The setting is a white conference room in the pristine offices of Amsterdam’s world-famous museum of modern art, the Stedelijk. The museum’s leading curators and administrators (all white), including Director Rein Wolfs, convene to discuss the government’s diversity and inclusion mandate, a new requirement for continued financial support. How does a major cultural institution go about changing course dramatically — to exhibit work by people of color, women, LGBTQ+ artists, and those who suffered under the Netherlands’ 250 years of colonial rule — and also reform the decision-making process?
Continue reading “‘White Balls on Walls’ opens May 26th at Film Forum”
