Fran Lebowitz and Fran Lebowitz. Photo by Will Ragozzino/scottruddevents for ICP
The International Center of Photography (ICP) has opened its doors to the exhibition Face to Face: Portraits of Artists by Tacita Dean, Brigitte Lacombe and Catherine Opie. Organized by renowned writer and curator Helen Molesworth, the exhibition presents portraits of luminaries in the arts by three of the most prominent portraitists of our time. Face to Face will be accompanied by a fully illustrated catalogue published by ICP and MACK, London, with essays by Molesworth and writer and curator Jarrett Earnest.
Keith de Lellis Gallery is pleased to present a group exhibition of over forty photographs created during the 19th and 20th centuries that historically altered and redefined the capabilities of the medium by utilizing pre-digital innovations such as photo montage, photo collage, double exposures and the darkroom process of composite printing. This show elegantly brings together photographs motivated by both advertising and artistic intents to highlight the significant level of ingenuity applied by artists across the fields to deliberately visualize their subject matter, of which many on display are painstakingly constructed by hand. An example of such artistry is found in a star-studded montage published by L. J. Lipp Publishing of Hollywood, California in 1928 with hundreds of faces of Hollywood’s famous actors and actresses, including Charlie Chaplin and Tom Mix, Hollywood’s first Western star. In another photograph we witness a beaming Fred Astaire miraculously dancing through the clouds as he plays the role of Charlie Hill from the 1952 film The Belle of New York.
To celebrate the centennial of Richard Avedon’s birth in 1923, The Metropolitan Museum of Art will present a selection of the photographer’s most innovative group portraits in the exhibition Richard Avedon: MURALS, opening January 19, 2023. Although Avedon first earned his reputation as a fashion photographer in the late 1940s, his greatest achievement was his stunning reinvention of the photographic portrait. Focused on the short period between 1969 and 1971, this exhibition will explore a critical juncture in the artist’s career, when, after a hiatus from portraiture, he began working with a new camera and a new sense of scale. The exhibition will be organized around three monumental photomurals in The Met collection (the largest measures 10 x 35 feet) that depict groups of the era’s preeminent artists, activists, and politicians. Uniting the murals with session outtakes and contemporaneous projects, the exhibition will track Avedon’s evolving approach to group portraiture, through which he transformed the conventions of the genre.
The exhibition is made possible by Joyce Frank Menschel.
Taken during research for his series of talks exploring the architectural details and clues of past use of the Salmagundi Clubhouse, architectural historian (and Club member) Anthony Bellov presents highly personal images of oft-overlooked aspects of the building, exciting and challenging the viewer to explore their own perceptions and assumptions of this unique structure.
Victoria Sambunaris, High and Dry ~ Untitled, (Zabriskie Point), Death Valley National Park, California, 2021. Chromogenic print, 39 x 55 inches.
High and Dry, an exhibition of new photographs by Victoria Sambunaris, documents the inexorable evidence of human activity on the desert landscape from the literal to the geological. The work will be on view at Yancey Richardson from January 5 through February 18, 2023, and will feature seven new large-scale photographs traversing the intersection of the natural open terrain and the interventions shaped by climate change, resource depletion, and environmental degradation. An opening will be held on Thursday, January 5, from 6-8 p.m. The artist will be present.
Fotografiska New York is pleased to present a new exhibition that traces hip-hop’s origins—starting in the Bronx in 1973, as a social movement by-and-for the local community of African, Latino, and Caribbean Americans—to the worldwide phenomenon it has become 50 years later. Hip Hop: Conscious, Unconscious amplifies the individual creatives involved in the movement while surveying interwoven focus areas such as the set of women who trail blazed amid hip-hop’s male dominated environment; hip-hop’s regional and stylistic diversification; and the turning point when hip-hop became a billion-dollar industry that continues to mint global household names.
Hip Hop: Conscious, Unconscious is a major new exhibition of over 200 photographs, dated 1972 to 2022, traces the rise and proliferation of hip-hop through five decades of work from the trailblazing image-makers who helped codify hip-hop as the most influential pop culture movement of its generation. Ranging from iconic staples of visual culture (presented with new context) to rare and intimate portraits of hip-hop’s biggest stars, the works on view traverse intersecting themes such as the role of women in hip-hop; hip-hop’s regional and stylistic diversification and rivalries; a humanistic lens into the 1970s-Bronx street gangs whose members contributed to the birth of hip-hop; and the mainstream breakthrough that saw a grassroots movement become a global phenomenon.
The International Center of Photography (ICP) opened its doors to the exhibition Close Enough: New Perspectives from 12 Women Photographers of Magnum, which offers unique viewpoints on the extraordinary relationships that photographers forge with global situations, communities, and individual subjects. As part of the exhibition, each of the contributing photographers openly reflects upon their intentions and practices, creating a timely chorus of creative voices responding to enduring and urgent human experiences. On view through January 9, 2023, Close Enough takes its title from Magnum photos co-founder Robert Capa’s well-known quote “If your pictures aren’t good enough, you’re not close enough.”
The Holidays are here, and the Nostalgia Train will once again offer NYC subway riders a chance to step aboard on November 27th, December 4th, December 11th and December 18th, 2022.
Local photographer Ken Lee created a wonderful video taking viewers back in time, for a ride on a City of New York Nostalgia Train.
Anthony Barboza (African-American, b. 1944), Liberty – Pensacola, Florida (Composite with American Flag), 1966
The exhibition Anthony Barboza: Moments of Humanity will open at Keith de Lellis Gallery on November 22nd, highlighting Barbara’s ability to use the camera as a tool for establishing an empowering narrative of hope for the Black Community in America during a historic time of inequality and adversity.
Ann Shelton, All the herbalists and I are root diggers (Roots, Root Diggers, Wortcunners, Root Men, Root Maids), 2022-ongoing. Archival pigment print on Hahnemühle Bamboo. 44 x 33 in/112 x 84 cm. Edition of 6 + 2 AP’s.
Denny Dimin Gallery will open its doors to Ann Shelton’s third solo exhibition with the gallery, i am an old phenomenon open from November 4 to December 22, 2022. Shelton is recognized as one of New Zealand’s leading photographic artists and will have her first institutional solo exhibition in the United States in 2024.
Firehouse: The Photography of Jill Freedman at NYC Fire Museum
The New York City Fire Museum is presenting an exhibition showcasing award-winning photographer Jill Freedman’s moving collection of photographs documenting New York City firefighters on the job in the ‘70s. Firehouse: The Photography of Jill Freedman is open now through April 2, 2023.
The exhibition features a number of images contained in Freedman’s book, Firehouse, which was released in 1977 and garnered rave reviews highlighting their honesty and grit that captured the danger, tragedy, heroism, and camaraderie of being a firefighter in New York City.
Save the Date, November 3rd from 6-9pm for ‘A Night at the FDNY Museum’ celebrating the 35th anniversary along with this new exhibition.
Linda Troller, Floating, 2017. Image courtesy of the Museum
The Museum of Sex is pleased to announce Self Power | Self Play: 50 years of Erotic Portraiture by Linda Troeller. For half a century, artist Linda Troeller (b. 1949) has used the camera as a tool for sensual empowerment. The first museum retrospective of Troeller’s work in New York City, Self Power | Self Play will feature over sixty erotic photographs on loan from the artist’s studio and Bryn Mawr College Special Collections which highlight her radical and playful photographic practice. The museum will host a private opening reception on the evening of Monday, October 17th and the exhibition will be open to the public on Wednesday, October 19th.
Gordon Coster, Grain Elevators, 1940. Image courtesy Keith de Lellis Gallery.
Keith de Lellis Gallery is pleased to present a group exhibition on the subject of photographic images of industrial buildings and structures by American and European photographers in the twentieth century. Inspired by The Metropolitan Museum of Art’s Bernd & Hilla Becher exhibition now on view at the museum through November 6, Industrial Architecture in Photography pays homage to the renowned husband and wife team Bernd and Hilla Becher. The prolific contemporary German artist duo focused on photographing and preserving a visual record of the industrial architecture of Western Europe and North America by methodically recording blast furnaces, water towers, grain elevators and other buildings with meticulous precision.
Few photographers had the insider access Oakland native Jeffrey Henson Scales did around the Black Panther Party in the late 1960s. Capturing intimate portraits and protest images of the organization and its leaders in a time of societal upheaval, Scales’s archive lay dormant and forgotten for 40 some years. Then in 2018, when his mother died and the contents of the family home were sorted, the negatives were discovered.
Join Jeffrey Henson Scales for a celebration of his book and book signing of “In A Time of Panthers”, early photographs by Jeffrey Henson Scales, to be held on September 28th at Claire Oliver Gallery.
In 1983, Baldwin Lee left his home in Knoxville, Tennessee, and set off on a road trip through the American South. He did not know what his subject would be, but during the trip, he found himself drawn to photographing Black Americans at home, at work and at play, in the street and amid nature. Over the next seven years, he made numerous road trips to the South to continue his work.
Over the past three decades, Zoe Leonard has probed the conditions of image-making and the politics of display, merging photography, sculpture, and installation in her acclaimed conceptual practice. This fall, Hauser & Wirth will present a selection from her expansive photographic project ‘Al río / To the River’ (2016–2022) on the second floor of the gallery’s 22nd Street location.
A larger-than-life outdoor public art exhibit is opening on August 12 on St. Nicholas Avenue between 120thand 121st Streets as part of the continuing Harlem is . . . Healing campaign by Community Works and New Heritage Theatre Group and in partnership with the NYC Department of Transportation’s Art Program. The installation has been extended to May 1, 2023.
World Photography Day is an annual event ~ a celebration of the art and history of photography. This year, World Photography Day takes place on Friday, August 19th. All are encouraged to share their best photos at #WorldPhotographyDay. We will spend the day at Fotografiska New York, located in the historic church, Missions House at 281 Park Avenue South, NYC.
Portfolio Development is a guided independent study program for photographers of all levels who are interested in honing their artistic eye and building their body of work by participating in this community of photographers.
This seventh season of Portfolio Development began work in the fall of 2019, and was scheduled to ‘graduate’ and have their Soho Photo Gallery show in July of 2020 — but a little something came along to disrupt that schedule! During the Covid shutdown their intrepid photographers found inventive ways to keep working while we all waited for the gallery (and City) to reopen.
Our Selves brings images that span more than one hundred years of photography into dialogue with each other. All of them were made by women artists who have responded to asymmetrical systems of power and have reframed gender and subjectivity in the process. Modernist artists in the first half of the twentieth century interrogated the politics of the gaze and explored new forms of address in portraiture, documentary images, and advertising; contemporary artists have highlighted the intersections of women’s rights, diasporic histories, and Indigenous sovereignty through oblique fabulation, queer language, and performative actions.
Vittorio Ronconi, Mitico Solidarietà, Romagnola (Mythical Solidarity, Romagna), c. 1960. Image courtesy Keith de Lellis Gallery
Keith de Lellis Gallery is pleased to present a group exhibition of prominent Italian photographers who poetically document the heart of Catholic life in Italy during the mid-twentieth century, a time when the sanctity of religion was deeply intertwined with daily life. Italy is the home of Vatican City, the eminent holy city for Catholics which has served as the headquarters of the Roman Catholic Church since the fourth century and remains the largest Christian church in the world today.
See New York City in 1968 through the lens of photographer Katrina Thomas with “Streets in Play”. Curated from the NYC Parks Photo Archive collection, the exhibition features more than 40 of Thomas’ photographs of “Playstreets” or residential blocks closed to traffic and equipped with recreational and cultural activities. With dynamic black-and-white images that document carless streets and children engaged in inventive and self-directed forms of play, the 1968 images speak to present-day questions of whom and what purposes city streets might serve. Where were you in 1968?
Howard Greenberg Gallery will open its doors to William Klein: Afrique from June 23 through September 17, 2022. The exhibition highlights a rediscovered body of work by William Klein, one of the leading photographers of the 20th century.
Prefix 31.089 DA# GP31089 2020; Margaret Burroughs, Untitled, ca. 1946. Image courtesy the Gordon Parks Foundation.
Howard University and The Gordon Parks Foundation today announced a historic acquisition of 252 photographs representing the arc of Gordon Parks’s career over five decades. The breadth of the collection–which spans Parks’s earliest photographs in the 1940s through the 1990s–makes it one of the most comprehensive resources for the study of Parks’s life and work anywhere in the world. The Gordon Parks Legacy Collection, a combined gift and purchase, will be housed in the Moorland-Spingarn Research Center. Organized thematically by subject into 15 study sets, the photographs serve as a rich repository for the development of exhibitions and multidisciplinary curricula that advances scholarship on Parks’s contributions as an artist and humanitarian.
Rod Brayman, Photography Today exhibition. Image courtesy of the artist and Salmagundi Club.
The Salmagundi Club presents Photography Today, on view for two weeks only from May 2 through May 14, 2022, in the Rockwell Gallery. This exhibition of fine art photography showcases the work of 23 photographer members.
With her early work, Cindy Sherman revolutionized the role of the camera in artistic practice and opened the door for generations of artists and critics to rethink photography as a medium. On 4 May 2022, Hauser & Wirth New York will present over one hundred works from Sherman’s most groundbreaking and influential early series – including the complete set of 70 Untitled Film Stills, Rear Screen Projections and Centerfolds – in her first major solo exhibition with the gallery.
The power of photography will be on full view when The Photography Show presented by AIPAD opens on Friday, May 20, and runs through Sunday, May 22, 2022, with a VIP Opening on Thursday, May 19. The Show will be held at a new midtown location: Center415 on Fifth Avenue between 37th and 38th streets. The Photography Show will bring together 49 galleries from 9 countries and 23 cities from across the U.S. and around the world. The exhibitors are all members of the prestigious Association of International Photography Art Dealers known as AIPAD, recognized as the world’s leading galleries of fine art photography.
The Austrian Cultural Forum New York will open its doors to ‘The Camera is Cruel: Lisette Model, Diane Arbus, Nan Goldin.’ Curated by Dr. Gerald Matt, the exhibition, previously shown at FLATZ Museum in Dornbim (2018) and the WestLicht Museum for Photography in Vienna (2019), brings together a selection of key works in an exclusive joint presentation of the work of three iconic photographers. The exhibition is on view April 8 ~ June 15, 2022, with Opening Reception on Thursday, April 7th.
Hi-ARTS has joined forces with Black Women Photographers (BWP) for Center Focus. BWP’s inaugural group exhibition, which showcases the work of seven of its acclaimed and emerging members, will run from April 11 to April 29 at Hi-ARTS.
Image: Jamel Shabazz, Looking to the Future. Flatbush, Brooklyn, 1980
Starting at the young age of fifteen, Brooklyn born photographer Jamel Shabazz identified early on the core subject of his lifelong investigation: the men and women, young and old, who invest the streets of New York with a high degree of theater and style, mixing traditions and cultures. Despite following a celebrated tradition of street photography that includes Gordon Parks, Garry Winogrand, and Lee Friedlander, it is to his credit that Shabazz has been one of the first photographers to realize the joyous, infectious potential of youth culture in neighborhoods such as Red Hook, Brownsville, Flatbush, Fort Greene, Harlem, Manhattan’s Lower East Side and the Grand Concourse section of the Bronx.
Keith de Lellis Gallery presents a selection of over fifty photographs assigned by the editors for the pages of Life Magazine, one of the most renowned picture magazines in the world. Published weekly from 1936 to 1972, the magazine chronicled in image and word every historical event both big and small that impacted the lives of Americans north, south, east and west. Life revolutionized how readers experienced these historical events by pioneering the photo-essay, where narratives are told through the power of pictures while words take on a less significant role. This exhibition captures the wide-ranging themes published in Life Magazine including politics, war and race to popular culture, major sporting events and everyday moments that were at the heart of American culture in the twentieth century.
The Abyss of the Ocean: Cuban Women Photographers, Migrations, and the Question of Race focuses on identity and resistance through the creative practices of five artists living and working in the United States, Mexico, and Spain. The exhibition reveals the experiences and strategies of survival of María Magdalena Campos-Pons, Coco Fusco, Marta María Pérez Bravo, Gertrudis Rivalta, and Juana Valdés within the matrix of Latinx Art. Through their work, these artists challenge the concept of Latinidad and its relationship to Blackness in the modern/colonial project. Unsettling the totalizing definitions of Cuban, Latin American, and Latinx Art, The Abyss of the Ocean presents key photographic series produced since the 1990s. These photographs lay bare the nuance of the artists’ multiple Diasporic identities while confronting racist and colonialist stereotypes of women’s bodies.
Roberta Fineberg: Tamed, 2017. 13″ x 19″; pigment print on baryta paper
For Women’s History Month, 2022, multidisciplinary artist, Roberta Fineberg, focuses on the subjects of freedom, serendipity, experimentation, and development of ideas for her photography, works on paper, and an installation for an art pop-up show at Time Gallery on Bleecker Street in NYC from March 8th through March 13th.
Left to right: Bisa Butler, Photo by Gioncarlo Valentine; Andre D. Wagner, Photo by Ike Edeani; Nicole R. Fleetwood
The Gordon Parks Foundation has named its 2022 fellowship recipients: Artists Bisa Butler and Andre D. Wagner, and author and curator Nicole R. Fleetwood as the inaugural Genevieve Young Fellow in Writing. Established in 2017, the fellowship program champions individuals who share the foundation’s devotion to advancing Parks’s vision for social change through the arts and humanities. This year expands on previous art fellowships with the launch of the Genevieve Young Fellowship in Writing, established in honor of the legendary book editor, who was also Gordon Parks’s former wife, estate executor, and instrumental member of the foundation’s board until her passing in 2020. Each recipient will receive $25,000 to support new or ongoing projects that explore themes of representation and social justice.
30 female-identifying artists from 20 different countries diversely explore the female gaze in this exhibition centered on the naked body in contemporary photography.
NUDE is a collection of images that portray the body through beautiful, disruptive, and experimental lenses, seeking to subvert the historically predominant male gaze and celebrate the human form.
Street photography—the thoroughly unpredictable and often magical framing of a moment—was embraced early in the 20th century by women photographers. A new exhibition at Howard Greenberg Gallery will survey more than seven decades of work by 12 women photographers. A Female Gaze will be on view from January 19 through April 2, 2022 in the gallery’s new space on the 8th floor of the Fuller Building at 41 East 57th Street.
Keith de Lellis Gallery presents a selection of sixteen accomplished mid-century Swedish photographers whose innovative work has remained relatively unfamiliar to the American public. Ten of these individuals were part of TIO (a Swedish word for “ten”), a collective of Swedish photographers established in 1958. From nature and industrial scenes to abstraction and fashion, Swedish Modern captures the broad range of creative styles and interests that were present in the minds of mid-century Swedish artists. What unites the wide variety of subject matter between the photographers in this exhibition is their shared attitude of inquiry into the possibilities of what the camera is capable of.
Galerie l’Atelier opened its doors to the first American solo exhibition of renowned Belgium photographer, Eric Ceccarini. The exhibition, ‘The Painters Project’, is a meeting between painter, model and photographer, in the artists’ ongoing collection of collaborations between the photographer with painters and models/performing artists.
Beginning 6 November, Hauser & Wirth Southampton will present ‘Annie Leibovitz. Wonderland,’ an exhibition of photographic prints selected by the artist from her acclaimed body of work made over the past two decades. This presentation focuses upon work made since 1999, including fashion photography shot on assignment that, in the artist’s words, ‘revealed surprising avenues to portraiture.’ The exhibition offers fresh insight into the depth and breadth of Leibovitz’s unique artistic vision via fashion, landscape, and interior tableaux. ‘Wonderland’ is the first exhibition to showcase these images together in a single space, with many of the works having not been presented since their original publication.
#9) George Gaines (Baby D) Captain of the Black Panther Party Marin County branch, speaking at the United Front Against Fascism (UFAF) was an anti-fascist conference organized by the Black Panther Party and held in Oakland, CA, from July 18 to 21, 1969. From, “The Lost Negatives,” photographs by Jeffrey Henson Scales. Credit: Jeffrey Henson Scales
Claire Oliver Gallery is pleased to announce the gallery’s debut solo exhibition by photographer Jeffrey Henson Scales, In A Time of Panthers: The Lost Negatives. The exhibition features 20 photographs from the 1960s including Scales’ earliest forays as a photographer during the electrifying summer of 1967 when at age 13 with his paternal grandmother he toured the Midwest to see relatives. As a Black teenager, he saw the poverty and oppression of Northern Black communities and when he returned to Oakland, CA became immersed in photographing the milieu of the Black Panther movement in Northern California. The images chart the emergence of his awakening as a documentary photographer as well as a Black man in a pivotal moment in the 20th century that echoes today’s Black Lives Matter movement. In a Time of Panthers: The Lost Negatives is on view September 16 – October 29, 2021 at Claire Oliver Gallery in Harlem.
Blown Headlines: High winds blow loose newspaper pages around 125th street near the IRT Subway entrance as some people make their way to work that morning, Harlem, New York, 2006
Keith de Lellis Gallery is honored to present the photography of Ozier Muhammad in the artist’s first one man exhibition in New York. Ozier Muhammad (b. 1950) is a Pulitzer Prize winning photojournalist from Chicago who has documented the cultural events of black citizens across the world for over four decades. This exhibition showcases Muhammad’s dedication to utilizing photography as a truth telling medium that explores racial issues throughout society and sheds light on the daily joys and strife of the African and African American communities.
Leslie Fratkin: The Streets of Chelsea photo exhibition at Chelsea Market. Image courtesy of the artist.
Chelsea Market will host the photography exhibition “The Streets of Chelsea” beginning September 9 from photographer and Chelsea local Leslie Fratkin. “The Streets of Chelsea” is both a documentation of the continuously evolving neighborhood captured during the COVID-19 pandemic and a series of portraits of Fratkin’s Chelsea neighbors. The collection, made up of 37 black-and-white images, reflect Fratkin’s drive to seek out people and places that are not posed or arranged. She welcomes the challenge of not being able to control all the variables and seeing what an element of chance brings to the final image.
This autumn, Howard Greenberg Gallery, one of the world’s leading galleries for classic and modern photography, is celebrating its 40th year with a move to two new locations on 57th Street, and an exhibition of work by renowned photographer and filmmaker Gordon Parks.
Unknown. Tsuneko Sasamoto, Tokyo, 1940. Inkjet print, 2020, 18.2 cm x 18.2 cm (7 3/16 in. x 7 3/16 in.). Courtesy Tsuneko Sasamoto / Japan Professional Photographers Society
The New Woman of the 1920s was a powerful expression of modernity, a global phenomenon that embodied an ideal of female empowerment based on real women making revolutionary changes in life and art. Opening July 2, 2021 at The Metropolitan Museum of Art, The New Woman Behind the Camera will feature 185 photographs, photo books, and illustrated magazines by 120 photographers from over 20 countries. This groundbreaking exhibition will highlight the work of the diverse “new” women who made significant advances in modern photography from the 1920s to the 1950s.
Panorama Studio, Empire State Building & Dirigible “Los Angeles,”, 1931. Image courtesy of the gallery.
In May, 2021, The Empire State Building celebrated its 90th anniversary. This month, Keith de Lellis Gallery celebrates the 90th anniversary of New York City’s magnificent Art Deco skyscraper in its summer exhibition. After demolishing the famous original Waldorf Astoria Hotel on Fifth Avenue in 1929, the Bethlehem Engineering Corporation took on the world’s most ambitious building project to date: the construction of the Empire State Building, the first 100+ story building. The Chrysler Building, with 77 stories, briefly held the title of the world’s tallest building before being unseated by the Empire State a mere 11 months later. Dwarfing all surrounding buildings, the Empire State stands at 1,454 feet tall. Construction began on March 17th, 1930 and was completed in record time, opening on May 1, 1931. As a tourist attraction, the site found immediate success, collecting a ten-cent fee for a bird’s eye view of New York City from telescopes atop the observatory.
Aldara Ortega, “One Love”, 2018, Photograph, 46″ x 57″ Framed. Image courtesy of the Gallery.
Galerie l’Atelier presents the photography exhibition “DIVE IN” by Aldara Ortega in their Chelsea space in New York City. The show features a collection of female underwater portraits. Through a submerged feminine eye, we are presented with unique stories from four diverse women.
Photographer David Zheng presents his solo exhibition and the release of his new artist book, Where Did All the Flowers Go?, in a pop-up gallery in Chinatown, NY. The exhibition opens June 10 and continues until June 13, 2021, on 55 Chrystie Street, NY. The show will feature photographs taken in New York’s Chinatown during the initial three-month COVID-19 lockdown period. Additionally, the space will house portraits of the neighborhood’s residents, as a compilation of stories plays through audio in an enclosed room; all of which were captured during a series of community engagements hosted by the artist in the 4 weeks leading up to the show’s opening. The exhibition will be open to the public.
Just in time for Memorial Day weekend, Fotografiska New York opens its doors to an exciting lineup of new exhibitions ~ and did you know that throughout August, 2021, for every ticket purchased, you may bring a friend for Free!
