Beginning January 7, Fort Gansevoort will present Sacred Nation, Scared Nation, the gallery’s first exhibition with the noted Waanyi Aboriginal artist Gordon Hookey. Organized in collaboration with Los Angeles-based artist Gary Simmons, the presentation will focus on Hookey’s use of metaphors, wordplay, and humor – sometimes brazenly provocative – to subvert tropes of Western colonialization and to reclaim, empower, and redefine Aboriginal culture. Eschewing the traditional dot abstraction most commonly associated with indigenous Australian art, he deploys deceptively folksy figuration, contemporary images, and bold painted words in paintings that connect Black Aboriginal experience to that of African Americans.
Salman Toor’s first solo museum exhibition—originally scheduled to open in March 2020 but postponed due to the pandemic—will be presented by the Whitney Museum of American Art from November 13, 2020 to April 4, 2021. Primarily making intimate oil-on-panel works, Toor expands the tradition of figurative painting by melding sketch-like immediacy with disarming detail to create affecting views of young, queer Brown men living in New York City and South Asia. Salman Toor: How Will I Know is part of the Whitney’s emerging artists program, which most recently included solo shows by Kevin Beasley and Eckhaus Latta, and will be on view in the first-floor John R. Eckel, Jr. Foundation Gallery, which is accessible to the public free-of-charge.
The much anticipated exhibition, Working Together: The Photographers of the Kamoinge Workshop will finally unveil at The Whitney on November 21st. This groundbreaking exhibition features over 150 photographs by fourteen early members of the Kamoinge Workshop, nine of whom are living and working today.
Fort Gansevoort Gallery will open its online window, announcing SEEING THROUGH YOU, a series of weekly online exhibitions organized for the gallery by invited curators and scholars. Launching with its first exhibition on Thursday, March 26, 2020, this initiative will highlight artists from around the globe and aim to initiate lively discourse among larger and more diverse audiences for whom the web and social media are an even more vital ‘salon space’ in a time of crisis.
Fort Gansevoort Gallery will open its doors to Sacred Nation, Scared Nation, the first solo exhibition in the United States for noted Brisbane-based Waanyi Aboriginal artist Gordon Hookey (b. 1961, Cloncurry, Australia). Hookey uses metaphors, wordplay, and humor – sometimes brazenly provocative – to subvert tropes of English colonialization and to reclaim, empower, and redefine Aboriginal culture. Eschewing the traditional dot abstraction most commonly associated with indigenous Australian art, Hookey deploys deceptively folksy figuration and bold painted words in paintings that connect Black Aboriginal experience to that of African Americans.
Allouche Gallery will open its doors to new works by legendary New York artist Doze Green. A Volta, opening on Thursday November 14th, marks the return to the city that inspired and defined Green’s long standing career. Concurrently, this show offers a comprehensive look into the evolution of the artist’s style leading up to his present creative departure, which is deeply influenced by the raw nature of Alto Paraíso de Goiás, Brazil, where Doze Green lives now.
Fort Gansevoort, in association with Pavel Zoubok Fine Art, is pleased to present Vanessa German, TRAMPOLINE: Resilience & Black Body & Soul, opening Thursday, November 7th, 2019. German’s exhibition will showcase her richly encrusted sculptures, which she refers to as power-figures, alongside a series of wall-mounted altars that each act as seers or protectors carrying with them the gift of their own human technology: joy, love, and protection for the souls of Black Americans. The work is made as an act of love in response to the daily injustices and violence committed against Black and Brown people, their bodies and their souls. Each figure confronts us with the questions, “how do we survive? How do we, as hybrid-people, keep breathing? How then do we surpass mere existence into creative champions, future makers, lovers even?”
Allouche Gallery opened its doors to the solo exhibition, BÄST: Melmoth Confetti, a new body of work influenced by Oscar Wilde’s favored alias, Sebastian Melmoth. with an opening reception on October 17 from 6-9pm.
Fort Gansevoort presents A Look Back: 50 Years After Stonewall, organized by Lucy Beni and Adam Shopkorn. The exhibition commemorates the fiftieth anniversary of the 1969 Stonewall Uprising, a six-day riot said to have been spontaneously set off byMarsha P. Johnson in protest of one of many regular police raids at The Stonewall Inn, a gay bar located in New York City’s Greenwich Village. This event marks the beginning of the Gay Liberation movement and the contemporary fight for LGBTQ+ rights in the United States.
‘Sine qua non‘ is derived from Latin and can be translated literally as “Without which, not.” It represents the idea that without (something), (something else) won’t be possible.
In Sebastian Wahl’s new body of work, he explores the contrast between colors and solid black, while incorporating his signature process of arranging images between multiple layers of clear resin to create depth and dimension, creating a sense of zero gravity where images are suspended in time and space
Allouche Gallery will open its doors to A 3 Person Show featuring the works of Eric Freeman, Nathan Rittenpusch, and Brian Willmont on January 31st, with each artist defining their art in their own precise and distinctive style.
Fort Gansevoort is kicking-off the new year with the exhibition, The Big Easy, featuring new work by New Orleans, Louisiana-based artist Keith Duncan, opening on Thursday, January 10th. Keith Duncan is a visual storyteller, depicting stories both familiar to all and those specific to New Orleans, with a focus on a multidimensional approach both in subject matter and material.
In a City where ‘bigger & better’ is the norm, the new Starbucks Reserve Roastery, next to Chelsea Market, fits right in with its three-level, 23,000 square-feet of very inviting, beautifully designed space.
The exhibition Andy Warhol ~ From A to B and Back Again at The Whitney Museum of American Art is the first Warhol retrospective organized by a U.S. institution since 1989. On view are more than 350 works of art, many assembled together for the first time. Below are just a few of the images in this exhibition, along with the story behind them. Plan on spending the day.
Ron English: Delusionville, new paintings and sculptures, will open at Allouche Gallery on Thursday, October 11th. In this exhibition, English returns to the Gallery with an aggressive reinterpretation of pop culture. Prepare to be mesmerized by the spectacle of chaos!
Hector’s Cafe’ first opened its doors in the Meatpacking District when it was humming with packers and wholesalers moving from slaughterhouse to slaughterhouse, under the elevated, with trains running from West Side Yards south to St. John’s Terminal on West Houston Street. Much of this work began at the crack of dawn, with many of the workers beginning their day at Hector’s Diner.
Allouche Gallery explores the use of paper in a new group exhibition entitled, Paper Trail. From drawings and paintings to sculptures and collages, the artists employ unique methods of layering, space, and emphasis.
As the moon passed in front of the sun, creating a black orb for all who watched, artist Jessica Lichtenstein layed down a parallel from folklore, with the moon (as feminine), obstructing the sun (masculine) ~ simulating a women’s movement. And so began a new body of work entitled, ECLIPSE: Out From The Shadows, on view at Allouche Gallery.
Opening this week at The Whitney Museum of American Art, a comprehensive look at the whimsical work of Los Angeles-based artist, Laura Owens, featuring approximately 60 paintings from the mid-1990s to today.
Allouche Gallery has opened its doors to an exhibit featuring the works of 29 contemporary national and international artists centered around one theme ~ Stand Still. In this exhibit, entitled STAND STILL: A Still Life Show, each artist approaches this theme in their own unique way. “staying true to their respective signature styles,” some with classical definition, and others far from traditional still-life genre, and as wide and diverse a variety of mediums.
For her first solo museum exhibitionin New York, Toyin Ojih Odutola presents an interconnected series of fictional portraits, chronicling the lives of two aristocratic Nigerian families opening at The Whitney Museum on October 20th.