JoAnne Artman Gallery is pleased to present The Boys Are Back in Town, an exhibition of new works by Billy Schenck and Greg Miller. The exhibition serves as an investigative tale told by wanderers, as they roam country roads to discover both self and national identity. Returning to JoAnne Artman Gallery’s New York space in style, the boys are back in town to present their visions of America.
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JoAnne Artman Gallery is pleased to present ALONG COMES MARY, an exhibition of new works by Mary Finlayson. A celebration of color, pattern, and form, Finlayson’s work has a fresh and unique aesthetic through her use of gouache and vinyl emulsion. Navigating themes of home, memory, and self through her still lifes and interiors, her interest in painting interior spaces and still lifes portray how environments reveal identity.
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JoAnne Artman Gallery will open its door to The Gaze, an exhibition of portraits by Martin Adalian. Referring to the concept of gaze within the confines of visual culture, the title and selected paintings explore how an audience perceives art’s depicted figures. Examining different strategies of the gaze, Adalian implicates the viewer by placing them in the position of both the observer and the observed. Mediating between the sense of invasion and invitation, viewers are coerced into different ways of seeing when they are confronted with direct gazes and personal spaces.
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JoAnne Artman Gallery will present SHAPE OF THINGS TO COME, featuring works by John “CRASH” Matos. In a playful evolution of color and form, CRASH’s recent works are spray painted on custom-made, shaped canvases. Emphasizing silhouette and the external form, he presents new dynamic compositions that meld the versatility of his canvas medium with the layered depth of sculpture. Wrapping around the edges as if spilling on to the wall, vibrant pigment and decisive lines are barely contained to the planes of each painted surface. An allusion to stylistic progression as well as the contoured canvases, SHAPE OF THINGS TO COME delivers immersive works with steadily unfolding narratives.
JoAnne Artman Gallery is pleased to present, Unframed, an exhibition of new work rooted in America Martin’s investigation of the human experience. Featuring a selection of unframed pieces, Unframed explores both the literal boundaries and conceptual confines that Martin’s practice defies. Bursting with life, form, and color, Martin seeks to expand upon themes of self-exploration and transcending limitations. From paintings that inherently do not require framing, to works on paper that have not yet been framed, this exhibition invites the viewer to engage with Martin’s art in an organic, visceral way.
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JoAnne Artman Gallery is pleased to present, The Back Room: Winter Solstice, a group exhibition that celebrates the seduction and drama of entering a gallery’s private, back room. An exploration into past and upcoming shows, the works in The Back Room celebrates the art world’s unique ritual of inviting preferred patrons to view the gallery’s exclusive inventory. Including works by America Martin, Brooke Shaden, Carla Talopp, Jada + Jon, Jenna Krypell, and Swan Scalabre, all artists hold distinctive sensibilities in subject matter and concept, yet are linked through an expressive formal approach.
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JoAnne Artman Gallery is pleased to present, Seeing America, an exhibition of new portraits that investigate humanity, legacy, and change. Freehandedly and unapologetically capturing her subjects, America Martin’s compositions are a personal reflection of the human experience and condition. Through the stories they tell by means of history and Martin’s depictions, this assembled group of leaders challenge us to be our very best selves.
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JoAnne Artman Gallery opens its doors to DISINTEGRATION, a showing of Martin Adalian’s most recent paintings that explore the disintegration of memory, material, and of past and present. Appearing as though recovered relics with aged facades and canvas imperfections, Adalian’s paintings fuse contemporary aesthetics of mixed media and grunge with classical portraiture. Establishing new, modern context for his portraits, Adalian imbues an audacious attitude alongside a deep appreciation toward tradition. Through his distinct combination of old and new, his works promote the retrospection of artistic innovation and human emotion while navigating the complex, cyclical nature of disintegration and rebirth.
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