Berenice Abbott’s New York Album, 1929 to Open at The MET in March, 2023




Marquee: Berenice Abbott (American, 1898–1991). Page from New York Album, 1929–30. Gelatin silver prints, 10 x 13 in. (25.4 x 33 cm). The Metropolitan Museum of Art, New York, Gift of Emanuel Gerard, 1984 (1984.1097.9–.18). © Berenice Abbott / Commerce Graphics Ltd. Inc.

Opening at The Metropolitan Museum of Art on March 2, 2023, Berenice Abbott’s New York Album, 1929 will present selections from a unique unbound album of photographs of New York City created by American photographer Berenice Abbott (1898–1991), shedding new light on the creative process of one of the great artists of the 20th century. Consisting of 266 small black-and-white prints arranged on 32 pages, the album comprises a kind of photographic sketchbook, offering a rare glimpse of an artist’s mind at work. In addition to some 20 framed album pages, the exhibition will feature photographs from The Met collection of Paris streets by Eugène Atget, whose archive Abbott purchased and promoted; views of New York by her contemporaries Walker Evans and Margaret Bourke-White; and selections from Abbott’s federally funded documentary project, Changing New York (1935–39).

Born in Ohio, Abbott moved to New York City in 1918 and to Paris in 1921. She learned photography as a darkroom assistant in Man Ray’s studio and soon established herself as a prominent portraitist of the Parisian avant-garde. Through Man Ray, Abbott met the aging French photographer Eugène Atget, whose documentation of Paris and its environs struck her as a model of modern photographic art. Following Atget’s sudden death in 1927, she purchased his archive of some 8,000 prints and 1,500 glass negatives and set about promoting his work through exhibitions and publications.

In January 1929, after eight years in Europe, Abbott boarded an ocean liner to New York City for what was intended to be a short visit. Upon arrival, she found the city transformed and ripe with photographic potential. “When I saw New York again, and stood in the dirty slush, I felt that here was the thing I had been wanting to do all my life,” she recalled. Inspired by Atget, Abbott traversed the city with a handheld camera, photographing its skyscrapers, storefronts, bridges, elevated trains, and neighborhood street life. She pasted these “tiny photographic notes” into a standard black-page album, arranging them by subject and locale. As the immediate precursor to her 1930s WPA project, Changing New York, Abbott’s New York album marks a key transition moment in her career: from Europe to America and from studio portraiture to urban documentation. The exhibition will be accompanied by an online feature that identifies, for the first time, the locations of many of the photographs in the album.

Berenice Abbott’s New York Album, 1929 is organized by Mia Fineman, Curator in the Department of Photographs at The Met. The exhibition is made possible by The Robert Mapplethorpe Foundation, Inc.

Berenice Abbott’s New York Album, 1929 will be on view from March 2 to September 4, 2023 at The Metropolitan Museum of Art Fifth Avenue, in the Howard Gilman Gallery, Gallery 852, 1000 Fifth Avenue, NYC

Berenice Abbott’s Greenwich Village at Marlborough Gallery

While you wait, don’t miss Berenice Abbott’s Greenwich Village on view through March 11, 2023 at Marlborough Gallery, 545 West 25th Street, NYC.