TAFA, ‘The Canonization of Sarah Baartman’, Acrylic on canvas. Image courtesy of the artist
Pictor Gallery will open its doors to a solo exhibition by West African born, Harlem based artist TAFA entitled The Echoes of Memories.
Well known for his colorful abstract oil & acrylic paintings of musicians, sporting events, marches, and protests, his brush strokes take viewers on a literal moving adventure. Below, ‘Pele the Great’…… His paintings also bring to light social and political issues, such as the featured image on this post (above) Sarah Baartman…
Gorgeous piece by artist Carol Paik entitled ‘Same River, Twice’ will be in Part Two of the exhibition Tenuous Threads at Atlantic Gallery. Image courtesy of the artist.
Atlantic Gallery will open its doors to TENUOUS THREADS, a two-part exhibition showcasing works incorporating textiles, fibers, threads and mixed media. Tenuous Threads alludes to the delicate lines that bring us together and sets us apart; that join us yet repel us. All of life is connected through networks, systems, fibers and webs. Communication (visual, verbal, electrical, chemical, and kinetic) enables an exchange of information amongst all life forms. The exhibition, curated by Patricia Miranda, includes innovative artworks that utilize textiles, fibers, threads (natural and synthetic) in sculpture, collage, 3D and 2D mixed media that communicates the strength and fragility of what binds all life.
For his first exhibition with Hauser & Wirth and first New York City solo presentation in nearly a decade, Italian artist Roberto Cuoghi will populate the ground floor of the gallery’s 22nd Street building with an entirely new body of work. One of the most celebrated, yet enigmatic, artists of his generation, Cuoghi is known for an exacting, almost obsessive, research- and process-driven practice that spans the full spectrum of styles and genres. ‘Pepsis’* will debut works from Cuoghi’s ongoing, all-consuming project of the same name—a complex, multi-faceted investigation initiated in early 2020 after a fully immersive stay in New York City. Much of this body of work focuses on a rarely explored aspect of his ever-expanding practice, a medium infrequently associated with Cuoghi but central in contemporary art discourse now: painting.
Lords of the Charnel Ground; Smashana Adipati; Tibet; 18th century; painted terracotta; 6 1/2 x 5 1/8 x 1 1/2 in. (16.5 x 13 x 3.8 cm); Rubin Museum of Art; C2002.36.1 (HAR 65149); photography by David De Armas for the Rubin Museum of Art, 2012
The Rubin Museum of Art is pleased to present “Death Is Not the End,” a new exhibition opening March 17 that explores notions of death and the afterlife through the art of Tibetan Buddhism and Christianity. Featuring prints, oil paintings, bone ornaments, thangka paintings, sculptures, illuminated manuscripts, and ritual objects, “Death Is Not the End” invites contemplation on the universal human condition of impermanence and the desire to continue to exist. This cross-cultural exhibition brings together 58 objects spanning 12 centuries from the Rubin Museum’s collection alongside artworks on loan from private collections and major institutions including the Metropolitan Museum of Art; Morgan Library & Museum; Museum aan de Stroom, Antwerp; Wellcome Collection, London; Nelson Atkins Museum, Kansas City; San Antonio Museum of Art, Texas; Museum of Fine Arts, Boston; Philadelphia Museum of Art; and more. The exhibition is part of the Rubin Museum’s yearlong thematic focus on Life After, exploring moments of change that propel us into the unknown. “Death Is Not the End” will be on view March 17, 2023, to January 14, 2024.
OLD AGE, 2022, screen printed and kilnformed glass. Photo credit: Mikey Baratta
Heller Gallery will open its doors to ‘What Do You See’, the gallery’s first exhibition of new work by Ghanaian artist Anthony Amoako-Attah. This is also Attah’s first exhibition in the United States.
The Rubin Museum of Art invites visitors to celebrate Losar, the Tibetan New Year, with an afternoon of art with your family and friends. Learn about traditional Losar celebrations and this year’s zodiac animal, the kind and sensitive Water Hare. Free admission to all of the galleries during visitor hours.
Hauser & Wirth presents ‘Southern Trees,’ the gallery’s first New York exhibition with distinguished American artist Charles Gaines and his first in the city since 2018. One of the most important conceptual artists working today, the show explores the evolution of Gaines’s complex practice, demonstrating how he has continued to forge new paths within the innovative framework of two of his most acclaimed series, Numbers and Trees and Walnut Tree Orchard. The exhibition’s title, ‘Southern Trees,’ alludes directly to the 150-year-old pecan trees pictured in the new works, and symbolically to the opening lyrics of ‘Strange Fruit,’ Billie Holiday’s haunting protest anthem from the 1930s. Charles Gaines.Southern Trees opening January 26th.
DAVID PAUL KAY “Empire of the Sun” Acrylic on Wood 51″ Diameter 2021
Fremin Gallery will open its doors to the exhibition, ‘Geometric Abstraction’, featuring the works of Georgian artist David Paul Kay and Armenian artist Mher Khachatryan on January 19th as its first exhibition in 2023.
Derrick Adams. So Much To Celebrate. 2021. Acrylic, paper birthday hats, pompoms on wood panel, 72 x 95 5/8 x 2 inches (200.7 x 242.9 x 5.1 cm). Courtesy the artist and LGDR.
I Can Show You Better Than I Can Tell You, a solo exhibition by Derrick Adams, comprises a cycle of sixteen large-scale works from Adams’s new series Motion Picture Paintings, 2020-22, which extend the artist’s signature deconstructed, cubist-style portraits in a new cinematic direction. Freeze framed moments—drawn from movies, media, and the artist’s imagination—are emblazoned with a variety of graphic texts reminiscent of film titles. “Black life is a movie,” says Adams, “a psychological thriller, situational comedy, romance, adventure drama, suspense, and horror all rolled into one.” Opening at The Flag Art Foundation in Chelsea on January 13th.
The Rubin Museum of Art is thrilled to announce its schedule of exhibitions and programs in 2023. The year begins with the launch of the Rubin’s largest institutional project to date, Project Himalayan Art, an initiative to provide global access to resources promoting a broader understanding of Himalayan art. The year’s exploration of the theme Life After begins in March with the cross-cultural exhibition Death Is Not the End, which examines ideas about death and the afterlife in the art of Tibetan Buddhism and Christianity. Live programming and the seventh issue of the Rubin Museum’s annual publication, Spiral magazine, available in print and online, will further expand on these themes. Throughout the year the Rubin will host its first ever series of professional development residencies for artists, museum professionals, and scholars who live and work in the Himalayan region. And in the fall of 2023 the Buddhist monastery Itumbaha in Kathmandu, in partnership with the Rubin Museum and Lumbini University, will unveil its permanent display galleries for objects in the monastery complex.
Victoria Sambunaris, High and Dry ~ Untitled, (Zabriskie Point), Death Valley National Park, California, 2021. Chromogenic print, 39 x 55 inches.
High and Dry, an exhibition of new photographs by Victoria Sambunaris, documents the inexorable evidence of human activity on the desert landscape from the literal to the geological. The work will be on view at Yancey Richardson from January 5 through February 18, 2023, and will feature seven new large-scale photographs traversing the intersection of the natural open terrain and the interventions shaped by climate change, resource depletion, and environmental degradation. An opening will be held on Thursday, January 5, from 6-8 p.m. The artist will be present.
APRICOT CLOUD, 2022. Glass, 10 5/8 x 9 3/4 x 9 3/4 in.
Heller Gallery is pleased to present Metamorphosis, the gallery’s first solo exhibition introducing new work by Swedish artist Malin Pierre. Pierre is part of a new group of women artists working with glass in Sweden, whose feminist lens permeates their work. The luscious curves of her vessel-based pieces, some of which are inherently anthropomorphic and suggestive of the female figure, are always juxtaposed with the fragility of glass.
Victoria Carter,, Boundary Stones, 2021; Linocut, 18″ x 24″
The Art Students League’s League at Large program is proud to present MYTHOS at The Painting Center from January 3-28, 2023. Guest Curated by Clintel Steed, the group exhibition explores visual artists as storytellers. Bringing together work by seventeen artists who study at the League, the exhibition features a variety of disciplines in works inspired by classical mythology, legend, and global folklore. Tackling themes of love, discovery, and metamorphosis, MYTHOS shows how the tales that define our past can also populate our present.
RYAN LEE is pleased to announce Josh Dorman: Idyll ~ Idol a solo exhibition of recent works which are an investigation of the artist’s longstanding interest in creating multi-layered and self-contained universes of antique collage material, acrylic and resin. Dorman’s two new bodies of work, the Being series and the Wallpaper series, take a new approach to the allegorical world building for which he is known. Opening January 5, 2023.
Beginning 10 November, Angel Otero will present his first major solo exhibition with Hauser & Wirth, ‘Swimming Where Time Was.’ Filling the 5th floor of the gallery’s 22nd street location, this new body of work marks a turning point in the artist’s career, revealing a new sensibility that has emerged over the last few years. These vibrant large-scale canvases merge the figurative and abstract sides of Otero’s innovative technical practice, advancing the artist’s exploration of oil paint as a medium and a conduit for self-reflection and analysis. Using his personal history to make sense of the current moment, these new works intensify the artist’s uncanny ability to convey memory and history through materiality.
Spectacular Factory: The Holiday Multiverse. Image courtesy ARTECHOUSE NYC
Artechouse has announced an immersive and enchanting holiday art experience for the whole family – SPECTACULAR FACTORY: The Holiday Multiverse. Open to the public November 19, 2022 – January 8, 2023,Spectacular Factoryimmerses guests into an imaginative multiverse of holiday villages. Visitors will float among giant swinging jingle bells, crash the party of a thousand nutcrackers, join a thrilling train ride through wreaths, take a spin in the candy cane carousel and more! Located at Chelsea Market, ARTECHOUSE NYC is conveniently situated among scores of vendors offering artisanal food, art, and apparel gifting options for the holidays.
Installation view, John CRASH Matos: Shape of Things to Come courtesy of JoAnne Artman Gallery
JoAnne Artman Gallery will present SHAPE OF THINGS TO COME, featuring works by John “CRASH” Matos. In a playful evolution of color and form, CRASH’s recent works are spray painted on custom-made, shaped canvases. Emphasizing silhouette and the external form, he presents new dynamic compositions that meld the versatility of his canvas medium with the layered depth of sculpture. Wrapping around the edges as if spilling on to the wall, vibrant pigment and decisive lines are barely contained to the planes of each painted surface. An allusion to stylistic progression as well as the contoured canvases, SHAPE OF THINGS TO COME delivers immersive works with steadily unfolding narratives.
The exhibition captures the significance of network and relationship-building among women within the art ecosystem at midcentury, with Parsons leveraging her own success as a gallerist to bring forward Bongé’s innovative vision and work.
Hollis Taggart will present Kinship: Dusti Bongé and Betty Parsons, an expansive exhibition on the illustrious but lesser-known career of artist Dusti Bongé and her devoted friendship with legendary gallerist and artist Betty Parsons. On view from October 13 to November 12, 2022, the exhibition is the first to examine Bongé’s close personal and professional ties with Parsons and the ways in which their relationship shaped Bongé’s career. The show also marks the official opening of Hollis Taggart’s expanded flagship location in Chelsea, which nearly triples the gallery’s size. Now occupying the ground and second floors at 521 W. 26th Street, the gallery boasts more than 6,800 square feet of exhibition, private viewing, and storage space.
JoAnne Artman Gallery is pleased to present, Unframed, an exhibition of new work rooted in America Martin’s investigation of the human experience. Featuring a selection of unframed pieces, Unframed explores both the literal boundaries and conceptual confines that Martin’s practice defies. Bursting with life, form, and color, Martin seeks to expand upon themes of self-exploration and transcending limitations. From paintings that inherently do not require framing, to works on paper that have not yet been framed, this exhibition invites the viewer to engage with Martin’s art in an organic, visceral way.
Marianne Boesky Gallery is pleased to present Golden Hour, Danielle Mckinney’s first one-person exhibition at the gallery’s New York space. In the new works on view, Mckinney expands and deepens her exploration into female subjecthood. The show’s title, Golden Hour reflects the mood and aesthetic sensibility of her paintings––the soft, resonant light of a particular time of day that often inspires self-reflection and signals the beginning of a period of relaxation. Emotionally as much as physically, Golden Hour marks the transition from the external world of work and play to the internal world of rest and solitude.
Over the past three decades, Zoe Leonard has probed the conditions of image-making and the politics of display, merging photography, sculpture, and installation in her acclaimed conceptual practice. This fall, Hauser & Wirth will present a selection from her expansive photographic project ‘Al río / To the River’ (2016–2022) on the second floor of the gallery’s 22nd Street location.
Bill Scott, Flowers for a Long-ago Painter, 2022. Oil on canvas, 20 x 20 in. (50.8 x 50.8 cm) Image courtesy of the gallery.
On September 8, Hollis Taggart will open I Stood There Once: New Paintings by Bill Scott, a selection of vibrant, abstracted landscapes completed between 2021 and 2022. The oil paintings evoke the views and sensations of time spent in nature, from suggestions of brilliantly colored flowers and trees to the intimate experience of seeing blazing spots after staring at the sun. The exhibition, Scott’s ninth solo show with the gallery, will feature more than 20 never- before-seen works that capture Scott’s incredible use of color and emotive gesture.
Renowned American artist Jenny Holzer has used language as her primary medium since the 1970s, combining poetic, political, and personal texts to reflect our experiences of power, violence, joy, oppression, idealism, sexism, leadership, nonsense, despair, reform, fun, and corruption. This September, Hauser & Wirth New York will present Holzer’s most recent works, including thought-provoking paintings, curse tablets, and a monumental kinetic display packing presidential tweets in the artist’s long-anticipated solo exhibition for New York City.
Following the presentation of her work at this year’s Venice Biennale, and ahead of her inclusion in the Biennale de Lyon, Christina Quarles will have her first major solo exhibition of new paintings with Hauser & Wirth in New York in September.
David Zwirner and Fraenkel Gallery are pleased to announce Cataclysm: The 1972 Diane Arbus Retrospective Revisited, on view at David Zwirner’s 537 West 20th Street location in New York and opening in September. Organized by both galleries to commemorate the fiftieth anniversary of the artist’s momentous 1972 posthumous retrospective at The Museum of Modern Art, New York, Cataclysm re-creates the iconic exhibition’s checklist of 113 photographs, underscoring the subversive poignancy of Arbus’s work even today while highlighting the popular and critical upheaval the original exhibition precipitated.
Marianne Boesky Gallery is pleased to present What We Talking About, Jammie Holmes’s début solo exhibition in New York. Holmes, a self-taught artist, creates complex allegorical works that draw on personal memory, self-portraiture, recurrent motifs, and intersocial relationships to investigate and illuminate themes of Black life across America. What We Talking About will be on view from September 8 – October 8, 2022 across the gallery’s 507 & 509 West 24th Street locations.
Gateway to Himalayan Art, an ongoing, permanent collection exhibition, introduces viewers to the main forms, concepts, meanings, and traditions of Himalayan art represented in the Rubin Museum collection.
Mathieu Bablet, Tribute to Moebius, 2022, China ink and watercolor, 19 x 15 inches. Image courtesy of the gallery.
Philippe Labaune Gallery is pleased to present the group exhibition “nar·ra·tive”, an exhibition of illustrations and strips created by twelve artists from Asia, Europe, and the United States.
Richard Serra, Up the River, 2021. Image courtesy of the Gallery.
David Zwirner is pleased to present concurrent exhibitions of new work by American artist Richard Serra at the gallery’s 537 West 20th Street location in New York, on May 4, 2022. On view will be a new sculpture in forged steel, and a new series of drawings by the artist will be presented in the second-floor galleries.
Richard Serra’s presentations will be accompanied by a fully-illustrated catalogue, forthcoming from David Zwirner Books.
SHARE CREATE I, Denis Meyers, 2022, 39″ x 63″. Image courtesy of the gallery.
Renowned Belgian Artist Denis Meyers will be presenting his first American exhibition “DENIS MEYERS – NYC 2022” at Galerie l’Atelier. Born in 1979, Denis Meyers is a Belgian urban artist. He studied at the National Superior School of Arts and Visuals of la Cambre, in Brussels, city where he currently lives and works.
Café de Paris, 2001, Charcoal and crayon on paper, 15.5 x 20.75 inches. Image courtesy of the gallery.
Philippe Labaune Gallery will open its doors to Ruthless Portrait, an exhibition of paintings and drawings by French artist Nicolas de Crécy. The Paris based artist offers, through his various portraits, his singular vision of human beauty removed from the common standards of advertising aesthetics. These are the faces of the street that no one would notice, faces without apparent beauty, sometimes damaged by life, often hollowed out by age, sublime or sad, yet always mesmerizing once interpreted by Crécy. Opening April 28th.
Image via Center548, 548 West 22nd Street in Chelsea
VOLTA will be returning to New York as part of Frieze Week 2022 from May 18 through May 22nd. The Fair will be located in the former Dia Building and Hauser & Wirth gallery space at 548 West 22nd Street, just one-block from the High Line and a ten-minute walking distance from FRIEZE New York’s location at The Shed.
VOLTA Art Fair will welcome over 50 national and international galleries, both new and returning to the New York edition.
Installation view, Juan Muñoz: Seven Rooms, David Zwirner, New York, 2022
David Zwirner is pleased to present an exhibition of work by the Spanish artist Juan Muñoz curated by Vicente Todolí. Spanning two floors of the gallery’s 537 West 20th Street location in New York, the presentation will feature seven discrete installations from throughout Muñoz’s career that highlight his expansive notion of sculpture. Wide-ranging in scale and format, each installation provides viewers with a distinct experience. This will be the gallery’s first exhibition of the artist’s work since announcing the representation of the Juan Muñoz Estate in 2020.
Fremin Gallery will open its doors to a new exhibition featuring the works of renowned Dutch artist Nemo Jantzen. The exhibition entitled ‘VINYL’ will open on March 3rd, with an Opening Reception that evening from 6:00 to 8:00pm. The evening will be sponsored by JAJA Tequila.
The Rubin Museum of Art announced today a partnership with Itum Bahal Conservation Society, Kathmandu, and Lumbini Buddhist University, Kathmandu, to research, preserve, and display the collection of one of the oldest, largest, and most important monasteries in Kathmandu, Nepal.
From L-R: Elizabeth Colomba-New York; Catherine Meurisse-Paris; Rutu Modan-Tel Aviv
From March 3rd to April 16th, 2022, Philippe Labaune gallery will devote itself to three international artists who bear witness to their culture through their storytelling with drawings. Elizabeth Colomba, Catherine Meurisse and Rutu Modan combine the elegance of the line, the strength of the words, and the singularity of their personality to inscribe their works in the great library of the memory of humanity that the graphic novel occupies today.
Hua Khar Jaintsa (active 1990s); Course of the Lifespan Principle (chapter 4 cont.); Rebgong, Amdo Province, Northeastern Tibet (Tongren, Qinghai Province, China); 1995–1996; pigments on cloth; gift of Shelley and Donald Rubin Private Collection; C2014.9.12
On March 18, 2022, the Rubin Museum of Art will present “Healing Practices: Stories from Himalayan Americans,” a new exhibition highlighting the diverse ways that Tibetan Buddhist artworks and practices have served as roadmaps to well-being. The exhibition juxtaposes objects from the Rubin Museum’s collection with stories from Himalayan Americans, revealing the many ways these living traditions are transformed and adopted for today’s world, especially in times of crisis. “Healing Practices: Stories from Himalayan Americans” is the Rubin Museum’s first collaborative exhibition with a Community Advisory Group and will be on view March 18, 2022 to January 16, 2023.
Mitchell-Innes & Nash will open their doors to Leon Kossoff: A Life in Painting, a major touring exhibition of paintings by the British artist Leon Kossoff (1926-2019), curated by Andrea Rose. The exhibition, which includes sixteen paintings that span the breadth of the artist’s career and represent his most celebrated subjects, has been organized in concert with the publication of Leon Kossoff: Catalogue Raisonné of the Oil Paintings.
Pace Gallery is pleased to present a selection of drawings created by the artist and musician David Byrne over the last 20 years. On view at 540 West 25th Street in New York from January 13 to February 19, 2022, David Byrne: How I Learned About Non-Rational Logic will include works from the artist’s dingbats series of drawings made during the COVID-19 pandemic, a group of his tree drawings from the early 2000s, and a selection of his drawings of chairs from 2004–07. In addition, Phaidon will release a book of the artist’s dingbats drawings on February 16, 2022. The drawings in Pace’s presentation shed light on Byrne’s distinct formal style and expansive visual arts practice.
Suchitra Mattai, Herself as another, 2022; Acrylic, gouache, cord, trim, earrings, and family necklace, 66 x 72 in. (167.6 x 182.9 cm)
Hollis Taggart will open its door to artist Suchitra Matta’s first solo exhibition, Herself as Another. Mattai’s multidisciplinary practice explores, unravels, and re-imagines commonly understood and entrenched histories and cultural perceptions. With her newest work, Mattai brings her incisive critique to an examination of the way society “others” populations that it deems different, placing particular focus on the experiences of immigrants and those dealing with mental illness. Through more than a dozen mix-media paintings, fiber sculptures, and installations, Mattai grapples with the fears and mythologies that drive people to ostracize and the impacts those actions have on the “other.” Herself as Another follows Mattai’s breakout New York presentation in Hollis Taggart’s two-person show, History Reclaimed in 2020, and the artist formally joining the gallery in January 2021. The exhibition will remain on view through March 12, 2022, at the gallery’s primary location in Chelsea at 521 W. 26th Street.
David Zwirner is pleased to announce a group exhibition curated by the Pulitzer Prize–winning author, critic, and curator Hilton Als. On view at the gallery’s West 19th Street spaces, the exhibition will focus on the enormous output and cultural significance of Toni Morrison (1931–2019), and, as Als notes, “will add visual components that italicize the beauty and audacity of her work.” Included will be selected archival materials as well as work by artists Garrett Bradley, Beverly Buchanan, Robert Gober, Gwen Knight, Kerry James Marshall, Julie Mehretu, Irving Penn, Walter Price, Martin Puryear, Amy Sillman, Bob Thompson, and James Van Der Zee, among others, some of which have been commissioned for the exhibition and were made in direct response to Morrison’s writings.
Fremin Gallery will open its doors to KAAIEN, the first New York exhibition for Belgium artist Didier Engels. After a career of more than 30 years in the research of textures (20 years as textile stylist and 10 years as interior design architect), Didier Engels has shifted toward photography. As a self-taught Belgian photographer, he started his photographic work ‘Dry Dock’ and ‘Kaaien’ in January, 2015.
Brooke Shaden,, The World Above. Photo on Velvet Fine Art Peper; 20 x 20 inches. Image courtesy of the gallery.
JoAnne Artman Gallery is pleased to present, The Back Room: Winter Solstice, a group exhibition that celebrates the seduction and drama of entering a gallery’s private, back room. An exploration into past and upcoming shows, the works in The Back Room celebrates the art world’s unique ritual of inviting preferred patrons to view the gallery’s exclusive inventory. Including works by America Martin, Brooke Shaden, Carla Talopp, Jada + Jon, Jenna Krypell, and Swan Scalabre, all artists hold distinctive sensibilities in subject matter and concept, yet are linked through an expressive formal approach.
Galerie l’Atelier opened its doors to the first American solo exhibition of renowned Belgium photographer, Eric Ceccarini. The exhibition, ‘The Painters Project’, is a meeting between painter, model and photographer, in the artists’ ongoing collection of collaborations between the photographer with painters and models/performing artists.
Pace will open its doors to an exhibition of new and recent work by the artist duo Elmgreen & Dragset at its flagship gallery in New York. Marking the Berlin–based artists’ first major show with Pace since they joined the gallery in 2020, this presentation runs from November 9 to December 18. The Nervous System, which comprises a highly narrative domestic scene of 11 works, including eight new pieces, is reminiscent of Elmgreen & Dragset’s acclaimed double exhibition, titled The Collectors, in the Nordic and Danish Pavilions at the 53rd Venice Biennale in 2009.
On 16 November, Hauser & Wirth New York will present a newly discovered, never before exhibited, painting by Arshile Gorky. ‘Untitled (Virginia Summer)’ was uncovered in 2020 during conservation and research for Gorky’s catalogue raisonné. It was discovered directly beneath ‘The Limit,’ attached to the same, original stretcher that Gorky used when the painting first left his studio in 1947. Hidden for over 70 years, ‘Untitled (Virginia Summer)’ is as rich and as vibrant as when it was first created. ‘Beyond The Limit’ will present both paintings to the public together for the first time, along with works on paper directly related to the recently discovered composition, and a new book from Hauser & Wirth Publishers featuring illuminating essays by Parker Field, Managing Director of the Arshile Gorky Foundation, and Pepe Karmel, Associate Professor of Art History at New York University. The exhibition, and accompanying publication, provide fresh insight into the development of Gorky’s practice during the last years of his life, when his abstract imagery and style reached a confident maturity.
David Zwirner will present four exhibitions, each opening on November 4th in its Chelsea locations. Ruth Asawa: All Is Possible at 537 West 20th Street; Seen in the Mirror: Things from the Cartin Collection at 537 West 20th Street; Neo Rauch: The Signpost at 533 West 19th Street; and Portia Zvavahera: Ndakaoneswa marimba at 525 West 19th Street.
Galerie Lelong & Co., New York, is pleased to present a solo exhibition with Jaume Plensa, featuring new sculptures by the artist, including the debut of the new nest series, that explore the innovation of figurative forms in his depictions of contemporary portraiture.
Lino Tagliapietra, FENICE, 2012, glass, 13 x 47 x 4 3/4 in (33 x 119.4 x 12.1 cm) Image courtesy of the Gallery
Heller Gallery will open its doors to an exhibition by the octogenarian Italian maestro Lino Tagliapietra, who announced his retirement from the furnace last month. The exhibition, on view from October 8 – November 6, 2021, focuses on prime examples of new and archived works and honors the unprecedented 75 years Tagliapietra, who just celebrated his 87th birthday, has spent practicing his art. The exhibition is curated by Douglas Heller, one of the leading authorities on contemporary glass.
Images (L-R) Tanino Liberatore, Les Fleurs Du Mal, Les Phares, 2015; Charcoal on paper, 45.28 x 55.12 inches ~ Tanino Liberatore, Ranx Regeneration, 2017; Acrylic on canvas, 32.28 x 22.44 inches. Images courtesy of the Gallery
Philippe Labaune Gallery will open its doors to Poetry Iinterrupted! ~ an exhibition of paintings and drawings by Italian artist Tanino Liberatore. On view will be paintings the artist created highlighting his infamous 1980s Italian comic series’ protagonist, Ranxerox, a hyper-masculine cyborg anti-hero that shook the world of comics with themes of sex, drugs, anarchy, and violence. Accompanying Liberatore’s paintings will be a selection of works created by international artists paying homage to the iconic comic books series. Artists include Paul Pope, Jonathan Barravechia, Victor Kalvachev, Oliver Valtine, among others. Also on view will be a selection of eleven large-scale drawings Liberatore made in response to Les Fleurs du Mal (The Flowers of Evil), a collection of poems written by 19th century French poet, Charles Baudelaire. Poetry Interrupted! will be on view October 7 ~ November 13, 2021, with an opening reception on Thursday, October 7th from 11am to 9pm.
