Anya & Andrew Shiva Gallery/John Jay College presents Dissident Practices: How Brazilian Women Artists Respond to Social Change

 

 

 

Berna Reale, Palomo, 2012, performance. Courtesy of the artist and Galeria Nara Roesler, São Paulo, Rio de Janeiro, and New York.

Dissident Practices, on view April 19-June 16, 2023, at Anya and Andrew Shiva Gallery at John Jay College of Criminal Justice, explores how Brazilian women artists respond to social change — from the military dictatorship in the mid-1960s to the return to democracy in the mid-1980s, the social changes of the 2000s, the rise of the Right in the late-2010s, and the recent development of a more diverse younger generation fighting for gender equality and LGBTQI+ rights. Curated by Claudia Calirman, Associate Professor and Chair of the Department of Art and Music at John Jay College of Criminal Justice, the exhibition will present more than 30 works, including sculpture, video, and photography by 12 prominent and emerging Brazilian artists.

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Addressing the Gwangiu Massacre, Blood & Tears: Portrayals of Gwangiu’s Democratic Struggle on view at Shiva Gallery/John Jay College of Criminal Justice

 

 

 

Gallery view courtesy Anya and Andrew Shiva Gallery at John Jay College of Criminal Justice

Forty-two years after the May 18, 1980 Gwangju Uprising in South Korea when thousands of demonstrators were killed and wounded by government troops, the exhibition, Blood and Tears: Portrayals of Gwangju’s Democratic Struggle, continues unfolding fading truths and historical distortions. Blood and Tears explores the history of Gwangju, which had a leading role in the fight for democratic freedom and human rights and subsequently became a hub for internationally recognized contemporary art. The exhibition is curated by Thalia Vrachopoulos, professor of art history at John Jay College and independent curator Soojung Hyun. There will be a symposium on October 12, followed by a closing reception on October 21 featuring a performance by the artist Hong Joo. 

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