Image: Puppies Puppies (Jade Guanaro Kuriki-Olivo), Found image: “nude woman behind opaque glass”, 2023. Original photo by Erik Von Weber via Getty Images
The New Museum presents the first New York solo exhibition of conceptual and performance artist Jade Guanaro Kuriki-Olivo (b. 1989, Dallas, Texas), widely known by the moniker Puppies Puppies. On view October 12, 2023, through January 14, 2024, “Nothing New” transforms the New Museum’s glass-walled Lobby Gallery into a mise-en-scène for Kuriki-Olivo’s daily life, with a portion of the space functioning as a duplicate of the artist’s actual bedroom. Using a fogging glass mechanism, Puppies Puppies will alternately obscure and reveal her activities in the gallery to visitors, foregrounding themes of visibility, representation, and cultural consumption.
Cover of Womanhouuse catalogue, 1972. Edited by Judy Chicago and Miriam Schapiro; designed by Sheila de Bretteville. courtesy Through the Flower Archives.
The New Museum presents “Judy Chicago: Herstory,” bringing together six decades of the artist’s work and including an exhibition-within- the-exhibition spotlighting women essential to the history of art and Chicago’s own practice. On view from October 12, 2023, through January 14, 2024, Chicago’s most comprehensive New York museum survey to date spans three floors of the New Museum, tracing the artist’s sixty- year career across painting, sculpture, installation, drawing, textiles, photography, stained glass, needlework, and printmaking. On the Museum’s Fourth Floor, a total installation featuring Chicago’s embroideries, sculptures, drawings, and carpet design contextualizes her practice by bringing together artworks and archival materials from more than eighty women artists, writers, and cultural figures, including Hilma af Klint, Hildegard of Bingen, Claude Cahun, Elizabeth Catlett, Simone de Beauvoir, Artemisia Gentileschi, Emma Goldman, Frida Kahlo, Georgia O’Keeffe, Charlotte Salomon, Remedios Varo, and Virginia Woolf, among others. Titled after fifteenth century author Christine de Pisan’s “Le Livre de la Cité des Dames,” “The City of Ladies” continues Chicago’s work as a feminist activist and cultural historian claiming space for women in narratives that previously obscured or denied their contributions—much like her seminal work The Dinner Party (1974–79) in its attempt to create a history of important and often overlooked women.
Expanding Climate Action in the Visual Arts, a moderated panel discussion exploring how arts organizations can advance their energy efficiency and resiliency. Taking place on Friday, September 22, at the New Museum, this event is part of Climate Week NYC and tied to the Frankenthaler Climate Initiative (FCI), a multiyear, $15-million initiative supporting carbon neutral and clean energy projects at visual arts institutions across the country.
Rendering of the expanded New Museum and public plaza. Courtesy OMA/bloomimages.de
The New Museum today announced Sarah Lucas (b. 1962, London, UK) as the inaugural recipient of the Hostetler/Wrigley Sculpture Award, a biennial award supporting the production of new sculpture by women artists. Made possible by the Hostetler/Wrigley Foundation, the $400,000 grant supports the artist’s honorarium, production, installation, administration, and exhibition of new work on the New Museum’s forthcoming public plaza on the Bowery—a new public space created as part of the Museum’s expansion designed by OMA / Shohei Shigematsu and Rem Koolhaas.
Image: Wangechi Mutu, Yo Mama, 2003. Ink, mica flakes, acrylic, pressure-sensitive film, cut-and-pasted printed paper, and painted paper on paper, diptych, overall 59 1/8 × 85 in (150.2 × 215.9 cm). The Museum of Modern Art, New York. The Judith Rothschild Foundation Contemporary Drawings Collection Gift, 2005. Courtesy the artist and Vielmetter Los Angeles. Photo: Robert Edemeyer
The New Museum will present a major solo exhibition of work by Wangechi Mutu, bringing together more than one hundred works across painting, collage, drawing, sculpture, and film to present the full breadth of her practice from the mid-1990s to today. On view March 2–June 4, 2023, “Wangechi Mutu: Intertwined” will take over the entire the museum, encompassing the three main floors, lobby, “Screens Series” program on the lower level, and a new commission for the building’s glass façade. Curated by Vivian Crockett, Curator, and Margot Norton, Allen and Lola Goldring Senior Curator, with Ian Wallace, Curatorial Assistant, “Intertwined” will trace connections between recent developments in Mutu’s sculptural practice and her decades-long exploration of the legacies of colonialism, globalization, and African and diasporic cultural traditions.
Opening November 10, 2022, the New Museum will present the first American museum survey exhibition devoted to Theaster Gates, encompassing the full range of the artist’s practice across a variety of media creating communal spaces for preservation, remembrance, and exchange. This landmark exhibition will be accompanied by a presentation of newly commissioned works by Vivian CaccuriandMiles Greenberg exploring the relationship between bodies and sound waves.
From February 17 to June 5, 2022, the New Museum will present the first full retrospective in New York of the art of Faith Ringgold (b. 1930, New York, NY). Bringing together over sixty years of work, “Faith Ringgold: American People”provides the most comprehensive assessment to date of Ringgold’s impactful vision. Her role as an artist, author, educator, and organizer has made her a key figure whose work links the multi-disciplinary achievements of the Harlem Renaissance to the political art of young Black artists working today. During the 1960s, Ringgold created some of the most indelible art of the Civil Rights era by melding her own unique style of figurative painting with a bold, transformative approach to the language of protest. In subsequent decades, she challenged accepted hierarchies of art and craft through her experimental quilt paintings and undertook a deeply studied reimagining of art history to produce narratives that bear witness to the historical sacrifices and achievements of Black Americans.
Tin & Ed’s “Life Force” at Rock Center. Image via Instagram
Rockefeller Center has teamed up with Australian creative duo Tin & Ed, Tin Nguyen and Edward Cutting, to present a new interactive digital art installation that provides a portal to nature, taking audiences on a vivid journey through the natural world.
The Art Preserve of the John Michael Kohler Arts Center, Sheboygan, WI. Photo by Durston Saylor, courtesy John Michael Kohler Arts Center.
The John Michael Kohler Arts Center has announced the opening date for the Art Preserve, the world’s first museum dedicated to the presentation, care and study of art environments. Due to delays caused by COVID-19, the Art Preserve, originally set to open its doors this past August, is scheduled to open June 26, 2021. The postponement allows for finalizing interior construction and installation of works of art.
Here’s how the Art Preserve will turn the museum experience inside out, presenting treasures usually held behind the scenes.
The New Museum will present an intergenerational exhibition of works from thirty-seven artists, conceived by curator Okwui Enwezor beginning January 27, 2021.
Cover Image: Jordan Casteel, Fallou, 2018. Oil on canvas, 90 × 78 in (228.6 × 198.1 cm). Courtesy Casey Kaplan, New York
In her first solo museum exhibition in New York City, Jordan Casteel (b.1989, Denver, Colorado) brings together nearly forty paintings spanning her career, including works from her celebrated series Visible Man (2013-14) and Nights in Harlem (2017), along with recent portraits of her students at Rutgers University-Newark,
Nari Ward: We the People will open at the New Museum, featuring over thirty sculptures, paintings, videos, and large-scale installation, in a first museum survey in New York of his work.
