For almost fifty years Charles Ray has been making art that engages the mind and the eye. His earliest works often included his own performing body. More recently he has focused on his work’s relationship to the long history of sculpture. This can be seen not only in his engagement with the fundamental elements of the medium — space, mass, texture — but also in his adoption of historical themes, including the equestrian portrait, the reclining nude, and the relief.
Continue reading “Charles Ray: Adam and Eve arrives at Two Manhattan West”
