William Klein: Afrique on view at Howard Greenberg Gallery

 

 

 

William Klein: Afrique. Independence parade, Dakar, Senegal, 1963; Chromogenic print; printed 2022; Image size: 28 1/8 x 41 5/8 inches; Paper size: 30 3/4 x 44 3/8 inches. © William Klein, Courtesy Howard Greenberg Gallery, New York

Howard Greenberg Gallery will open its doors to William Klein: Afrique from June 23 through September 17, 2022. The exhibition highlights a rediscovered body of work by William Klein, one of the leading photographers of the 20th century.

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‘Nadav Kander: The Thread’ to Open at Howard Greenberg Gallery

 

 

 

Nanjing X, Jiangsu Province, from the series Yangtze – The Long River, 2007. Chromogenic print; printed 2022. Image size: 38 x 48 3/8 inches. Paper size: 48 1/4 x 58 3/4 inches

An exhibition of photographs by the renowned London-based artist Nadav Kander will be on view at Howard Greenberg Gallery from April 21 through June 10, 2022. Nadav Kander: The Thread, the Prix Pictet-winning photographer’s first exhibition with Howard Greenberg Gallery, will present evocative landscapes and penetrating portraits from the 1990s-2020s that evoke the interconnectedness of humanity. The exhibition title, inspired by the poem “The Way It Is” by William Stafford, refers to this common thread.

“There’s a thread you follow. It goes among/things that change. But it doesn’t change.  People wonder about what you are pursuing./You have to explain about the thread.” from “The Way It Is” by William Stafford

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A Female Gaze: Seven Decades of Women Street Photographers at Howard Greenberg Gallery

 

 

 

Jodi Bieber Father and son trapeze act, Market Theatre Precinct, Newtown, c.2012; Archival pigment print; Image size: 12 7/8 x 19 3/8 inches; 14 3/8 x 20 7/8 inches © Jodi Bieber

Street photography—the thoroughly unpredictable and often magical framing of a moment—was embraced early in the 20th century by women photographers. A new exhibition at Howard Greenberg Gallery will survey more than seven decades of work by 12 women photographers. A Female Gaze will be on view from January 19 through April 2, 2022 in the gallery’s new space on the 8th floor of the Fuller Building at 41 East 57th Street.

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Celebrating 40th Year, Howard Greenberg Gallery Moves to Two New Locations on 57th Street with Gordon Parks as Inaugural Exhibition

 

 

Untitled, Harlem, New York, 1948 © The Gordon Parks Foundation

This autumn, Howard Greenberg Gallery, one of the world’s leading galleries for classic and modern photography, is celebrating its 40th year with a move to two new locations on 57th Street, and an exhibition of work by renowned photographer and filmmaker Gordon Parks.

The gallery will continue its presence in the Fuller Building at 41 East 57th Street by relocating to a new exhibition space on the 8th floor. It will also occupy an entire floor at 32 East 57th Street, directly across from the Fuller Building, to house, manage and present its vast archive of over 40,000 prints. Both moves are planned for September.
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Lewis Hine: The WPA National Research Project Photographs, 1936-37 at Howard Greenberg Gallery

 

 

 

Barber-Colman High Speed Warper. Pacific Mills, Manchester, New Hampshire, 1937

A tale of collective ingenuity and individual perseverance in the shadow of national crisis is the subject of Lewis Hine: The WPA National Research Project Photographs, 1936-37, on view at Howard Greenberg Gallery from April 15 through July 2. The Great Depression ravaged the United States in the 1930s, producing extreme levels of poverty and unemployment with a deep and penetrating social pessimism to match. Whereas some photographic endeavors of the time sought to document the misery and misfortune of those hardest hit by these conditions, Lewis Hine set out to photograph the opposite: the optimism taking hold in the nation’s most technologically advanced sites of production, and the persistence and skill of the factory workers who made all of it a reality.

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Howard Greenberg & Bruce Davidson ~ Subway: A Conversation

 

 

 

Bruce Davidson, Subway, 1980 courtesy Howard Greenberg Gallery

After the financial crisis of the 1970’s decimated New York City’s public programs and infrastructure, the subway in particular was arguably at its nadir in terms of maintenance, upkeep, and crime as the decade came to a close. It was precisely at this moment, however, that Bruce Davidson began photographing it in a sustained and systematic way. The subway he traversed then, from the Bronx down to Coney Island and Rockaway Beach, seems a distant image from the one we ride today. Howard Greenberg and Bruce Davidson sat down recently over Zoom to discuss Davidson’s now-classic project “Subway”.  The following conversation has been edited and condensed for clarity.

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‘Pieter Henket: Congo Tales’ now in the Online Viewing Room at Howard Greenberg Gallery

 

 

 

Pieter Henket,’The River, 2017′ archival pigment print. Image courtesy Howard Greenberg

Howard Greenberg Gallery opened its Online Viewing Room to Pieter Henkel’s Congo Tales, which explores cultural mythologies of the local inhabitants of the Congo Basin, containing some of the largest tropical rainforests in the world. The 2017 series has rarely been exhibited, and this is the first time the work is on view through a U.S. gallery.

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Howard Greenberg presents Saul Leiter in its Online Viewing Room

 

 

 

(PF107745) Saul Leiter,, Postmen, 1952. ©Saul Leiter Foundation, courtesy Howard Greenberg Gallery, New York

The World is Full of Endless Things: Saul Leiter’s New York is now in the Online Viewing Room at Howard Greenberg Gallery New York. The exhibition is a wonderful ode to New York, exploring Leiter’s nearly seventy-years in a City he loved ~ and in particular, the East Village where he lived beginning in 1952.

His mother gave him his first camera at age 12, and this seed planted bloomed at age 23, when he left theology school and moved to New York City. Aside from street photography, Leiter worked as a  fashion photographer for twenty years, publishing in such well-known publications as Elle, Vogue, Esquire and Harper’s Bazaar, to name just a few.

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One Third of a Nation: The Photographs of the Farm Security Administration, 1935-1946 in the Howard Greenberg Online Gallery

 

 

Carl Mydans, Untitled, c.1936, Gelatin silver print; printed later, 16 x 20 inches, Mounted. Signed in in on mount recto. $8,000.00. Image courtesy Howard Greenberg Gallery

Depicting challenges impoverished Americans were enduring at the time, with photographs by Dorothea Lange, Walker Evans, and Gordon Parks, among others, the exhibition, One Third of a Nation: The Photographs of the Farm Security Administration, demonstrates the extraordinary power of photography to define an era and inspire social change. Although the exhibition was planned months before the current pandemic situation, the images now take on a new relevance.  The exhibition is now in the Howard Greenberg Gallery Viewing Room.

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