A portrait of the literary partnership between Pulitzer Prize-winning author Robert Caro (at work on volume 5 of The Years of Lyndon Johnson) and multi-hyphenate Robert Gottlieb, the quintessential New York editor (former editor-in-chief at Knopf and The New Yorker), who counts programming for The New York City Ballet and lucite handbag collecting among his hobbies. Caro’s granular dissection of how power is wielded in 20th century America is matched by the intuitive, meticulous approach of Gottlieb, with whom he’s worked for more than 50 years.
The summer-long program offers free film screenings and music in outdoor venues including a new series held in partnership with the Frederick Douglass Blvd Alliance (FDBA) themed “The Soul of Harlem” primarily featuring films about Harlem or by local directors such as the Aretha Franklin biopic Respect directed by Harlem-resident Tommy Leisl (July 9); Forty Year-Old Version by Harlem’s own Radha Blank(August 27); a talkback and special advance screening of Stanley Nelson‘s Becoming Frederick Douglass (September 10).
On Tuesday, May 26 at 7:00pm ET, the Apollo Theater and ImageNation presents a film screening of It’s Different In Chicago as part of ImageNation’s Cocktails and Sol Cinemaon the Apollo’s Soundstage.
The film highlights the city, known by many as the birthplace of house music as well as an incubator for hip-hop hitmakers. It’s Different In Chicago tells the story of how these music genres and the cultures around their communities have complemented and competed with each other, leading to deep revelations about the different segments within the Black community of Chicago.
Villa Albertine today announced the return of Films on the Green, the free outdoor French film festival produced annually in partnership with Face Foundation and NYC Parks. This year’s theme, “From Page to Screen”, spotlights 12 diverse and world-class literary adaptations, coming to nine different parks across Manhattan and Brooklyn from June 3rd to September 9th.
(2021) Iconic, elegant, and populist all at once: the Automat (aka Horn & Hardart) revolutionized American dining a century ago, long before there was fast food or hipster coffee shops. An eclectic mix of New Yorkers inserted nickels into slots, and slices of lemon meringue pie, mac & cheese, baked beans, and creamed spinach magically appeared from a grid of gleaming chrome windows.
Since March, 2020, our daily life has drastically changed. During this time defined by lockdowns, quarantines and new safety mandates, we look for ways to adjust to new realities and restore the balance to our daily life. We seek the familiar, whether it’s nature/landscape, memories of the past, cherished items, repetitive shapes or colors, one’s cultural origins, any symbol that represents our spirit, or simply any way we can find a meaning to celebrate a day, like the Lunar New Year.
The Ford Foundation Gallery invites the public to Indisposable: Structures of Support After the ADA, Chapter 4: Raisa Kabir ‘House Made of Tin’ (A Socially Distanced Weaving Performance) an Online exhibition and performance, Friday, April 30th.
Where were you in 1969? If you were in Harlem, chances are you were either in Mount Morris Park (now Marcus Garvey Park) or heard about the Harlem Cultural Festival ~ a summer of free outdoor concerts held on Sunday.
The 28th edition of the New York African Film Festival (NYAFF) returns with a virtual program celebrating the shared aspirations that drive humanity through time and the voices of the women who push the culture forward while preserving treasured traditions. Presented by Film at Lincoln Center (FLC) and African Film Festival, Inc. (AFF), this year’s NYAFF will showcase ten features and 21 short films from Africa, Europe, North America, and South America. The event will be presented under the banner “Notes from Home: Recurring Dreams & Women’s Voices” in FLC’s Virtual Cinema from February 4 to 14 and at the Maysles Documentary Center in Harlem from February 18 to March 4.
URSULA VON RYDINGSVARD: INTO HER OWN is an artistic biography of one of the few women in the world working in monumental sculpture. Von Rydingsvard’s work has been featured in the Venice Biennale and is held in the collections of some of the world’s great museums, including New York’s Museum of Modern Art, the Art Institute of Chicago, and the San Francisco Museum of Modern Art. But she may be best-known for her staggering, triumphant body of work in public spaces – imposing pieces painstakingly crafted with complex surfaces including: a series of early installations reminiscent of wings in what became New York’s Battery Park; a monumental yet inviting piece outside Brooklyn’s Barclays Center and the stunning “Scientia” at M.I.T. which evokes the power of nature and the firing of brain synapses.
Every now and then, a documentary comes along, opening a door into the life of someone extraordinary ~ a fellow New Yorker ~ like the documentary, Jay Myself, about Jay Maisel’s move from the historic Germania Bank building he called home for more than 50 years, or Bill Cunningham’s friend and neighbor, Editta Sherman in the documentary, Lost Bohemia.
After a popular inaugural year screening indie and classic films and hosting special events from the St. George Theatre to Tappen Park, Cinema Connex, Staten Island’s free independent film series, returns! This season’s lineup includes Roma, Woman On Fire and a film program curated by the African Film Festival.
The First Annual Harlem Doc Fest will kick off at Harlem Stage on November 15th, hosting the opening night of the Double Lens: Harlem Doc Fest, a documentary film festival that explores the cultural richness and history of Harlem, along with critical issues impacting the community.
The exhibition, Through a Different Lens: Stanley Kubrick Photographs, opened at The Museum of the City of New York, featuring more than 120 photographs by Stanley Kubrick from the Museum’s LookMagazine archive.
Maysles Cinema Celebrates 10th Anniversary with Theatrical Debut of One October. This powerful new documentary, directed by Rachel Shuman, with executive producer, Edward Norton, will open on May 11 as part of the programming celebration marking its milestone in Harlem.
Pop-in to the Schomburg Center for a Pop-Up exhibition on Tuesday, November 28th, featuring items from its collection of archival materials on groundbreaking filmmaker, playwright and author, Kathleen Collins (1942-1988).
Hauser & Wirth Publishers, in association with Morbid Anatomy will present a seven-part series entitled Utopia/Dystopia. First up, Utopia/Dystopia: DystopianAmusements ~ a discussion on the Buddhist Hell Gardens of Thailand, followed by a screening of apocalyptic film shorts, and a talk on death and disaster-themed amusements at Coney Island.