Fremin Gallery’s latest exhibition, “SUMMER BREEZE”, captures the peaceful energy of the summertime with stunning artworks from Bob Tabor, Antoine Rose, and Christophe Pouget. Their images tap into our collective desire to escape the heat and relax along the water as the hot summer days take over.
Heller Gallery in collaboration with Ferrin Contemporary, will open its doors to Melting Point, a group exhibition of glass and ceramic artists whose use of the melting point is central to their practice. Featuring nearly 100 works by 22 artists. The artists, both established and emerging, explore the inherent physical qualities of materials that are formed and reformed by melting, as well as express their concern for the environmental melting point our planet seems to be approaching.
Philippe Labaune Gallery will open its doors to Black Dog, an exhibition of drawings by British artist Dave McKean from his 2016 graphic novel Black Dog: The Dreams of Paul Nash. McKean, a multidisciplinary artist whose work spans illustration, photography, film, and music, utilizes this multifaceted approach to form a dream-like psychological portrait of British landscape and wartime artist Paul Nash.
Galerie l’Atelier presents the photography exhibition “DIVE IN” by Aldara Ortega in their Chelsea space in New York City. The show features a collection of female underwater portraits. Through a submerged feminine eye, we are presented with unique stories from four diverse women.
JoAnne Artman Gallery opens its doors to DISINTEGRATION, a showing of Martin Adalian’s most recent paintings that explore the disintegration of memory, material, and of past and present. Appearing as though recovered relics with aged facades and canvas imperfections, Adalian’s paintings fuse contemporary aesthetics of mixed media and grunge with classical portraiture. Establishing new, modern context for his portraits, Adalian imbues an audacious attitude alongside a deep appreciation toward tradition. Through his distinct combination of old and new, his works promote the retrospection of artistic innovation and human emotion while navigating the complex, cyclical nature of disintegration and rebirth.
Hauser & Wirth New York will open its doors to ‘We Were Already Gone’, an exhibition at its West 22nd Street location in the Chelsea Arts District, organized in collaboration with Hunter College. Curated by graduate students in Hunter’s Department of Art & Art History, this exhibition will showcase the work of artists currently enrolled in the school’s MFA Program in Studio Art. ‘We Were Already Gone’ spotlights the diversity and holistic approach that have situated Hunter uniquely among American institutions devoted to higher education in the arts. The show will present an array of works across mediums, with sculpture, painting, and videos that confront the global cultural and political reckoning underway.
Philippe Labaune Gallery will open its doors to Narrative Images, an exhibition of paintings and original comic strips by French American artist Miles Hyman. This will be the debut of Miles Hyman’s paintings in New York. Informed by mid-century American realism, European symbolism, and film noir, Hyman’s recent work is a study in light, imaginative juxtapositions, and a record of personal geography. Accompanying his paintings will be a selection of original comic strip drawings from graphic novel adaptations of Hyman’s grandmother Shirley Jackson’s The Lottery, James Ellroy’s The Black Dahlia, among others. Narrative Images will be on view from May 13 – June 26, 2021 with an opening reception on May 13th from 11 AM to 9 PM.
In a wide-ranging practice spanning four decades, postwar Japanese artist Tetsumi Kudo (1935 – 1990) explored the effects of mass consumerism, the rise of technology, and ecological degradation on post- war society through satirical, critical, elaborately detailed and meticulously constructed environments that continue to exert a powerful influence on artists today. Opening 5 May, ‘Tetsumi Kudo. Metamorphosis,’ the artist’s first exhibition at Hauser & Wirth New York, focuses upon the late artist’s idea of metamorphosis which emphasizes the need for personal and collective spiritual evolution beyond the values of Western Humanism, which he believed caused war, racism, and colonialism, and alienated people from the natural environment.
Reflecting the scale and scope of a prodigious six-decade career that has unfolded while criss-crossing the Atlantic Ocean, Sir Frank Bowling’s inaugural exhibition with Hauser & Wirth will be presented in both the gallery’s London and New York locations simultaneously, beginning May 2021. With works on view spanning over 50 years of the British icon’s career from 1967 to the present day, ‘Frank Bowling – London / New York’ celebrates the ways in which one artist’s inventive approach to the materiality of paint has expanded the boundaries of abstraction.
Pace Gallery is pleased to present a monographic exhibition dedicated to the paintings of Agnes Martin, whose work left an indelible mark on the history of modern and contemporary art and has continued to inspire generations of artists. For Martin, painting was defined by an ongoing exploration of its capacity to express a vision of beauty born of intuitive inspiration. Featuring a range of paintings from the 1970s to the early 1990s, from Martin’s multicolored striped works, to compositions of color washed bands defined by hand-drawn lines, to the deep gray Black Paintings that characterized her work in the late 1980s, this exhibition examines Martin’s attentive use of color in each of these phases. Agnes Martin: The Distillation of Color traces this evolution within the context of Martin’s broadening vision during the latter half of her career—one that crystalized her pursuit of perfection and quest to deepen her understanding of painting’s essence, unattached to emotion or subject, yet radiant and meditative in its pure abstraction.
If you are a lover of comic art, you will be delighted to hear that long-time European comic art collector, Philippe Labaune will open a gallery in Chelsea. in April. The inaugural exhibition, “Good for Health – Bad for Education: A Tribute to Otomo” will showcase illustrations by 30 international artists in homage to Japanese artist Katsuhiro Otomo’s seminal 1982 manga series: “Akira.”
PAREIDOLIA: the tendency to perceive a specific, often meaningful image in a random or ambiguous visual pattern. The human ability to see shapes or make pictures out of randomness. (Merriam-Webster Dictionary).
In this exhibition featuring photographs from Pascal Goet and Sculptures by Cat Sirot, Galerie l’Atelier showcases two artists who stimulate imagination through their research of shapes and patterns inspired from the world of nature. Here, the gallery presents their very personal universe that would remain invisible to our eye otherwise.
In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one iconic image to create another in his extraordinary large-scale works. From a distance, the pieces appear to be a singular image but as the viewer approaches closer, you find each work is a masterfully crafted compilation of minute detailed images layered next to one another, creating a mesmerizing and hypnotic optical illusion.
Ceres Gallery in Chelsea has opened its doors to the timely exhibition, Susan Grabel: Homeless in the Land of Plenty ~ Redux, clay sculptures. Grabel has a long tradition of social commentary in her work. Through it, she explores the social and political realities of modern society, and tries to evoke the complex web of feelings that these realities engender.
The High Line asked for your thoughts on 80 artists’ proposals for the third and fourth High Line Plinth commissions to open in 2022 and 2024 ~ and with your help, they now have a shortlist of 12, on view as sculptural maquette’s in the Coach Passage at 30th Street. The selected artists are Iván Argote, Nina Beier, Margarita Cabrera, Nick Cave, Banu Cennetoğlu, Rafa Esparza, Teresita Fernández, Kapwani Kiwanga, Lu Pingyuan, Pamela Rosenkranz, Mary Sibande, and Andra Ursuţa.
Robert Nava: Angels will inaugurate Vito Schnabel’s second New York City exhibition space, located at 455 West 19th Street in the Chelsea Arts District. This will be the first New York solo exhibition for the Brooklyn-based artist, and will be a debut for a new series of paintings devoted to the archetype of the seraphim, the winged figure that has animated art history since the early Christian era of the 4th century. With these works, the angel takes its place in Nava’s contemporary visual mythos, joining riotously colored monsters, knights, and chimerical beings that populate his deceptively carefree canvases and works on paper.
Roni Horn has spent the past four decades questioning accepted notions of identity and meaning, thwarting closure and opening up new possibilities of perception through her expansive body of work across mediums. Beginning 18 February, ‘Roni Horn. Recent Work’ will present the artist’s latest achievements in the realm of drawing, a medium she has described as ‘a kind of breathing activity on a daily level.’
For all those who love Paris, you won’t want to miss Galerie l’Atelier, in partnership with Fremin Gallery, in its presentation of Paris Wanderlust. Each artist in this group exhibition brings the city to life, capturing their most treasured places. Here, the gallery describes this pictorial adventure.
David Zwirner is pleased to present Albers and Morandi: Never Finished, which will be on view at the gallery’s 537 West 20th Street location. The exhibition explores the formal and visual affinities, and contrasts between two of the twentieth century’s greatest painters: Josef Albers (1888–1976) and Giorgio Morandi (1890–1964).
David Zwirner is pleased to present an exhibition of new work by artists from the gallery’s program located at 537 West 20th Street, NYC.
The world has never faced such uncertainty: everything from our understanding of public health and racial injustice to our geopolitical order and our social and environmental responsibilities is being challenged and rethought. 2020 may go down as the watershed year when the deck was reshuffled; and while we don’t know the future, our minds are busy speculating, anxiously rethinking and looking for a vision beyond.
Hauser & Wirth will open its doors to ‘Internal Riot,’ an exhibition of new paintings and works on paper by American artist George Condo. Made during the quarantine period, these works reflect the unsettling experience of physical distance and the absence of human contact during this prolonged time of so- cial isolation. The pandemic has forced Condo to take his portraiture practice to a new level, with invented cha- racters captured in an abstract web that reveals the humanity inherent in their fractured psychological states.
The Rubin Museum of Art announced today that on November 10 the Museum will close its third floor galleries, where the permanent collection exhibition Masterworks of Himalayan Art is currently on view, and begin construction on a new interactive space for social and emotional learning for all ages. Scheduled to reopen fall 2021, the third floor, renamed Mandala Lab, will bring cognitive science, contemplative practice, and visitor-contributed art experiences to the heart of the Rubin, as well as act as the new home for School and Family Programs. The Mandala Lab will draw on the symbolism of a Tibetan Buddhist mandala, which also serves as conceptual inspiration for the floor.
Ryan Lee Gallery opened its doors to the exhibition, Falling Figures, an exhibition of paintings by Emma Amos. This is the first exhibition to mine this motif in Amos’s work, an exploration that began with her Falling Series (1988-1992) and continued into the twenty-first century. Amos was a celebrated artist and educator who began her career in New York in the 1960s. She was the only female member of the influential African American artist group Spiral, alongside Romare Bearden, Norman Lewis, and Hale Woodruff. Amos, whose work ranged from graphic, to expressionist, to figurative, has always understood that, as she put it, “to put brush to canvas as a black artist was a political act.”
Sikkema Jenkins & Co. has reopened, and is pleased to present a solo exhibition of works on paper by Kara Walker, featuring selections from the artist’s personal archive alongside more recent drawings. The show previews a selection of works that will be included in Walker’s first major exhibition in Switzerland at the Kunstmuseum Basel opening in June 2021. The museum exhibition will travel to Schirn Kusthalle Frankfurt, Germany and the De Pont Museum of Contemporary Art in Tillburg, The Netherlands.
With José Parlá unveiling a new exhibition at The Bronx Museum of the Arts this month, we thought it a good time to take a look back at one of our favorite installations by the artist. Segmented Realities, commissioned by The Standard High Line in 2014.
Oh, how we love our flea markets, and how we have missed one of the last outdoor markets in Manhattan, TheChelsea Flea. Good news came today, when we learned that the Chelsea Flea will reopen on September 12th and 13th.
David Zwirner gallery will be reopening globally, with the New York galleries opening their doors to three new exhibitions. Suzan Frecon: oil paintings and Harold Ancart: Traveling Light on September 10th, and Josh Smith in New York and London, concurrently on September 15th.
With a globally renowned collection of nearly 4,000 objects spanning more than 1,500 years from the Himalayan region, the Rubin Museum of Art launches a new and improved online collection database today. A total of 381 objects from the Rubin Museum’s permanent collection are now available at collection.rubinmuseum.org. This marks the first phase of an initiative to make the Rubin Museum collection accessible to visitors, students, teachers, and scholars alike around the world. More objects will be added continually, with the goal of eventually publishing the entire collection.
Now, with New York City in Phase 3, Hauser & Wirth has opened the doors to its new building located at 542 West 22nd Street in Chelsea. The 36,000 square-foot, Selldorf Architects designed building includes a bookshop, crafted cafe and bar, and large flexible-configuration gallery spaces with site-specific artist interventions in such areas as stairways and elevators.
Atlantic Gallery opened its Online Viewing Room to the exhibition, Future (Perfect). In an effort to do their part and help our amazing city get through this tough time, Atlantic Gallery members have decided to donate 20% of all sales to the UNITED WAY NYC: Covid19 Community Response & Recovery Fund.
The exhibition, Line and Frame: A Survey of European Comic Art will bring together over 40 European artists from the last 70 years. This is the first time a rare strip and “crayonné” by Franco-Belgian master Hergé from his series, The Adventures of Tintin: Les Bijoux de la Castafiore will be on view in the US.
Joshua Liner Gallery will open its doors to artist, Wayne White’s fourth solo exhibition with the gallery, I DON’T KNOW. The Los Angeles-based artist will present new text-based paintings that feature hand painted backgrounds, as well as laser cut word reliefs, and an oversized kinetic puppet. I DON’T KNOW will open on January 9 and remain on view through February 8, 2020. The artist will attend the opening reception.
We are sorry to lean that this will be the final exhibition for the Joshua Liner Gallery at the 28th Street location.
You live inside your head, but do you understand how it works? Brainwave investigates how our minds shape our everyday experiences with onstage conversations and immersive experiences that combine the most compelling advancements in science with traditional Himalayan wisdom.
The Rubin Museum of Art’s annual Brainwave series returns in January to explore the connections between the Buddhist idea of impermanence, or that everything changes, and cutting-edge research in neuroplasticity. Featuring unscripted onstage conversations and experiences that engage the head and heart, each Brainwave program investigates how our minds shape our everyday experiences by combining the most compelling advancements in science with traditional Himalayan wisdom. Tickets go on sale to the general public at 11am on January 9th.
Laurence Miller Gallery will open its doors to the New York City debut of John Dowell’s COTTON: Symbol of the Forgotten. In this timely exhibition, Dowell blends a unique mixture of spiritualism, historical awareness, racial angst and deft technique to create photographic works that inspire the viewer to recognize the injustices imposed upon the black community, especially in New York, over the past 400 years.
There’s a lot to see and do in Chelsea this month from Kusama at David Zwirner to Mike Kelley and Rashid Johnson at Hauser & Wirth, Banksy at Taglialatella Galleries, and on & on. But the installation located at 243 West 18th Street stopped us in our tracks. It is entitled The Opioid Spoon, created by artist Domenic Esposito as part of his Opioid Spoon Project, focusing on the opioid epidemic throughout our Country.
The Rubin Museum of Art will open its doors to Shahidul Alam: Truth to Power, the first U.S. survey of photographer and activist, Shahidul Alam. The exhibition will feature more than 40 images, ephemera, and new work from the artist’s over four-decade career, including portraits, landscapes, and scenes of daily life, strife, and of resistance in the “majority world” ~ a phrase Alam has used since the 1990s to reframe the notion of the “third world” or “global south,” with a view of Bangladesh and South Asia.
JoAnne Artman Gallery will open its doors to, LINEAGE, an exhibition that focuses attention on the intersection of decorative and functional elements of contour and linear stylization. Addressing the fundamental component of the line within artistic composition, LINEAGE explores the possibilities of perspective, volume, and interaction of planes. Suggesting the line as both a fluid material and conceptual device, these artists highlight their ability to create works that uniquely define the space around them. Using divergent forms of display, artists Matt Devine, Anthony Hunter, and Adriana Oliver’s works compliment one another in color, form, and in their parallel explorations of linear gesture. Merging form and content, their linear constructions exemplify the expressive potential of line.
David Zwirner will open its doors to an exhibition of American artist Jason Rhoades’s large-scale installation Tijuanatanjierchandelier, on view at 519 West 19th Street. First installed at the Centro de Arte Contemporáneo in Málaga, Spain, in 2006, and then featured the following year at the 52nd Venice Biennale, this exhibition marks the first presentation of Tijuanatanjierchandelier in New York. This significant work—one of several installations made during the latter part of the artist’s career—exemplifies Rhoades’s singular investigation of contemporary consumer culture, his career-long interest in probing both language and identity, and his ceaseless drive to push the limits of convention.
School of Visual Arts will honor prolific illustrator and faculty member Steve Brodner with the 31st annual Masters Series Award and Exhibition in 2019. “The Masters Series: Steve Brodner” will be a comprehensive retrospective of his celebrated career and include never-before-seen political art and illustration work set along a timeline covering the past five decades.