The New Museum will present a major solo exhibition of work by Wangechi Mutu, bringing together more than one hundred works across painting, collage, drawing, sculpture, and film to present the full breadth of her practice from the mid-1990s to today. On view March 2–June 4, 2023, “Wangechi Mutu: Intertwined” will take over the entire the museum, encompassing the three main floors, lobby, “Screens Series” program on the lower level, and a new commission for the building’s glass façade. Curated by Vivian Crockett, Curator, and Margot Norton, Allen and Lola Goldring Senior Curator, with Ian Wallace, Curatorial Assistant, “Intertwined” will trace connections between recent developments in Mutu’s sculptural practice and her decades-long exploration of the legacies of colonialism, globalization, and African and diasporic cultural traditions.
Opening November 10, 2022, the New Museum will present the first American museum survey exhibition devoted to Theaster Gates, encompassing the full range of the artist’s practice across a variety of media creating communal spaces for preservation, remembrance, and exchange. This landmark exhibition will be accompanied by a presentation of newly commissioned works by Vivian CaccuriandMiles Greenberg exploring the relationship between bodies and sound waves.
From February 17 to June 5, 2022, the New Museum will present the first full retrospective in New York of the art of Faith Ringgold (b. 1930, New York, NY). Bringing together over sixty years of work, “Faith Ringgold: American People”provides the most comprehensive assessment to date of Ringgold’s impactful vision. Her role as an artist, author, educator, and organizer has made her a key figure whose work links the multi-disciplinary achievements of the Harlem Renaissance to the political art of young Black artists working today. During the 1960s, Ringgold created some of the most indelible art of the Civil Rights era by melding her own unique style of figurative painting with a bold, transformative approach to the language of protest. In subsequent decades, she challenged accepted hierarchies of art and craft through her experimental quilt paintings and undertook a deeply studied reimagining of art history to produce narratives that bear witness to the historical sacrifices and achievements of Black Americans.
Rockefeller Center has teamed up with Australian creative duo Tin & Ed, Tin Nguyen and Edward Cutting, to present a new interactive digital art installation that provides a portal to nature, taking audiences on a vivid journey through the natural world.
The John Michael Kohler Arts Center has announced the opening date for the Art Preserve, the world’s first museum dedicated to the presentation, care and study of art environments. Due to delays caused by COVID-19, the Art Preserve, originally set to open its doors this past August, is scheduled to open June 26, 2021. The postponement allows for finalizing interior construction and installation of works of art.
Here’s how the Art Preserve will turn the museum experience inside out, presenting treasures usually held behind the scenes.
In her first solo museum exhibition in New York City, Jordan Casteel (b.1989, Denver, Colorado) brings together nearly forty paintings spanning her career, including works from her celebrated series Visible Man (2013-14) and Nights in Harlem (2017), along with recent portraits of her students at Rutgers University-Newark,