Beginning 5 November 2020, Hauser & Wirth New York will present rarely seen works made by American artist Jack Whitten (1939 – 2018). The exhibition focuses on his practice from 1991 through 2000, a period of intense experimentation during which, deeply affected by tumultuous world events, he strove to incorporate them into his work. Blurring the boundaries between sculpture and painting, and between the studio and the world, the multidimensional works on view combine geometric abstraction and found objects to mine spiritual and metaphysical thematic veins.
Hauser & Wirth will open its doors to ‘Internal Riot,’ an exhibition of new paintings and works on paper by American artist George Condo. Made during the quarantine period, these works reflect the unsettling experience of physical distance and the absence of human contact during this prolonged time of so- cial isolation. The pandemic has forced Condo to take his portraiture practice to a new level, with invented cha- racters captured in an abstract web that reveals the humanity inherent in their fractured psychological states.
Now, with New York City in Phase 3, Hauser & Wirth has opened the doors to its new building located at 542 West 22nd Street in Chelsea. The 36,000 square-foot, Selldorf Architects designed building includes a bookshop, crafted cafe and bar, and large flexible-configuration gallery spaces with site-specific artist interventions in such areas as stairways and elevators.
We appreciate museums and galleries offering free content online, along with new virtual gallery exhibitions. Hauser & Wirth New York will launch the online exhibition, Louise Bourgeois. Drawings 1947-2007, on March 25, 2020.
Hauser & Wirth will open its doors to the first major survey of Jack Whitten’s works on paper, spanning the artist’s six decade career. Jack Whitten (1939 – 2018) made it his mission to disrupt the discipline of art history through experiments with material, process, and technique. He effectively constructed a bridge between gestural abstraction and process art, constantly working toward a nuanced language of painting that employs deeply personal expression. Whitten was also a prolific and powerful draughtsman. The unique body of works on view at Hauser & Wirth testifies to the immensity of his commitment to drawing as a means to make manifest his ideas and advance his methods.