Galerie l’Atelier opened its doors to the first American solo exhibition of renowned Belgium photographer, Eric Ceccarini. The exhibition, ‘The Painters Project’, is a meeting between painter, model and photographer, in the artists’ ongoing collection of collaborations between the photographer with painters and models/performing artists.
Pace will open its doors to an exhibition of new and recent work by the artist duo Elmgreen & Dragset at its flagship gallery in New York. Marking the Berlin–based artists’ first major show with Pace since they joined the gallery in 2020, this presentation runs from November 9 to December 18. The Nervous System, which comprises a highly narrative domestic scene of 11 works, including eight new pieces, is reminiscent of Elmgreen & Dragset’s acclaimed double exhibition, titled The Collectors, in the Nordic and Danish Pavilions at the 53rd Venice Biennale in 2009.
On 16 November, Hauser & Wirth New York will present a newly discovered, never before exhibited, painting by Arshile Gorky. ‘Untitled (Virginia Summer)’ was uncovered in 2020 during conservation and research for Gorky’s catalogue raisonné. It was discovered directly beneath ‘The Limit,’ attached to the same, original stretcher that Gorky used when the painting first left his studio in 1947. Hidden for over 70 years, ‘Untitled (Virginia Summer)’ is as rich and as vibrant as when it was first created. ‘Beyond The Limit’ will present both paintings to the public together for the first time, along with works on paper directly related to the recently discovered composition, and a new book from Hauser & Wirth Publishers featuring illuminating essays by Parker Field, Managing Director of the Arshile Gorky Foundation, and Pepe Karmel, Associate Professor of Art History at New York University. The exhibition, and accompanying publication, provide fresh insight into the development of Gorky’s practice during the last years of his life, when his abstract imagery and style reached a confident maturity.
David Zwirner will present four exhibitions, each opening on November 4th in its Chelsea locations. Ruth Asawa: All Is Possible at 537 West 20th Street; Seen in the Mirror: Things from the Cartin Collection at 537 West 20th Street; Neo Rauch: The Signpost at 533 West 19th Street; and Portia Zvavahera: Ndakaoneswa marimba at 525 West 19th Street.
Galerie Lelong & Co., New York, is pleased to present a solo exhibition with Jaume Plensa, featuring new sculptures by the artist, including the debut of the new nest series, that explore the innovation of figurative forms in his depictions of contemporary portraiture.
Heller Gallery will open its doors to an exhibition by the octogenarian Italian maestro Lino Tagliapietra, who announced his retirement from the furnace last month. The exhibition, on view from October 8 – November 6, 2021, focuses on prime examples of new and archived works and honors the unprecedented 75 years Tagliapietra, who just celebrated his 87th birthday, has spent practicing his art. The exhibition is curated by Douglas Heller, one of the leading authorities on contemporary glass.
Philippe Labaune Gallery will open its doors to Poetry Iinterrupted! ~ an exhibition of paintings and drawings by Italian artist Tanino Liberatore. On view will be paintings the artist created highlighting his infamous 1980s Italian comic series’ protagonist, Ranxerox, a hyper-masculine cyborg anti-hero that shook the world of comics with themes of sex, drugs, anarchy, and violence. Accompanying Liberatore’s paintings will be a selection of works created by international artists paying homage to the iconic comic books series. Artists include Paul Pope, Jonathan Barravechia, Victor Kalvachev, Oliver Valtine, among others. Also on view will be a selection of eleven large-scale drawings Liberatore made in response to Les Fleurs du Mal (The Flowers of Evil), a collection of poems written by 19th century French poet, Charles Baudelaire. Poetry Interrupted! will be on view October 7 ~ November 13, 2021, with an opening reception on Thursday, October 7th from 11am to 9pm.
Fremin Gallery will open its doors to Punctured Ink, a new exhibition featuring works from Reka Nyari. The new series “Punctured Ink” incorporates works from Nyari’s ongoing portrait project titled “Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, and consists of large-scale nude photographs that explore the concept of self-identity and female empowerment.
JoAnne Artman Gallery is pleased to present, Seeing America, an exhibition of new portraits that investigate humanity, legacy, and change. Freehandedly and unapologetically capturing her subjects, America Martin’s compositions are a personal reflection of the human experience and condition. Through the stories they tell by means of history and Martin’s depictions, this assembled group of leaders challenge us to be our very best selves.
David Zwirner Gallery will open its doors to an exhibition of new works by Lisa Yuskavage. For more than thirty years, Yuskavage’s highly original approach to figurative painting has challenged conventional understandings of the genre. Her simultaneously bold, eccentric, exhibitionist, and introspective characters assume dual roles of subject and object, complicating the position of viewership.
David Zwirner will open its doors to an exhibition of paintings and works on paper by Alice Neel (1900–1984) from the first decades of the artist’s influential career. On view at the gallery’s 537 West 20th Street location, the focused presentation centers on works from the 1930s through the 1950s, and includes interiors, memory paintings, New York City streetscapes, and portraits of family and others close to Neel. At turns atmospheric, somber, and deeply personal, these works offer a chronological account of this significant period of Neel’s life and work, and engage themes of interiority, intimacy, and the negotiation between private and public, which continue to resonate in our present moment.
More Life ~ AIDS in the Art World: A Timeline at David Zwirner Gallery is an exhibition and timeline marking the fortieth anniversary of the US Centers for Disease Control first reporting on the disease we came to know as AIDS. More Lifehighlights a selection of artists whose lives were cut short by HIV/AIDS related complications during the first twenty years of the epidemic.
Let’s take a journey through American sports history with The Museum of American Manufacturing in New York City. Stall & Dean announced its first art exhibition on display at Chelsea Market, coinciding with the global celebration of the Summer Olympics. The exhibit will take viewers through an American manufacturing time machine, with its unique display of diverse sports memorabilia and artifacts created by Stall & Dean throughout the years.
Philippe Labaune Gallery will open its doors to Tale of Unrealism ~ an exhibition featuring a selection of large-scale drawings and illustrations by French artist Georges Bess. This is the first time the artist will be exhibiting in the United States. Bess, an illustrator of comics and graphic novels, is recognized as a master of line and ink and his collaborations with renowned Chilean-French artist Alejandro Jodorowsky. In recent works, Bess breaks away from the parameters of the book, creating ornate world originating from a single page that he expands upon intuitively, in a trance-like state of drawing. Also on view will be a collection of original comic strips from Bram Stoker Dracula (2018) and his 1989 graphic novel Le Lama Blanc (The White Lama).
Fremin Gallery’s latest exhibition, “SUMMER BREEZE”, captures the peaceful energy of the summertime with stunning artworks from Bob Tabor, Antoine Rose, and Christophe Pouget. Their images tap into our collective desire to escape the heat and relax along the water as the hot summer days take over.
Heller Gallery in collaboration with Ferrin Contemporary, will open its doors to Melting Point, a group exhibition of glass and ceramic artists whose use of the melting point is central to their practice. Featuring nearly 100 works by 22 artists. The artists, both established and emerging, explore the inherent physical qualities of materials that are formed and reformed by melting, as well as express their concern for the environmental melting point our planet seems to be approaching.
Join Amber Cowan and Lauren Mabry in conversation with Diane Wright on August 17th at 1:00pm Register Here.
Philippe Labaune Gallery will open its doors to Black Dog, an exhibition of drawings by British artist Dave McKean from his 2016 graphic novel Black Dog: The Dreams of Paul Nash. McKean, a multidisciplinary artist whose work spans illustration, photography, film, and music, utilizes this multifaceted approach to form a dream-like psychological portrait of British landscape and wartime artist Paul Nash.
Galerie l’Atelier presents the photography exhibition “DIVE IN” by Aldara Ortega in their Chelsea space in New York City. The show features a collection of female underwater portraits. Through a submerged feminine eye, we are presented with unique stories from four diverse women.
JoAnne Artman Gallery opens its doors to DISINTEGRATION, a showing of Martin Adalian’s most recent paintings that explore the disintegration of memory, material, and of past and present. Appearing as though recovered relics with aged facades and canvas imperfections, Adalian’s paintings fuse contemporary aesthetics of mixed media and grunge with classical portraiture. Establishing new, modern context for his portraits, Adalian imbues an audacious attitude alongside a deep appreciation toward tradition. Through his distinct combination of old and new, his works promote the retrospection of artistic innovation and human emotion while navigating the complex, cyclical nature of disintegration and rebirth.
Hauser & Wirth New York will open its doors to ‘We Were Already Gone’, an exhibition at its West 22nd Street location in the Chelsea Arts District, organized in collaboration with Hunter College. Curated by graduate students in Hunter’s Department of Art & Art History, this exhibition will showcase the work of artists currently enrolled in the school’s MFA Program in Studio Art. ‘We Were Already Gone’ spotlights the diversity and holistic approach that have situated Hunter uniquely among American institutions devoted to higher education in the arts. The show will present an array of works across mediums, with sculpture, painting, and videos that confront the global cultural and political reckoning underway.
Philippe Labaune Gallery will open its doors to Narrative Images, an exhibition of paintings and original comic strips by French American artist Miles Hyman. This will be the debut of Miles Hyman’s paintings in New York. Informed by mid-century American realism, European symbolism, and film noir, Hyman’s recent work is a study in light, imaginative juxtapositions, and a record of personal geography. Accompanying his paintings will be a selection of original comic strip drawings from graphic novel adaptations of Hyman’s grandmother Shirley Jackson’s The Lottery, James Ellroy’s The Black Dahlia, among others. Narrative Images will be on view from May 13 – June 26, 2021 with an opening reception on May 13th from 11 AM to 9 PM.
In a wide-ranging practice spanning four decades, postwar Japanese artist Tetsumi Kudo (1935 – 1990) explored the effects of mass consumerism, the rise of technology, and ecological degradation on post- war society through satirical, critical, elaborately detailed and meticulously constructed environments that continue to exert a powerful influence on artists today. Opening 5 May, ‘Tetsumi Kudo. Metamorphosis,’ the artist’s first exhibition at Hauser & Wirth New York, focuses upon the late artist’s idea of metamorphosis which emphasizes the need for personal and collective spiritual evolution beyond the values of Western Humanism, which he believed caused war, racism, and colonialism, and alienated people from the natural environment.
Reflecting the scale and scope of a prodigious six-decade career that has unfolded while criss-crossing the Atlantic Ocean, Sir Frank Bowling’s inaugural exhibition with Hauser & Wirth will be presented in both the gallery’s London and New York locations simultaneously, beginning May 2021. With works on view spanning over 50 years of the British icon’s career from 1967 to the present day, ‘Frank Bowling – London / New York’ celebrates the ways in which one artist’s inventive approach to the materiality of paint has expanded the boundaries of abstraction.
Pace Gallery is pleased to present a monographic exhibition dedicated to the paintings of Agnes Martin, whose work left an indelible mark on the history of modern and contemporary art and has continued to inspire generations of artists. For Martin, painting was defined by an ongoing exploration of its capacity to express a vision of beauty born of intuitive inspiration. Featuring a range of paintings from the 1970s to the early 1990s, from Martin’s multicolored striped works, to compositions of color washed bands defined by hand-drawn lines, to the deep gray Black Paintings that characterized her work in the late 1980s, this exhibition examines Martin’s attentive use of color in each of these phases. Agnes Martin: The Distillation of Color traces this evolution within the context of Martin’s broadening vision during the latter half of her career—one that crystalized her pursuit of perfection and quest to deepen her understanding of painting’s essence, unattached to emotion or subject, yet radiant and meditative in its pure abstraction.
If you are a lover of comic art, you will be delighted to hear that long-time European comic art collector, Philippe Labaune will open a gallery in Chelsea. in April. The inaugural exhibition, “Good for Health – Bad for Education: A Tribute to Otomo” will showcase illustrations by 30 international artists in homage to Japanese artist Katsuhiro Otomo’s seminal 1982 manga series: “Akira.”
PAREIDOLIA: the tendency to perceive a specific, often meaningful image in a random or ambiguous visual pattern. The human ability to see shapes or make pictures out of randomness. (Merriam-Webster Dictionary).
In this exhibition featuring photographs from Pascal Goet and Sculptures by Cat Sirot, Galerie l’Atelier showcases two artists who stimulate imagination through their research of shapes and patterns inspired from the world of nature. Here, the gallery presents their very personal universe that would remain invisible to our eye otherwise.
In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one iconic image to create another in his extraordinary large-scale works. From a distance, the pieces appear to be a singular image but as the viewer approaches closer, you find each work is a masterfully crafted compilation of minute detailed images layered next to one another, creating a mesmerizing and hypnotic optical illusion.
Ceres Gallery in Chelsea has opened its doors to the timely exhibition, Susan Grabel: Homeless in the Land of Plenty ~ Redux, clay sculptures. Grabel has a long tradition of social commentary in her work. Through it, she explores the social and political realities of modern society, and tries to evoke the complex web of feelings that these realities engender.
Update December 1, 2022 ~ and the winner is Pamela Rosenkranz ‘Old Tree’, a 25-foot tall sculpture in vivid pink and red. Located on the High Line at 30th Street and 10th Avenue, the Plinth is a landmark destination for major public art that features a rotating program of new monumental commissions.
Old Tree will bring to life mythical archetypes of the tree of life connecting heaven and earth. The tree’s color resembles the branching systems of human organs, blood vessels, and tissue, inviting viewers to contemplate the indivisible connection between humans and nature.
Rosenkranz’s artwork will be installed on the High Line in spring 2023 and will be on view through September 2024. Old Tree opens to the public just ahead of the completion of the Moynihan – High Line Connector later in spring 2023. The location of the Plinth on the High Line’s Spur is adjacent to the forthcoming Connector pathway that will lead visitors over 30th Street and Dyer Avenue towards Moynihan Train Hall.
Robert Nava: Angels will inaugurate Vito Schnabel’s second New York City exhibition space, located at 455 West 19th Street in the Chelsea Arts District. This will be the first New York solo exhibition for the Brooklyn-based artist, and will be a debut for a new series of paintings devoted to the archetype of the seraphim, the winged figure that has animated art history since the early Christian era of the 4th century. With these works, the angel takes its place in Nava’s contemporary visual mythos, joining riotously colored monsters, knights, and chimerical beings that populate his deceptively carefree canvases and works on paper.
Roni Horn has spent the past four decades questioning accepted notions of identity and meaning, thwarting closure and opening up new possibilities of perception through her expansive body of work across mediums. Beginning 18 February, ‘Roni Horn. Recent Work’ will present the artist’s latest achievements in the realm of drawing, a medium she has described as ‘a kind of breathing activity on a daily level.’
For all those who love Paris, you won’t want to miss Galerie l’Atelier, in partnership with Fremin Gallery, in its presentation of Paris Wanderlust. Each artist in this group exhibition brings the city to life, capturing their most treasured places. Here, the gallery describes this pictorial adventure.
David Zwirner is pleased to present Albers and Morandi: Never Finished, which will be on view at the gallery’s 537 West 20th Street location. The exhibition explores the formal and visual affinities, and contrasts between two of the twentieth century’s greatest painters: Josef Albers (1888–1976) and Giorgio Morandi (1890–1964).
David Zwirner is pleased to present an exhibition of new work by artists from the gallery’s program located at 537 West 20th Street, NYC.
The world has never faced such uncertainty: everything from our understanding of public health and racial injustice to our geopolitical order and our social and environmental responsibilities is being challenged and rethought. 2020 may go down as the watershed year when the deck was reshuffled; and while we don’t know the future, our minds are busy speculating, anxiously rethinking and looking for a vision beyond.
Hauser & Wirth will open its doors to ‘Internal Riot,’ an exhibition of new paintings and works on paper by American artist George Condo. Made during the quarantine period, these works reflect the unsettling experience of physical distance and the absence of human contact during this prolonged time of so- cial isolation. The pandemic has forced Condo to take his portraiture practice to a new level, with invented cha- racters captured in an abstract web that reveals the humanity inherent in their fractured psychological states.
The Rubin Museum of Art announced today that on November 10 the Museum will close its third floor galleries, where the permanent collection exhibition Masterworks of Himalayan Art is currently on view, and begin construction on a new interactive space for social and emotional learning for all ages. Scheduled to reopen fall 2021, the third floor, renamed Mandala Lab, will bring cognitive science, contemplative practice, and visitor-contributed art experiences to the heart of the Rubin, as well as act as the new home for School and Family Programs. The Mandala Lab will draw on the symbolism of a Tibetan Buddhist mandala, which also serves as conceptual inspiration for the floor.
Ryan Lee Gallery opened its doors to the exhibition, Falling Figures, an exhibition of paintings by Emma Amos. This is the first exhibition to mine this motif in Amos’s work, an exploration that began with her Falling Series (1988-1992) and continued into the twenty-first century. Amos was a celebrated artist and educator who began her career in New York in the 1960s. She was the only female member of the influential African American artist group Spiral, alongside Romare Bearden, Norman Lewis, and Hale Woodruff. Amos, whose work ranged from graphic, to expressionist, to figurative, has always understood that, as she put it, “to put brush to canvas as a black artist was a political act.”
Sikkema Jenkins & Co. has reopened, and is pleased to present a solo exhibition of works on paper by Kara Walker, featuring selections from the artist’s personal archive alongside more recent drawings. The show previews a selection of works that will be included in Walker’s first major exhibition in Switzerland at the Kunstmuseum Basel opening in June 2021. The museum exhibition will travel to Schirn Kusthalle Frankfurt, Germany and the De Pont Museum of Contemporary Art in Tillburg, The Netherlands.
With José Parlá unveiling a new exhibition at The Bronx Museum of the Arts this month, we thought it a good time to take a look back at one of our favorite installations by the artist. Segmented Realities, commissioned by The Standard High Line in 2014.
Oh, how we love our flea markets, and how we have missed one of the last outdoor markets in Manhattan, TheChelsea Flea. Good news came today, when we learned that the Chelsea Flea will reopen on September 12th and 13th.
David Zwirner gallery will be reopening globally, with the New York galleries opening their doors to three new exhibitions. Suzan Frecon: oil paintings and Harold Ancart: Traveling Light on September 10th, and Josh Smith in New York and London, concurrently on September 15th.
With a globally renowned collection of nearly 4,000 objects spanning more than 1,500 years from the Himalayan region, the Rubin Museum of Art launches a new and improved online collection database today. A total of 381 objects from the Rubin Museum’s permanent collection are now available at collection.rubinmuseum.org. This marks the first phase of an initiative to make the Rubin Museum collection accessible to visitors, students, teachers, and scholars alike around the world. More objects will be added continually, with the goal of eventually publishing the entire collection.
Now, with New York City in Phase 3, Hauser & Wirth has opened the doors to its new building located at 542 West 22nd Street in Chelsea. The 36,000 square-foot, Selldorf Architects designed building includes a bookshop, crafted cafe and bar, and large flexible-configuration gallery spaces with site-specific artist interventions in such areas as stairways and elevators.