The Museum of Arts and Design (MAD) will present Garmenting: Costume as Contemporary Art, the first global survey exhibition dedicated to the use of clothing as a medium of visual art. On view March 12 to August 14, 2022, the exhibition examines work by thirty-five international contemporary artists, from established names to emerging voices, several of whom will be exhibiting for the first time in the United States. By either making or altering clothing for expressive purposes, these artists create garments, sculpture, installation, and performance art that transforms dress into a critical tool for exploring issues of subjectivity, identity, and difference.
The Museum of Arts and Design (MAD) will open its doors to a new major exhibition, Craft Front & Center on May 22nd, bringing together over 70 iconic and lesser-known works from MAD’s eclectic permanent collection to highlight significant periods in craft’s history that have led to the current moment.
The Museum of Arts and Design (MAD) presents Beth Lipman: Collective Elegy, from September 25, 2020 to April 4, 2021, a major midcareer survey that is the first to assess the remarkable achievements of the renowned contemporary artist. From sumptuous displays of excess, including provocative installations comprising hundreds of individual glass elements, to poetic and contemplative works in glass, metal, clay, video, and photography, the works on view are ethereal meditations on time and mortality and simultaneously sobering indictments of our contemporary consumer culture and its impact on the planet.
The Museum of Arts and Design (MAD) will reopen on September 17, 2020 with a major exhibition of works by celebrated architectural artist and painter Brian Clarke (b. 1953, United Kingdom). The first museum exhibition in the U.S. of Clarke’s stained-glass screens, compositions in lead, and related drawings on paper, Brian Clarke: The Art of Lightshowcases the most considerable artistic and technical breakthrough in the thousand-year history of stained glass.
Positioning photographic documentation, radio broadcasts, ephemera, data, and an installation generated by the project, AMBOS, as well as seven other projects from Aguiñiga’s ongoing design and artistic practice, Tanya Aguiñiga: Craft & Care at MAD demonstrates the link that the artist is forging between design thinking and community work. “Design thinking,” which refers to the creative strategies for problem solving, is situated here as something inherent to craft—a vehicle utilized by Aguiñiga for self-care and community building. And the work the artist has been doing near the Tijuana border crossing is timely, indeed.