Siah Armajani: Bridge Over Tree + Follow This Line ~ Met Breuer & Public Art Fund at Brooklyn Bridge Park

 

 

 

A view of Siah Armajani’s ‘Bridge Over Tree’ in Brooklyn Bridge Park from the Manhattan Bridge

The Iranian-born, American sculpture artist, Siah Armajani is best known for his works of public art in bridges, gazebos, gardens, and reading rooms across the United States and Europe.

The artist has arrived in New York with a two-pronged installation and exhibition. The outdoor component will be featured by The Public Art Fund in Brooklyn Bridge Park with the installation Bridge Over Tree (1970), which was first exhibited as a temporary installation at the Walker Art Center in Minneapolis nearly fifty years ago (1970). It consists of a 91-foot-long walkway with open, trussed sides and a shingled roof, with a set of stairs at the midpoint that climb and descend over a small evergreen tree.  The installation is located on the Empire Fulton Ferry Lawn at Brooklyn Bridge Park between the Manhattan and Brooklyn Bridges. Siah Armajani: Bridge Over Tree is curated by The Public Art Fund Director and Chief Curator Nicholas Baume.

The original concept and installation by Armajani was created as an outdoor, site-specific piece for the Walker Art Center’s 9 Artists/9 Spaces exhibition. Coinciding with The Public Art Fund installation, Siah Armajani: Follow This Line  is on view at The Met Breuer. Featuring nearly one hundred works made over the past 60 years, Siah Armajani: Follow This Line is the first major U.S. retrospective of the preeminent Iranian-American artist Siah Armajani (b. 1939).

Here, we explore both the indoor and outdoor components, beginning at Met Breuer, and moving to Brooklyn Bridge Park with the MET and the Public Art Fund.

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Everything is Connected: Art and Conspiracy at MET Breuer

 

 

At MET Breuer

Conspiracy!  Fake News!

In the exhibition, Everything is Connected: Art and Conspiracy, MET Breuer reaches back in time and traces the simultaneous development of two kinds of art about conspiracy. Works based on historical research, and investigative reporting and ‘plunging down the rabbit hole’ works where facts and fantasy freely intermingle – a state of being that is all too familiar these days. The exhibition Everything is Connected: Art and Conspiracy is the first major exhibit to tackle this perennially provocative topic.

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Odyssey: Jack Whitten at MET Breuer

 

 

Odyssey: Jack Whitten Sculpture 1963-2017, now on view at MET Breuer, is an exhibition of Whitten’s sculptures, first created in New York and later at his summer home on Crete. Included in the exhibition are forty sculptures and eighteen of the artist’s lusciously layered paintings.

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Delirious: Art at the Limits of Reason, 1950-1980 at The Met Breuer

 

 

Image: Anna Maria Maiolino, In-Out (Antropofagia) [In-Out (Antropophagy)], from Fotopoemação [Photopoemaction] series, 1973/74. Black and white analog photograph (Photo: Max Nauenberg). Courtesy the artist and Hauser & Wirth © Anna Maria Maiolino
Delirious: Art at the Limits of Reason, 1950-1980 is just what the doctor ordered for September at Met Breuer, and is as pertinent in today’s climate of turmoil as it was in the years covered by this exhibit.  Delirious will include about 100 works of art by 62 diverse artists, that will take the viewer in four directions  ~  Vertigo, Excess, Nonsense, and Twisted, exploring the depths of imagination of both the artist and viewer.

September 13 to January 14, 2018

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