FACTION Art Projects will open its doors to the solo exhibition, La Selva Oscura, by Armando Mariño with ten large-scale oil paintings of figures in landscapes drawing on themes of identity and personal history within the current political and socio-economic climate.
Drawing from his Cuban roots, the artists’ work is influenced by periods of time living in Cuba, the Netherlands, France and New York’s Hudson Valley ~ as well as experience of dislocation and popular culture.
Gagosian Madison Avenue will open its doors to a special exhibition of contemporary Indigenous Australian painting from two significant American collections. Spanning three generations, the exhibition includes works by leading painters from the Central and Western Desert regions.
Bernarducci Gallery will open its doors to Lineage, a solo exhibition of work by Canadian artist, Emily Copeland ~ whose artistry favors using vintage flea market finds as her subjects, bringing them to life in charcoal.
‘Sine qua non‘ is derived from Latin and can be translated literally as “Without which, not.” It represents the idea that without (something), (something else) won’t be possible.
In Sebastian Wahl’s new body of work, he explores the contrast between colors and solid black, while incorporating his signature process of arranging images between multiple layers of clear resin to create depth and dimension, creating a sense of zero gravity where images are suspended in time and space
Joshua Liner Gallery will open its doors to Andy Dixon’s inaugural solo exhibition with the gallery, Look At This Stuff Isn’t It Neat. The Los Angeles based artist “explores themes of decadence, patronage, and the relationship between art and wealth.” Look at This Stuff Isn’t It Neat opens on February 28, 2019 and will remain on view through March 30, 2019. The artist will attend the opening reception, February 28th from 6-8pm.
The title, Refiguring the Future, is inspired by artist Morehshin Allahyari’s work defining a concept of “refiguring” as a feminist, de-colonial, and activist practice.
Informed by the punk ethos of do-it-yourself (DIY), the 18 artists featured in Refiguring the Future deeply mine the historical and cultural roots of our time, pull apart the artifice of contemporary technology, and sift through the pieces to forge new visions of what could become.
Derrick Adams: Interior Life is an exhibition of new works, curated by Francesco Bonami. In this exhibition, Adams was inspired by a tenet of Catholic theology that describes “a life which seeks God in everything” ~ a mediation on the intimate spaces of one’s mind and home, each an analog for the other.
GR Gallery will open its doors to the first solo exhibition by West Coast graffiti and urban culture pioneer, Dave Persue, with the exhibition Persue: Liminal Space. The work highlights Persue’s signature artwork, including the iconic Bunny Kitty and Wet Paint paintings, taking viewers through the artist’s career, and revealing a new body of work that will include 20 new pieces created specifically for this exhibition, along with a mural painting on the walls of the gallery.
A new group exhibition at Museo de la Antigua Marina Española in Old San Juan, Puerto Rico celebrates the works of 102 Puerto Rican artists, including New York’s first Percent for Art sculpture artist, Jorge Luis Rodriguez. Below, we share a few images from the opening reception, artist talks and interviews.
New York City’s parks have a long history of playing host to public demonstrations and protests that dates to the American Revolution. Since then, people have taken to the city’s streets, plazas, and parks to voice their distress during numerous periods of unrest. Today, parks continue to be some of the most democratic spaces for people to gather and declare their calls to action. NYC Parks Ebony Society’s exhibition Power to the People shares artists’ interpretations of public demonstration, drawing on both the city’s rich history of protest and current social conflicts.
Race, Myth, Art, and Justice celebrates a community of voices who illuminate how art continues to serve as a powerful tool for justice. As part of CCCADI’s commitment to public engagement and collaboration, the curators invited thirteen dynamic scholars, activists, artists, and writers to reflect on the exhibition’s works.
Garth Greenan Gallery opens its doors to an in-depth look at the work of artist Al Loving from 1977 to 1993 in the exhibition, Al Loving: Space, Time, Light. These years were a period of immense transformation and experimentation for the artist, following his solo show at the Whitney Museum in 1969, and his early critical and commercial success.
AFA Gallery will open its doors to a collection of new works by vinyl artist, painter, and muralist Stickymonger. This exhibition of 15 paintings on canvas is a departure from the artist’s pre- vious monumental vinyl works, which have been the hallmarkof her public art installations in New York City ~ such as her stunning work in a group exhibit we call Graffiti in the Sky on the 69th floor of 4 World Trade, and her very visible work opposite The Oculus, entitled The Mural Project.
A two-gallery exhibitions of landmark work from photographer Edward Burtynsky’s series Anthropocene, which maps the unprecedented impact of human intervention on Earth, will be on view at Howard Greenberg Gallery and Bryce Wolkowitz Gallery this November in New York.
Luxembourg & Dayan is pleased to announce ‘Intimate Immensity: Alberto Giacometti Sculptures, 1935-1945,’ the first United States exhibition dedicated exclusively to the artist’s cycle of very small human figures created in France and Switzerland during the Second World War.
The exhibition Egon Schiele: In Search of the Perfect Line will mark the 100th anniversary of Schiele’s death in 1918 with nearly 50 watercolors and drawings, including several iconic self-portraits, at Galerie St. Etienne in November.
Each year, The Salmagundi Club holds a spectacular exhibition with some of today’s best-known artists. The 2018 American Masters Exhibition & Sale will celebrate the recent $1.5 million renovation and restoration of the Club’s Upper Gallery space in their historic townhouse in Greenwich Village with a Gala and sale on Friday, October 12th from 6-8pm.
Ron English: Delusionville, new paintings and sculptures, will open at Allouche Gallery on Thursday, October 11th. In this exhibition, English returns to the Gallery with an aggressive reinterpretation of pop culture. Prepare to be mesmerized by the spectacle of chaos!
57 Great Jones, once owned by Andy Warhol, was the home and studio of Jean-Michel Basquiat. This month, the ground-floor space has been converted to a temporary gallery, inspired by the late artist ~ with an opening exhibition by Basquiat’s friend Al Diaz, also known as #SAMO, in honor of the 30th anniversary of the Basquiat’s passing.
In the exhibition, Everything is Connected: Art and Conspiracy, MET Breuer reaches back in time and traces the simultaneous development of two kinds of art about conspiracy. Works based on historical research, and investigative reporting and ‘plunging down the rabbit hole’ works where facts and fantasy freely intermingle – a state of being that is all too familiar these days. The exhibition Everything is Connected: Art and Conspiracy is the first major exhibit to tackle this perennially provocative topic.
Odyssey: Jack Whitten Sculpture 1963-2017, now on view at MET Breuer, is an exhibition of Whitten’s sculptures, first created in New York and later at his summer home on Crete. Included in the exhibition are forty sculptures and eighteen of the artist’s lusciously layered paintings.
The Garment District Alliance in partnership with Orangenius will have New Yorkers looking up for their new exhibition entitled Art Elevated, an aerial display of the works of artists from around the world, located high up on banners throughout the Garment District.
The Brant Foundation will open its new East Village Gallery doors on March 6, 2019 in what was the home/studio of the late artist, Walter De Maria, who passed away in 2013. Inaugural exhibition ~ works by Jean-Michel Basquiat.
On Tuesday, September 18th at 7 pm, Storefront for Art and Architecture opens its doors to the exhibition, Subculture: Microbial Metrics and the Multi-Species City by Kevin Slavin, Elizabeth Hénaff, and The Living / David Benjamin in collaboration with Evan Eisman Company.
Allouche Gallery explores the use of paper in a new group exhibition entitled, Paper Trail. From drawings and paintings to sculptures and collages, the artists employ unique methods of layering, space, and emphasis.
JoAnne Artman Gallery New York is pleased to open its doors to the Fall exhibition, Half Naked, a showing of Ray Turner’s most recent paintings and prints focused on exploring the dichotomies behind the idiom “half-naked” that powerfully echoes our own discomfort when confronted with the illusions of safety behind all social constructs through the viscerally of the painting medium.
Faction Art Projects returns this Fall in a collaboration with the East Los Angeles Gallery, Subliminal Projects, in a bi-coastal exhibition entitled Visual Language. This group exhibition examines the integration of word and images in art and Western Culture, bringing together a broad spectrum of alternative strategies for expressing contemporary everyday experiences.
The exhibition will run simultaneously at both galleries. In each gallery the artworks will work in parallel or collaboratively, while others will juxtapose and subvert ~ offering a strong critical frame through which to view contemporary culture in this period of “fake news” and “alternative facts.”
The exhibition brings together a wide-range of artists, each taking their own road in expressing experiences, transferred onto canvas. Below are some of the artists and artworks that will be on view.
With the Adam Pendleton exhibit coming to an end at Lever House on August 28, 2018, we look forward to September, and the installation of the American artist, Peter Halley on two floors of this iconic building.
Lygia Pape is one of the most significant Brazilian artists of her generation, having worked in a wide-range of media including sculpture, drawing, engraving, filmmaking and installation. Her work will be on view throughout three-floors of Hauser & Wirth New York’s 69th Street gallery this September.