The Museum of Arts and Design (MAD) will present the first major museum survey of humor and irreverence in modern and contemporary clay sculpture. On view from March 18–August 27, 2023, Funk You Too! Humor and Irreverence in Ceramic Sculpture brings together 50 artworks from the 1960s to the present day in which clay is used as a tool for critique and satire. In the exhibition, pieces by artists of the originating Funk art generation will be placed next to work by contemporary artists who are expanding on Funk’s legacy of humor, subversion, and expressive figuration.
On view from March 18 to August 27, 2023, at the Museum of Arts and Design (MAD), Generation Paper: A Fashion Phenom of the 1960s explores the era’s short-lived phenomenon of paper fashion through more than 80 rare garments and accessories crafted from non-woven textiles. These fashions, introduced in 1966 as a promotional campaign for Scott Paper Company, combined bold, graphic design with space-age innovations in materials. Surfacing a little-known chapter in the history of design, Generation Paperilluminates the creative partnerships of craft and commerce in the development of semi-synthetic and synthetic materials.
The Museum of Arts and Design (MAD) will present Queer Maximalism x Machine Dazzle, the first solo exhibition dedicated to the genre-defying artist Matthew Flower (US, b. 1972), better known as Machine Dazzle. A provocateur commanding an expanding repertoire of stagecraft, design, performance, and music, Machine Dazzle is a virtuoso practitioner of queer maximalism’s aesthetic language of gay liberation.
On view from September 10, 2022 through February 19, 2023, the exhibition brings together more than 80 of the artist’s creations for stage, spectacles, and street theater, alongside a variety of environments, ephemera, material samples, photography, and video.
The Museum of Arts and Design (MAD) will present Garmenting: Costume as Contemporary Art, the first global survey exhibition dedicated to the use of clothing as a medium of visual art. On view March 12 to August 14, 2022, the exhibition examines work by thirty-five international contemporary artists, from established names to emerging voices, several of whom will be exhibiting for the first time in the United States. By either making or altering clothing for expressive purposes, these artists create garments, sculpture, installation, and performance art that transforms dress into a critical tool for exploring issues of subjectivity, identity, and difference.
The Museum of Arts and Design (MAD) will open its doors to a new major exhibition, Craft Front & Center on May 22nd, bringing together over 70 iconic and lesser-known works from MAD’s eclectic permanent collection to highlight significant periods in craft’s history that have led to the current moment.
The Museum of Arts and Design (MAD) presents Beth Lipman: Collective Elegy, from September 25, 2020 to April 4, 2021, a major midcareer survey that is the first to assess the remarkable achievements of the renowned contemporary artist. From sumptuous displays of excess, including provocative installations comprising hundreds of individual glass elements, to poetic and contemplative works in glass, metal, clay, video, and photography, the works on view are ethereal meditations on time and mortality and simultaneously sobering indictments of our contemporary consumer culture and its impact on the planet.
The Museum of Arts and Design (MAD) will reopen on September 17, 2020 with a major exhibition of works by celebrated architectural artist and painter Brian Clarke (b. 1953, United Kingdom). The first museum exhibition in the U.S. of Clarke’s stained-glass screens, compositions in lead, and related drawings on paper, Brian Clarke: The Art of Lightshowcases the most considerable artistic and technical breakthrough in the thousand-year history of stained glass.
Positioning photographic documentation, radio broadcasts, ephemera, data, and an installation generated by the project, AMBOS, as well as seven other projects from Aguiñiga’s ongoing design and artistic practice, Tanya Aguiñiga: Craft & Care at MAD demonstrates the link that the artist is forging between design thinking and community work. “Design thinking,” which refers to the creative strategies for problem solving, is situated here as something inherent to craft—a vehicle utilized by Aguiñiga for self-care and community building. And the work the artist has been doing near the Tijuana border crossing is timely, indeed.