Harlem One Stop presents An Afternoon with Mary Lou Williams: The Lady Who Swings the Band, a free film screening co-presented with Harlem Cultural Collaborative Partners as part of The Harlem Renaissance 100 Program (The Harlem Renaissance Centennial Community Celebration).
March is the month when we celebrate the extraordinary achievements of women, and this past year has truly been extraordinary, as we watched women in politics step forward to take the lead in Change.
The National Women’s History Theme for 2019 is Visionary Women: Champions of Peace & Nonviolence. Here are a few ways to celebrate Women’s History Month, from installations and exhibitions currently on view to new installations, exhibitions and events from March 1 through March 31st, 2019.
Join the conversation ~ “Lessons Learned from the Woman Suffrage Movement in the Continuing Fight for Women’s Equality,” March 27th from 6:30 to 8pm at New York Historical Society, Skylight Gallery.
Looking forward to four more Monuments dedicated to women as part of SheBuiltNYC.
It’s time to mark your calendar and make your list of must-see galleries and artists at the 2019 Armory Show on Piers 90, 92 and 94, along with Armory Art Week galleries and event spaces throughout the City. Here are a few suggestions.
Update on The Armory Show & Pier 92 ~ The City of New York found significant portions of Pier 92 to be not structurally sound. Therefore, VOLTA 2019 has been cancelled, and the majority of Pier 92 exhibitions and activations will relocate to Pier 90. Pier 90, adjacent to Pier 92, can be reached via a designated walkway or a one-minute shuttle ride, complimentary service provided continuously for the duration of the fair.
The Iranian-born, American sculpture artist, Siah Armajani is best known for his works of public art in bridges, gazebos, gardens, and reading rooms across the United States and Europe.
The artist has arrived in New York with a two-pronged installation and exhibition. The outdoor component will be featured by The Public Art Fund in Brooklyn Bridge Park with the installation Bridge Over Tree (1970), which was first exhibited as a temporary installation at the Walker Art Center in Minneapolis nearly fifty years ago (1970). It consists of a 91-foot-long walkway with open, trussed sides and a shingled roof, with a set of stairs at the midpoint that climb and descend over a small evergreen tree. The installation is located on the Empire Fulton Ferry Lawn at Brooklyn Bridge Park between the Manhattan and Brooklyn Bridges. Siah Armajani: Bridge Over Tree is curated by The Public Art Fund Director and Chief Curator Nicholas Baume.
The original concept and installation by Armajani was created as an outdoor, site-specific piece for the Walker Art Center’s 9 Artists/9 Spaces exhibition. Coinciding with The Public Art Fund installation, Siah Armajani: Follow This Line is on view at The Met Breuer. Featuring nearly one hundred works made over the past 60 years, Siah Armajani: Follow This Line is the first major U.S. retrospective of the preeminent Iranian-American artist Siah Armajani (b. 1939).
Here, we explore both the indoor and outdoor components, beginning at Met Breuer, and moving to Brooklyn Bridge Park with the MET and the Public Art Fund.
In anticipation of The Schomburg Center for Research in Black Culture’s upcoming event, Open Archive: The Slave Ship, we reached back in our archives to an exhibition on this very subject which opened at The Center for Puerto Rican Studies East Harlem in 2016. The exhibition was a compilation of decades of artwork by Jorge Luis Rodrigues, entitled ARTchives: Method and Documentation ~ and part of this exhibition included an exhibit entitled A Monument to the 500 Years of the Cultural Reversal of America, which was a small-scale exhibition of his original sculpture of a Galleon ~ a slave ship, including ceramic slaves placed in the hold of the vessel. Bringing the original sculpture down to scale, the Galleon was painted on the wall of the library, with 50 of the original 126 ceramic slaves beneath.
Tribeca Art+Culture Night is a downtown arts festival that celebrates culture at large in Tribeca and takes place in 30+ Lower Manhattan venues. Now in its third year, it will take place on September 26, 2018.
As part of the 2018 theme, The Future, artist Chitra Ganesh will kick-off her residency on May 4th with a free celebration from 6:00pm to 10:00pm, featuring music by DJ Rekha, and the performance “Blessed Avenue” by Jacolby Satterwhite. This is exciting and pertinent programming, exploring responsibility, feminism, transformation and The Future.
Face The Future with artist, Chitra Ganesh during her fellowship at The Rubin Museum of Art.
A preview of what The Shed will have to offer is on view across the street from where The Shed is currently under construction. Prelude to The Shed is a free two-week sneak-peek that will run from May 1-13 and will showcase The Shed’s mission to support artistic invention, and present multiple art forms in one flexible space. We were there when the doors opened on May 1st. Here are a few photos.
The Avenue P on the F Train in Brooklyn can look forward to a new MTA Arts & Design installation coming soon. The 28 new laminated glass panels, created by artist Jackie Battenfield, will grace the stairways on the ground platform. The first 7 panels are ready for installation now.
#TheWorldLetter Project originally started as a one-time street installation in May of 2017 as a Love Letter to the World. But then something interesting happened. The World began to write a Love Letter to the World. And so it continues on most days in Washington Square Park, weather permitting.
Image: David Zwirner, 43 Green Street, New York, 2001 (during the exhibition Diana Thater: The sky is unfolding under you).
Celebrating 25 Years, the David Zwirner Gallery will throw open its doors on all of its galleries to present a special exhibition, highlighting the artists who have shaped the gallery’s program since its founding in 1993.
The celebrated graphic designer, Milton Glaser, has unveiled three new public works in the New York City subway stations this week, in direct response to our current political climate and the administrations attack on humanity. On Monday, December 4, the MTA installed his latest campaign on subway platforms all over this city.
On the left, we have Swoon, classically trained (Pratt), well-known street artist specializing in life-size wheatpaste prints and paper cutouts of figures, often politically movitaved. She gained recognition after a solo show at Deitch’s SoHo gallery in 2005, attracting the attention of The Museum of Modern Art in New York. Her solo show “Submerged Motherlands” at the Brooklyn Museum in 2014 was the museum’s first exhibition dedicated to a living street artist.
On the right, we have Jeffrey Deitch of Coney Art Walls, Wynwood Walls and Art in theStreets exhibition at Museum of Contemporary Art in L.A., not to mention the author of several books on the subject, including a monograph on Keith Haring published by Rizzoli, and a partnershipwith the Goldman Group on The Bowery Art Wall. Deitch Projects produced over 250 projects with artists from thirty-three countries ~ an impressive and lengthy list.
Borinquen Gallo: Like a Jungle Orchid for a Lovestruck Bee will open at Burning in Water, with an Opening Reception on September 7 from 6:00-9:00pm. The exhibit is a colorful and creative re-use of a mix of street materials like yellow and red caution tape, blue tarps, garbage bags and even hub caps, to name a few.
Delirious: Art at the Limits of Reason, 1950-1980 is just what the doctor ordered for September at Met Breuer, and is as pertinent in today’s climate of turmoil as it was in the years covered by this exhibit. Deliriouswill include about 100 works of art by 62 diverse artists, that will take the viewer in four directions ~ Vertigo, Excess, Nonsense, and Twisted, exploring the depths of imagination of both the artist and viewer.
A city-wide exhibition entitled Ugo Rondinone: I ♥ John Giornowill celebrate the extraordinary life and work of the poet, artist and activist, John Giorno in thirteen locations, featuring films, drawings, archival presentations, paintings, and sound installations in a retrospective of Giorno’s work, as well as work inspired by him.