Atomized: Alberto Di Fabio | Masakatsu Sashie | Harif Guzman at GR gallery




Masakatsu Sashie. Image courtesy of the artist

GR Gallery will open its doors to “ATOMIZED”, a unique duo exhibition of Alberto Di Fabio (1966 Avezzano, Italy), Italian master of exceptional scientific abstraction, and Masakatsu Sashie (1974, Kanazawa, Japan), a visionary Japanese talent of Pop Surrealism. The exhibition will also include new works by street art legend Harif Guzman (1975, Venezuela), appositely conceived for this occasion to match the thread of the event. The show will feature 16 total works that will challenge the title by the subliminal textures of atomized landscapes in peculiar ways.

Alberto Di Fabio and Harif Guzman. Image courtesy of the artists

ATOMIZED” aims to exhibit unique techniques that immerse the viewer into a progressive thought regarding the fascination of the atom world. Masakatsu Sashie’s work revolves around the belief that the coacervate is a universal model and basis for all systems and organisms, simple and complex.

Alberto Di Fabio, State of Matter. Image courtesy of the artist

Since producing his very first works, Alberto Di Fabio has been taking inspiration from the world of natural sciences such as biology, chemistry and astronomy. His painting explores atoms, cell structures, neurons, DNA chains, constellations and galaxies. With each transformation, Harif Guzman adapts his work of humble materials into powerful artworks, as a reference to himself and the life that he has built and abided by. Forming his alter ego, Haculla, into an icon in the present day scene, his technique is viewed by refusing the deadening effects of iconographical conformity.


Harif Guzman, The black egg. Image courtesy of the artist

Atomized: Alberto Di Fabio | Masakatsu Sashie | Harif Guzman will be on view from February 12 through March 12, 2020 at GR gallery, 255 Bowery, Between Houston & Stanton) NYC.

All artists will attend Opening Event, Thursday, February 13th from 6:00-9:00pm (attend with Registration).

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