The New Museum today announced Sarah Lucas (b. 1962, London, UK) as the inaugural recipient of the Hostetler/Wrigley Sculpture Award, a biennial award supporting the production of new sculpture by women artists. Made possible by the Hostetler/Wrigley Foundation, the $400,000 grant supports the artist’s honorarium, production, installation, administration, and exhibition of new work on the New Museum’s forthcoming public plaza on the Bowery—a new public space created as part of the Museum’s expansion designed by OMA / Shohei Shigematsu and Rem Koolhaas.
GR gallery is pleased to announce ‘Social Circle’, the first solo exhibition of Suanjaya Kencut with the gallery and in New York. The show will feature a total of 19 artworks revealing a new suite titled ‘Connection Series’, among this, a special recognition is merited by five shaped canvases that challenged the artist with a new media and opens up innumerable future possibilities. Suanjaya aims to turn viewers focal points to the representation of human beings as dolls, which comes from the desire of recognizing all life forms as sacred and re-state how people are social creatures who thrive from cultivation of support systems like friends and family. Through the emptiness filled pandemic, Kencut felt disconnected and wanted to add hope, positivity, and optimism to his compositions with brilliant colors and figural views. These inanimate puppets show a fragmented scenes of human life that contains a consideration on the current situation in the hope that people can reflect on themselves through his artworks.
GR Gallery is pleased to present “Warriors and Ghosts”, a primary duo exhibition of Peter Opheim and Adam Handler. The show will feature a total of 21 works, individually created by the two artists appositely for this occasion, that will challenge the exhibition title by unleashing a variety of ghostly paintings and abstraction filled warrior-like figures that will captivate and invite viewers into an experience that illuminates a vibrancy of colors and textures.
Opening November 10, 2022, the New Museum will present the first American museum survey exhibition devoted to Theaster Gates, encompassing the full range of the artist’s practice across a variety of media creating communal spaces for preservation, remembrance, and exchange. This landmark exhibition will be accompanied by a presentation of newly commissioned works by Vivian CaccuriandMiles Greenberg exploring the relationship between bodies and sound waves.
‘A Sizzlin’ Summer’ will bring together 18 emerging talented artists to display new works that were specifically made for this exhibition. Featuring a total of 34 artworks, the exhibition is meant to embrace the artistic background and unique craftsmanship of each individual artist.
Fridman Gallery (NYC) and Voloshyn Gallery (Kyiv, Ukraine) are honored to present Women at War, curated by Monika Fabijanska. This group exhibition features works by a selection of the leading contemporary women artists working in Ukraine, and provides context for the current war, as represented in art across media. Several works in the exhibition were made after February 24, 2022, when Russia began full-scale invasion; others date from the eight years of war following the annexation of Crimea and the creation of separatist “republics” in Donbas in 2014.
Forward Ground is a multidisciplinary exhibition highlighting the work of fourteen contemporary artists. They take the inability to relive the past as a point of departure, turning friction into textures, creating new forms through inventive use of familiar materials, moving their (back)ground forward.
Allouche Gallery will open the solo show, Heroes del Canpo, debuting fifteen works by Felix R. Cid on March 17th, 2022, at their 2nd Avenue pop-up location.
Heroes del Canpo merges elements of geometry, human expression, and imagined structures, creating a portrait of personal projections. Felix R. Cid’s exploration of creative accidents and destruction advances his notions of the physical world and his psyche.
From February 17 to June 5, 2022, the New Museum will present the first full retrospective in New York of the art of Faith Ringgold (b. 1930, New York, NY). Bringing together over sixty years of work, “Faith Ringgold: American People”provides the most comprehensive assessment to date of Ringgold’s impactful vision. Her role as an artist, author, educator, and organizer has made her a key figure whose work links the multi-disciplinary achievements of the Harlem Renaissance to the political art of young Black artists working today. During the 1960s, Ringgold created some of the most indelible art of the Civil Rights era by melding her own unique style of figurative painting with a bold, transformative approach to the language of protest. In subsequent decades, she challenged accepted hierarchies of art and craft through her experimental quilt paintings and undertook a deeply studied reimagining of art history to produce narratives that bear witness to the historical sacrifices and achievements of Black Americans.
Fridman Gallery and Rachel Uffner Gallery are honored to announce A Hair Salon in Addis Ababa, a solo exhibition by Ethiopian painter Hana Yilma Godine spanning the two galleries.
Each gallery will present Godine’s new paintings portraying female protagonists in domestic and public spaces of their own making, drawing on everyday scenes of her home town of Addis Ababa: preparing for wedding celebrations, interacting in hair salons, resting in their living rooms. In a patriarchal society torn apart by a brutal civil war, Godine presents a parallel dimension where women are safe from violence and free to express themselves independently of social restrictions.
Fridman Gallery is honored to announce Within Listening Distance of the Sea…, the first solo exhibition in New York by Ambrose Rhapsody Murray, presenting a new series of sewn textiles, and a short film made in collaboration with Logan Lynette and Heather Lee. The exhibition is accompanied by a digital catalog with an essay by the art historian, curator and author Kilolo Luckett.
GR Gallery will open its doors to – BLUE STROKES – a groundbreaking group exhibition showcasing multi-talented artists from different states of Africa: Mamus Esiebo, Daniel Tetteh Nartey, Atanda Quadri Adebayo, Moustapha Baidi Oumarou. This exciting show will reveal, for the first time in a public exhibition in the U.S. , the latest series of artworks that the artists have been working on for the past months. Appositely conceived for this occasion, this bold body of new works will independently invade the gallery space, contrasting and counterbalancing each other. The show will put together in total twenty original artworks, including paintings on canvas, works on paper and a print.
Fridman Gallery is honored to present Dindga McCannon’s first major solo exhibition in her five-decade career. In Plain Sight brings together a range of works spanning the 1980s to today and highlights her multidisciplinary practice featuring mixed media quilts, paintings, and sculpture.
Fridman Gallery will open its doors to Alternating Currents, an exhibition of new works by 12 emerging and mid-career artists. The exhibition reveals a pursuit of a sense of connection to something larger — to history, to cultural heritage, to traditional notions of artmaking — and sometimes a desire to break from it.
Fridman Gallery will open its doors to a solo exhibition of the late free jazz percussionist and visual artist Milford Graves. Heart Harmonics: sound, energy, and natural healing phenomena brings together three bodies of work comprising the most recent (and last) artistic output of his research.
GR gallery is beyond excited to welcome back LY for her first New York City Solo show, after last year duo. Dubbed “The ways LUVS look”, LY will be showcasing her raw talent by revealing 15 new artworks created for this occasion. These canvases, exemplarily executed with the artist signature unlimited gray scale palette, will picture LUV, LY’s omnipresent character, in newfangled scenarios and occupations.
Fridman Gallery presents A stranger’s soul is a deep well, a multidisciplinary exhibition highlighting the work of nine contemporary artists: Ambrose, Heather Dewey-Hagborg, Athena Latocha, Abigail Levine, Nate Lewis, Tyrone Mitchell, Wura-Natasha Ogunji, Sahana Ramakrishnan and Matana Roberts.
GR Gallery will open its doors to DAZZLED, a group exhibition featuring new works by artists Gao Hang, Kenz, Adam Lister and Kentaro Okawara. The show puts together 20 pieces, including paintings, works on papers and sculptures. The title is inspired by the unique style and visual approach that defines the four artists, able to forge, in four exclusive ways, a dreamy esthetic that misleads our visual realm.
GR Gallery will open its doors to ‘Cerberus’, the first exhibition of Adam Lupton with the gallery and in New York. A total of 18 oil and acrylic paintings will be shown; this body of Lupton’s work grows out of his OCD, where performing mental and physical rituals, endlessly seeking assurance, and repeating mantras and projections make up his every day – mediating between himself and an unyielding “otherness”. Through this lens, the work weaves together individual and societal rituals, spiritual schizophrenia, and self-defining myth, thereby illuminating our various attempts at and desires for certainty.
GR gallery will open its doors to Dylan Gebbia-Richards for his first New York solo show. Dubbed “Viridescent”, Dylan will be showcasing his raw talent by unleashing 16 new artworks. There will be a vast selection of his signature wax pieces in various sizes and he will showcase for the first time ever his experimental glass works, developed last year during his residency at Bullseye Glass project in Portland. Together with these artworks Dylan will also launch his “Gems”, an edition-like body of small 3-D wax pieces.
Fridman Gallery opens its doors to Latent Tapestries, a presentation of new work by New York-based, multidisciplinary artist Nate Lewis. This exhibition marks the artist’s first solo exhibition in New York.
In her first solo museum exhibition in New York City, Jordan Casteel (b.1989, Denver, Colorado) brings together nearly forty paintings spanning her career, including works from her celebrated series Visible Man (2013-14) and Nights in Harlem (2017), along with recent portraits of her students at Rutgers University-Newark,
GR Gallery will open its doors to “ATOMIZED”, a unique duo exhibition of Alberto Di Fabio (1966 Avezzano, Italy), Italian master of exceptional scientific abstraction, and Masakatsu Sashie (1974, Kanazawa, Japan), a visionary Japanese talent of Pop Surrealism. The exhibition will also include new works by street art legend Harif Guzman (1975, Venezuela), appositely conceived for this occasion to match the thread of the event. The show will feature 16 total works that will challenge the title by the subliminal textures of atomized landscapes in peculiar ways.