The Ford Foundation Gallery has announced the reopening of its gallery to an in-person exhibition on June 1, presenting everything slackens in a wreck, curated by Andil Gosine. The metaphor of wreckage evokes colonialism and the destruction left in its wake, but it also echoes what the exhibition’s curator calls the “wrecking work” of marginalized peoples who answer this destruction with art that invents its own subversive forms of order, rendering alternate visions of existence, and co-existence, imaginable, and therefore possible. Featuring the work of four artists with a shared diasporic heritage, everything slackens in a wreck is the first show to appear in the Ford Foundation Gallery space since its closure in March 2020 due to the COVID-19 pandemic.
Stitching the Future with Clues is an experimental documentary that looks at neurodivergence as a way of knowing, through a cybernetic lens. Combining animated diagrams, video and audio feedback processes, and expanded media techniques, Stitching the Future with Cluesdraws from Holt’s article “Feedback Structures, Ways of Knowing, and Neurodivergence” (PUBLIC #59), and asks one to consider feedback systems as a medium for understanding the sensing, processing, and exchanging of information happening not just in human minds and brains, but within and between all scales of intelligent life. This film explores the post-humanist sense-making of neurodivergence: differently-attuned to temporal, psychic, and environmental embodied experience.
Kiyan Williams: Piecing Myself Back Together After The World Has Ended ~ exhibition curated by Jessica A. Cooley and Ann M. Fox.
Working fluidly across sculpture, video, and performance, Kiyan Williams is attracted to quotidian, unconventional materials and methods that evoke the historical, political, and ecological forces that shape individual and collective bodies. Piecing Myself Back Together After The World Has Ended is a new video in a series of works which furthers the artist’s aesthetic and conceptual exploration of Blackness, ecology, and trans/gressive subjectivity; wherein bodies are in process, oscillate in legibility, and blur the boundaries between self and other forms of sentient life.
Indisposable: Structures of Support After the ADA, Chapter 6 is a Virtual Event to be held on Thursday, September 23 from 6:00 ~ 7:00pm.
The Ford Foundation Gallery’s online exhibition, curated by Jessica A. Cooley and Ann M. Fox, is a multi-module exhibition series that rolled out over the course of 2020 – 2021. Drawn from some of the leading artists and scholars addressing the lived experience of disability today, Indisposable addresses the urgent questions of our moment where pandemic and demands for racial justice intersect.
The Ford Foundation Gallery invites the public to Indisposable: Structures of Support After the ADA, Chapter 4: Raisa Kabir ‘House Made of Tin’ (A Socially Distanced Weaving Performance) an Online exhibition and performance, Friday, April 30th.
The Ford Foundation Gallery will open its doors to Per(Sister): Incarcerated Women of Louisiana, exploring one of the most critical issues of inequality and injustice facing our nation today through the lens of a population too often overlooked.
The Ford Foundation will open its doors to the new exhibition, Utopian Imagination. Curated by Jaishri Abichandani, the show brings together works by 14 diverse artists from around the world, and closes out the inaugural year of exhibitions at the Ford Foundation Center for Social Justice’s beautiful new gallery.
Through the theme of Utopian Imagination, the trilogy of exhibitions in the gallery’s inaugural year create a trajectory toward a more just future. The first exhibition, Perilous Bodies(March 4 – May 11, 2019), examined injustice through the intersecting lens of violence, race, gender, ethnicity, and class. Radical Love responds to the first show by offering love as the answer to a world in peril.
The Ford Foundation announced the opening of its art gallery, an innovative exhibition space dedicated to presenting multidisciplinary art, performance, and public programming by artists committed to exploring issues of justice and injustice. The gallery’s inaugural exhibition, Perilous Bodies, opens March 5th.