garvey Park. Installed in three distinct sections along the staircase that leads up to the overlook terraces known as the Acropolis and the Harlem Fire Watchtower. The artwork is exhibited as part of NYC Parks’ Art in the Parks program and is one of six temporary public art installations organized by the public art committee in Harlem this Summer.
A dialogue began last year, serious and thoughtful discussion ensued, and artists have continued the conversation. Here, alongside a small pocket-park on 128th Street in Harlem, artist Julio Valdez unveiled his installation this week entitled ‘I Can’t Breathe.‘ The installation is just a few blocked away from last year’s colorful ‘Black Lives Matter‘ mural on Adam Clayton Powell Jr. Blvd. extending from 125-127th Streets.
Artist, Gillian Wearing will unveil a bronze monument to celebrated photographer, Diane Arbus at the Doris C. Freeman Plaza, at the entrance to Central Park this October. This is a fitting location for the Arbus monument, since many of her best-known images were taken in this Park.
Marcus Garvey Park has a plethora of art over this past few months, with the installation of Susan Stair: Ascending the Mountain and Thomas J. Price: Witness, added to the park’s weekly music and dance. Now, we look forward to the unveiling of Alice Mizrachi: Renaissance Women, an abstract, figurative sculpture that honors women of the Harlem Renaissance ~ paving the way for many of the artists today, including Mizrachi.
Sam Durant’s monumental fiberglass sculpture in the shape of an abstracted drone atop a 25-foot-tall steel pole continues High Line Art’s mission of presenting new, powerful, thought-provoking artworks that generate and amplify some of today’s most important conversations.
This latest addition to Bella Abzug Park’s landscape comes from HYHK’s ambitious public art program that seeks to continually beautify and uplift the neighborhood. In partnership with NYC Parks, funding from the Québec Government Office in New York, and sponsorship from local stakeholder Amazon NYC, HYHK was able to bring this project to life.
The Costume Institute’s next major exhibition will be a two-part show on view from September 18, 2021 through September 5, 2022. Part One, In America: A Lexicon of Fashion—opening in the Anna Wintour Costume Center on September 18, 2021 ~ will feature approximately 80 individual ensembles encased and arranged as “squares” in horizontal and vertical rows representing the qualities that collectively define American fashion. Part Two, In America: An Anthology of Fashion—opening in the American Wing period rooms on May 5, 2022—will explore the development of American fashion by presenting narratives that relate to the complex and layered histories of those spaces. Parts One and Two will close on September 5, 2022.
The Studio Museum in Harlem announced its fall programming, kicking-off the season with Thomas J. Price: Witness, the artist’s first solo museum presentation in the United States. As part of the Studio Museum’s ongoing inHarlem initiative, the nine-foot-tall bronze sculpture entitled The Distance Within (2021) will depict a young Black man looking down at his cell phone. The large-scale artwork celebrates a familiar form rarely monumentalized within a public setting and continues the artist’s exploration of blackness and Black masculinity as it relates to presence, movement, and freedom.
Mayor Bill de Blasio and NYC Parks Commissioner Gabrielle Fialkoff joined The Battery Conservancy President and Founder Warrie Price, Council Member Margaret Chin, Community Board 1 Chair Tammy Meltzer, artist Hebru Brantley, and community members on Sunday to unveil Brantley’s sculpture, The Great Debate, at The Battery. The artwork, which stands 16-feet tall, is exhibited in partnership with The Battery and NYC Parks’ Art in the Parks program, and will be on display through November 13, 2022.
The Roosevelt Island Operating Corporation (RIOC) has selected Amanda Matthews/Prometheus Art to construct the Nellie Bly Monument on the northern end of Roosevelt Island at Lighthouse Park. The sculptural installation will be known as “The Girl Puzzle” and invites the viewer to experience many facets of Nellie Bly’s talent, conviction and compassion. The ground-breaking journalist and women’s rights advocate exposed the horrors of the Blackwell Island Insane Asylum in 1887 on Roosevelt Island.
The Met’s Great Hall will Display Ancient Maya Stone Monuments from Republic of Guatemala until 2024
The two massive stelae—both significant long-term loans from the Republic of Guatemala—feature life-sized representations of influential Indigenous American rulers: a king, K’inich Yo’nal Ahk II (ca. A.D. 664–729), and queen, Ix Wak Jalam Chan (Lady Six Sky) (ca. A.D. 670s–741), one of the most powerful women known by name from the ancient Americas. The installation heralds the upcoming exhibition Lives of the Gods: Divinity in Maya Art, which is scheduled to open in fall 2022 and will highlight Maya visual narratives featuring a cast of gods: sacred beings that are personified elements of the cosmos, nature, and agriculture. The Great Hall display is also the first in a series of special exhibitions and installations that will present art of the ancient Americas, sub-Saharan Africa, and Oceania throughout The Met’s galleries while the Michael C. Rockefeller Wing is closed for a renovation project that will reenvision these collections for a new generation of visitors.
See you in February!