School of Visual Arts will honor prolific illustrator and faculty member Steve Brodner with the 31st annual Masters Series Award and Exhibition in 2019. “The Masters Series: Steve Brodner” will be a comprehensive retrospective of his celebrated career and include never-before-seen political art and illustration work set along a timeline covering the past five decades.
Bryce Wolkowitz will open its doors to the third solo exhibition of photographs by Stephen Wilkes in his continuation of his global photographic project, Day to Night. From capturing cities and natural parks to wildlife and endangered species, it has become the artist’s mission in recent years to extend a heightened and humane awareness of global climate change, particularly its effects on species beyond our own.
The much anticipated Poster House Museum opened in June, 2019, exhibiting posters from their earliest appearance in the late 1800s to present day. Here, visitors will explore New York’s long relationship with advertising and design, including nearly 100 select works from the School of Visual Arts (SVA) Subway Series.
School of Visual Arts (SVA) Chelsea Gallery will open its doors to the exhibition, Look Both Ways: The Illicit Liaison Between Image and Information, curated by Debbie Millman, chair of the MPS Branding program at SVA. This exhibition brings together a wide range of typographic work from 60 individual artists, including Jean-Michel Basquiat, Shepard Fairey, Dave Eggers, Deborah Kass, Jenny Holzer, Miranda July, Kim Gordon, and more ~ from Millman’s personal collection and beyond.
The Rubin Museum’s Annual Block Party will take place on Sunday, July 21st from 1-4pm! It’s a true Summer celebration when thousands of New Yorkers fill the car-free 17th Street between 7th/6th Avenues. This year, it’s all about the Power Within.
Strut your stuff at the High Line Hat Party! Sip on cocktails, dance with friends, and enter a fierce runway competition. Remember ~ anything can be a hat. Get inspired by the High Line’s history, evolution, nature, architecture, food, and all-inclusive spirit. This is a raucous, fashion-forward, and bold party you won’t want to miss.
Atlantic Gallery opened its doors to a new solo exhibition by French artist Evelyne Huet entitled Dear Humans, exploring the complexity of human emotions, imagining both their genesis and their evolution ~ with 21 digital paintings, using a unique and thoughtful method.
Bernarducci Gallery will open its doors to Lineage, a solo exhibition of work by Canadian artist, Emily Copeland ~ whose artistry favors using vintage flea market finds as her subjects, bringing them to life in charcoal.
Joshua Liner Gallery will open its doors to Andy Dixon’s inaugural solo exhibition with the gallery, Look At This Stuff Isn’t It Neat. The Los Angeles based artist “explores themes of decadence, patronage, and the relationship between art and wealth.” Look at This Stuff Isn’t It Neat opens on February 28, 2019 and will remain on view through March 30, 2019. The artist will attend the opening reception, February 28th from 6-8pm.
On the roof of Kasmin Gallery, in the Kasmin Sculpture Garden, we spotted three Max Ernst sculptures placed at random in and around the skylights. The sculpture garden happens to be in tucked in the curve of Zaha Hadid’s first architectural project in New York, on the High Line near 28th Street.
The much anticipated Hill Art Foundation will open its doors in Chelsea with the inaugural exhibition, Maybe Maybe Not: Christopher Wool and the Hill Collection, 21 works by Christopher Wool, on February 9th.
Pour: Heather Day & Kathryn Macnaughton will open at Joshua Liner Gallery this week. This two-person exhibition features new works on canvas from San Francisco-based Heather Day and Toronto-based Kathryn Macnaughton.
Bernarducci Gallery opens its doors to New York Cool, a group exhibition of New Precisionist painters. The subjects capture many elements; landscapes, still life, figures, nature, and fantasy with unique and original images.
In a City where ‘bigger & better’ is the norm, the new Starbucks Reserve Roastery, next to Chelsea Market, fits right in with its three-level, 23,000 square-feet of very inviting, beautifully designed space.
The Rubin Museum of Art will dedicate its 2019 exhibitions, programs, and experiences to the theme of power, focusing on how visitors can activate the power that exists “within and between us.” Drawing on a diverse range of sources and perspectives, from contemporary art to scientific theories to Buddhist philosophies, the Rubin Museum will explore secular and religious systems of power as well as personal and collective agency. The timely, year-long exhibition Power: Within and Between Us will begin January 1, 2019.
Garth Greenan Gallery opens its doors to an in-depth look at the work of artist Al Loving from 1977 to 1993 in the exhibition, Al Loving: Space, Time, Light. These years were a period of immense transformation and experimentation for the artist, following his solo show at the Whitney Museum in 1969, and his early critical and commercial success.
This fall at the Rubin Museum of Art, guests from a diverse set of spiritual traditions will discuss the connections between ancient wisdom and the earth’s future with notable personalities including Laurie Anderson, Marina Abramović,Paul Miller (DJ Spooky), Meredith Monk, and Maira Kalman. Tickets for the 2018 Karma schedule go on sale September 7, 2018.
JoAnne Artman Gallery New York is pleased to open its doors to the Fall exhibition, Half Naked, a showing of Ray Turner’s most recent paintings and prints focused on exploring the dichotomies behind the idiom “half-naked” that powerfully echoes our own discomfort when confronted with the illusions of safety behind all social constructs through the viscerally of the painting medium.
For all those who dream of turning the pages back ten years, the exhibit ‘Unusual and Exigent‘ is a reminder ~ a deep dive ~ into the 2008 financial crisis by an artist, math Ph.D. and former hedge fund manager, Nelson Saiers.
A Luta Continua. The Sylvio Perlstein Collection will open on April 26th. The exhibition ‘traces the course of twentieth-century art from Dada and Surealism to Abstration, Land Art, Conceptural Art, Minimal Art, Pop Art, Op Art, Arte Povera, Nouveau Réalisme, and Contemporary Art,’ with more than 360 works by 250 artists. Prepare to be overwhelmed.
The School of Visual Arts 2018 winter programming launches with its second iteration, “elmuseo@SVA: May Contain Moving Parts,” an exhibition representing the coming together of two New York Institutions, El Museo del Barrio and the School of Visual Arts.
Save the Dates: Opening on January 13th, Opening Reception on January 18th, Arnaldo Morales activates his kinetic work + Q&A on January 25th, and all participating artists in a panel discussion on February 1st.
Image: David Zwirner, 43 Green Street, New York, 2001 (during the exhibition Diana Thater: The sky is unfolding under you).
Celebrating 25 Years, the David Zwirner Gallery will throw open its doors on all of its galleries to present a special exhibition, highlighting the artists who have shaped the gallery’s program since its founding in 1993.
Emmanuel Fremin Gallery will open its door for the New Year with an invitation to embark on a photographic road trip through the country of Norway through the lens of Norwegian photographer Ole Marius Joergensen.
Oh how we enjoyed Emmanuel Fremin Gallery’s The Fancy Animal Carnival by the artist Hung Yi, installed all along the Broadway Mall last year in the Garment District. This month, the Gallery will open its doors to Concrete Jungle, a joint exhibition with artists Hung Yi and photographer, Young Sam Kim.
Preservationists familiar with the building recognized it right away as the original home of the historic Julien Binford murals located at 101 West 14th Street. The murals at the 14th street location appeared to still be intact. The building, a recently shuttered HSBC bank branch, was built in 1952, designed by Halsey, McCormack & Helmer. The website nysonglines states that the Binford murals at that location were painted in 1954, and can be seen from the street. What will become of the Binford murals, when new tenants occupy the space, is unknown. However we did learn that Council Member Corey Johnson’s office is looking to preserve the mural, now owned by Google, and securing a permanent home.
Below, read the history of the murals, and the great ‘save’ thanks to the efforts of Speaker Corey Johnson and Save Chelsea.