The Museum of Modern Art announces Georgia O’Keeffe: To See Takes Time, the first exhibition to investigate the artist’s works on paper made in series. Using charcoal, watercolor, pastel, and graphite, she explored forms and phenomena—from abstract rhythms to nature’s cycles—across multiple examples. The exhibition will run from April 9 to August 12, 2023.
Continue reading “‘Georgia O’Keeffe: To See Takes Time’ at MoMA in April, 2023”
The Museum of Modern Art announces Architecture Now: New York, New Publics, the inaugural installation of a new exhibition series that will serve as a platform to highlight emerging talent and foreground groundbreaking projects in contemporary architecture. On view February 19 through July 29, 2023, the first iteration of the series, New York, New Publics, will explore the ways in which New York City–based practices have been actively expanding the relationship of metropolitan architecture to different publics through 12 recently completed projects. In addition, each project will be accompanied by a new video by Brooklyn-based filmmaker Hudson Lines, produced on the occasion of the exhibition. Architecture Now: New York, New Publics is organized by Evangelos Kotsioris, Assistant Curator, and Martino Stierli, The Philip Johnson Chief Curator, with Paula Vilaplana de Miguel, Curatorial Assistant, Department of Architecture and Design.
They say if you remember the 60s & 70s in NYC, you weren’t really there. With that it mind, The Museum of Modern Art will refresh our memories with the exhibition, Just Above Midtown: 1974 to the Present, on view from October 9, 2022, through February 18, 2023.
It will be the first museum exhibition to focus exclusively on Just Above Midtown (JAM), an art gallery and self-described laboratory for artists, located at 50 West 57th Street, with a focus on African Americans and people of color, which was led by Linda Goode Bryant from 1974 until 1986.
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Our Selves brings images that span more than one hundred years of photography into dialogue with each other. All of them were made by women artists who have responded to asymmetrical systems of power and have reframed gender and subjectivity in the process. Modernist artists in the first half of the twentieth century interrogated the politics of the gaze and explored new forms of address in portraiture, documentary images, and advertising; contemporary artists have highlighted the intersections of women’s rights, diasporic histories, and Indigenous sovereignty through oblique fabulation, queer language, and performative actions.
Continue reading “Our Selves: Photographs by Women Artists from Helen Kornblum at MoMA”
