In her second exhibition with Fridman Gallery, Aura Satz focuses on voices of female electronic music pioneers, and on sound signals as symbols of communication and disobedience. Included are a series of drawings, two sound sculptures, and a 16mm film.
In celebration of the upcoming winter olympics in PyeongChang, Gallery Korea of the Korean Cultural Center New York is showcasing one hundred winter sports helmets, artistically designed by one hundred artists, and 10 works of fashion inspired by the Korean American Fashion Association, D2, in an exhibition entitled PASSION. CONNECTED. 100 x 100.
It’s no secret that the New York City Police Department conducted surveillance during the 1960s-70s. Any and every individual or organization that challenged the administration was a focus. The surveillance records collected during that period of time are now on view, in the exhibit, Unlikely Historians: Materials Collected by NYPD Surveillance Teams, 1960-1975.
The New York City Department of Records will hold a final event on April 26th, exploring the history and continued impact of The Young Lords.
The historic journey of the House of Louis Vuitton has arrived in New York in the form of the exhibit, Volez, Voguez, Voyagez. Curated by Oliver Saillard, with set designs by Robert Carsen, it is divided into ten chapters – one of which is entirely devoted to the United States and New York City.
Harlem Arts Festival has established a new partnership with Harlem Properties, utilizing its gallery space to showcase local artists and establish a creative hub for its roster of multi-disciplinary acclaimed artists. To officially begin its partnership, Harlem Arts Festival has announced its latest exhibition entitled “Spiritual Connections”, an exhibition that will be the first in a series of exhibitions taking place throughout the year at the gallery. This collective of work explores subcultures hidden among mainstream cultural traditions through photography and art.
Eleven photographers come together to celebrate Brooklyn from the late 1960s to present day. Walk through a childhood in Williamsburg in the 1960s, Halloween in the 1970s, and Bushwick street life in the 1980s. Turning a page, the exhibit will also address gentrifying landscapes, examining the importance of photography as documentation, and reflecting on the continuous changes in these neighborhoods.
Money…money…money….M O N E Y How does it influence you? The exhibit Generation Wealth by Lauren Greenfield examines “the pervasive influence of money, status, and celebrity in America and abroad” at the International Center of Photography. This is the first major retrospective of Greenfield’s work, and will feature nearly 200 photographs, interviews, and documentary film footage investigating this “elusive promise of happiness.”
Continuing the celebration of Magnum Photos 70th Anniversary, the exhibit Framing Community, Magnum Photos, 1947-Present explores the history of this iconic photo agency and its community of photographers, who, for 70 years, have had their cameras pointed at the World. Organized into four thematic sections: Longing for Community, Shifting Community,Contested Territories, and DisplacedCommunity, the exhibition includes works by photographers Bruno Barbey, René Burri, Henri Cartier-Bresson, Bruce Davidson, Bieke Depoorter, Carl de Keyzer, Paul Fusco, Jim Goldberg, Thomas Hoepker, Josef Koudelka, Susan Meiselas, Alessandra Sanguinetti, David Seymour, Alec Soth, Larry Towels, Peter van Agtmael and Alex Webb.