NYU’s Grey Art Museum with Inaugural Exhibition, ‘Americans in Paris: Artists Working in Postwar France, 1946-1962’

 

 

 

18 Cooper Square in the NoHo historic district, the future home of NYU’s new Grey Art Museum, which will be located on the ground floor. Designed by Ennead Architects. Photo credit: © Aislinn Weidele/Ennead Architects.

After nearly a half century on Washington Square, the Grey Art Gallery, New York University’s fine arts museum, will reopen in a purpose-designed, larger, and more visible space at 18 Cooper Square in lower Manhattan on Friday, March 2, 2024. With this transformational move, the Grey will be renamed the Grey Art Museum. The inaugural exhibition will be ‘Americans in Paris: Artists Working in Postwar France, 1946-1962‘ and will be on view from March 2 to July 20, 2024, along with a plethora of public programming.

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‘Americans in Paris’ ~ a Book Discussion with the Authors at Rizzoli Bookstore on March 2nd

 

 

 

Image Courtesy Hirmer Publishers and Grey Art Gallery, New York University

Join Lynn Gumpert, director of New York University’s Grey Art Gallery, and Debra Bricker Balken, independent curator, on March 2nd for a conversation about Americans in Paris: Artists Working in Postwar France, 1946–1962, published by Hirmer Publishers and Grey Art Gallery, NYU.

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Loss, Longing, Belonging: Shahzia Sikander’s Khorfakkan Series ~ a Discussion at NYU

 

 

 

Image: Shahzia Sikander, The Cypress Despite Its Freedom Is Held Captive to the Garden, 2012–2013, Sharjah, Khorfakkan Cinema, UAE. Courtesy of Shahzia Sikander Studio.

Join NYU Abu Dhabi Institute in New York on March 7th for an exciting dialogue, presented by the Intersectional Feminist/Queer Studies Collective with 19 Washington Square North, and co-sponsored by the Grey Art Gallery.

Alongside the opening of the exhibition of work by Pakistani-American artist Shahzia Sikander at 19WSN, the gallery opens its doors to a dialogue between Sikander and Gayatri Gopinath (Director, Center for the Study of Gender and Sexuality, NYU). Sikander’s photographs, initially taken in 2012, depict the ruin and desolation of a South Asian movie theater and its sole caretaker in Khorfakkan, Sharjah, and speak poignantly to the questions of home, displacement, belonging, and unbelonging that touch the lives of many South Asian migrants in the UAE.

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Grey Art Gallery expected to Relocate to 18 Cooper Square ~ Opening in 2024 as Grey Art Museum

 

 

 

Adam Fuss, Jim and Joe, 2006. Gelatin silver print, 31 x 39 in. Grey Art Gallery, New York University Art Collection, Gift of Cottrell-Lovett Collection, 2021.5.17 © Adam Fuss

The Grey Art Gallery, New York University’s widely admired fine arts museum, will move to larger quarters at 18 Cooper Square from its current location on Washington Square East. The move is due, in part, to a major gift from Dr. James Cottrell and Mr. Joseph Lovett, which was announced a year ago. Longtime art patrons, social activists, and downtown Manhattan residents, Cottrell and Lovett have already gifted some 40 works from their extensive collection of downtown New York artists. Fourteen works from the Cottrell-Lovett Collection are on view in the Grey’s current exhibition, Mostly New: Selections from the NYU Art Collection. The new Grey Art Museum at 18 Cooper Square will open in February 2024.

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Grey Art Gallery @ NYU Receives Transformational Gift

 

 

 

Deborah Kass, Jim and Joe, 1993. Silkscreen on canvas, 40 x 55 in. Cottrell-Lovett Collection. Promised gift, NYU Art Collection

The Grey Art Gallery, New York University’s widely admired fine arts museum, is pleased to announce a major gift from Dr. James Cottrell and Mr. Joseph Lovett, longtime art patrons, social activists, and downtown Manhattan residents. The gift includes over 200 artworks from their extensive collection of downtown New York artists from the past 50 years.

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Grey Art Gallery at NYU ~ Online Gallery + Fabulous Self-Guided Walking Tours in Greenwich Village

 

 

Installation image of ‘Taking Shape: Abstraction from the Arab World, 1950s–1980s.’ Photo: Nicholas Papananias, Courtesy Grey Art Gallery, New York University

Grey Art Gallery at NYU opens its digital window to the exhibition, Taking Shape: Abstration from the Arab World, 1950s ~ 1980s, along with a short film taken at the opening reception in January, 2020.

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Modernisms: Iranian, Turkish, and Indian Highlights from NYU’s Abby Weed Grey Collection

 

 

 

L-R: Parviz Tanavoli, ibex, 1970, G1975.55 © Panviz Tanavoli: Mansour Ghandriz, Simurg, c. 1961-64 (detail) G1975.94; Bedri Rahmi Eyuboglu, full Moon, 1961: G1975.293; Maqbool Fida Husein, Virgin Night, 1964 (detail): G1975.158. All works are from the Abby Weed Grey Collection of Modern Asian and Middle Eastern Art, New York University Art Collection

Drawing on its remarkable collection of modern Iranian, Indian, and Turkish art, the Grey Art Gallery at New York University presents Modernisms: Iranian, Turkish, and Indian Highlights from NYU’s Abby Weed Grey Collection. Featuring approximately thirty to forty artworks from each country, the exhibition examines the artistic practices in Iran, Turkey, and India, from the 1960s and early ’70s via selections from the Abby Weed Grey Collection of Modern Asian and Middle Eastern Art.

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