Keith de Lellis Gallery will open its doors to an exhibition of work by American photojournalist and street photographer Simpson Kalisher (July 1926 ~ June, 2023) on December 7th.
Keith de Lellis Gallery will open its doors to an exhibition of work by American photojournalist and street photographer Simpson Kalisher (July 1926 ~ June, 2023) on December 7th.
This past month we’ve been wondering ~ and even concerned ~ about the lack of news coming from our media about the war in Ukraine. We see we are not alone. This month, photographer and explorer of urban ruins, Phil Buehler, created a 60-foot-long photograph of Irpin’s car cemetery in Ukraine as a reminder that this war rages on. The mural, entitled ‘Irpin, Ukraine: Please Don’t Forget Us’ is located near the Ukrainian Museum and the St. George Ukrainian Church in the East Village, on view through November, 2023.
Celebrating the 100th anniversary of his birth, an exhibition showcasing the diverse range of Saul Leiter’s career will be on view at Howard Greenberg Gallery from December 2, 2023, through February 10, 2024. Saul Leiter: Centennial will feature more than 40 photographs, paintings, and painted photographs, many which have never been on public view in the U.S. The exhibition, created in collaboration with the Saul Leiter Foundation, will coincide with a new book, Saul Leiter: The Centennial Retrospective, to be published by Thames & Hudson in November. An opening reception will be held on Saturday, December 2, from 3 to 5 p.m.
New work by acclaimed photographer Andrew Moore will be on view at Yancey Richardson from November 16, 2023, through January 6, 2024. The exhibition, Whiskey Point and Other Tales, delves into the dazzling scenes and moody vistas of the storied Hudson Valley of New York. Through his vividly colored, large-scale photographs, Andrew Moore is known for investigating the intersections of historical moments in the U.S. and abroad, documenting the natural and built landscapes in places such Detroit, the American South, the Great Plains, New York City, Cuba, and Bosnia. Whiskey Point refers to a strip of land that juts out into the Hudson River in Ulster County where the surrounding soil was once cleared for brick production. Today it is part of a new park named after African American abolitionist and suffragette Sojourner Truth who was born a slave in Ulster County in 1797.
“Broadway: Now & Then” is a captivating 4-foot-wide lenticular composition that seamlessly blends two distinct moments in history. As viewers pass by the installation, they will witness the enchanting transformation between a black and white image from 1910, loaned by the Museum of the City of New York, and the artist’s 2023 photograph of the very same location where the piece is installed. The flip between archival and contemporary images provides a unique perspective on the transformation of our city.
This site-specific installation displays alternating images of the intersection where it stands, at Broadway and W. 157th Street, in two distinct eras. Pedestrians trigger its lenticular, time-warp effect simply by walking by.
Keith de Lellis Gallery will open its doors to The Geometry of Modernism: Vintage Photographs on September 13th.
Running alongside The Armory Show within Javits Center, (separate entrance), PHOTOFAIRS New York will roll out its inaugural, annual exhibition. In addition, the annual SPRING/BREAK Art Show, Independent 20th Century, Art on Paper and others open their doors to Armory Art Week all around Town.
It’s World Photography Day! Let’s visit some of our favorite museums and galleries celebrating the art of photography.
The Apollo has launched a four-episode video series, Live Wire From The Apollo Archives: The Photographs and Films of Gordon Anderson, highlighting the life and work of the famed photographer and filmmaker who captured some of the most iconic moments on The Apollo stage and the Harlem community from the 1940s into the 1970s.
PHOTOFAIRS New York is a new contemporary art fair dedicated to photo-based works, digital art and new media. Taking place at the Javits Center, Manhattan’s West Side during The Armory Show, (September 8-10), the Fair will present a state-of-the-art view of visual culture.
Running alongside The Armory Show, (separate entrance), PHOTOFAIRS New York cements the first week of September as the annual pulse point on New York’s arts calendar. The fair’s debut edition welcomes a highly curated selection of exhibitors from around the world, from renowned photography dealers to interdisciplinary contemporary art galleries, to organizations at the forefront of emerging technologies.
In partnership with The END Fund, through the support of Reaching the Last Mile, The Africa Center is pleased to announce Reframing Neglect, a new photography series at The Africa, with creative direction by contemporary artist and activist Aïda Muluneh, highlighting the need to end neglected tropical diseases (NTDs) globally.
Fotografiska New York is pleased to present Stars, the largest U.S. exhibition and first New York museum solo show of the late British photographer Terry O’Neill (1938-2019). The curation of 110 works on view spans six decades (1960s through 2010s) of O’Neill’s fine art photography, from crisp portraiture to playful behind-the-scenes snapshots ~ on view to September 15, 2023.
Keith de Lellis Gallery is pleased to present a group exhibition of photographs that explore the history of dance in the 20th century, with works spanning from the 1920s to the 1960s. The poses, expressions, and moments formed in these photographs were also conceptualized through a phrase of dance, a surrealist notion that holds visually throughout these works. Together and separately, both dance and photography are ever-changing. ‘Focus on Dance’ to open on June 14th.
Bruce Davidson: The Way Back will be on view at Howard Greenberg Gallery from June 22 through September 16, 2023. Selected by the acclaimed photographer from his vast archive, the exhibition will present previously unpublished work dating from 1957-1977. The photographs represent the arc of Davidson’s versatile career with individual images that were overlooked at the time. Some are from Davidson’s most well-known series—East 100th Street, a look at one Harlem block in 1966-68; Brooklyn Gang, which followed a group of teenagers in the summer of 1959; Time of Change, his Civilrights photographs from 1961-65; and Subway, a look at life on the trains from 1977. Other works, in the streets of New York, the markets of Mexico, or the wilds of Yosemite, stand apart from those series though remain characterized by a creative practice rooted in humanism. The works in the exhibition are drawn from a new book, Bruce Davidson: The Way Back, to be published by Steidl in 2023.
For nearly six decades as a practicing artist, Arlan Huang has quietly collected art. While some of the pieces were purchased, much has been amassed through “art swaps,” friendly exchanges between fellow artists. “Just Between Us,” a group exhibition presented in partnership by Think!Chinatown and Pearl River Mart, highlights some of these works. Opens May 4th. Registration required.
To celebrate the centennial of Richard Avedon’s birth in 1923, The Metropolitan Museum of Art will present a selection of the photographer’s most innovative group portraits in the exhibition Richard Avedon: MURALS, opening January 19, 2023. Although Avedon first earned his reputation as a fashion photographer in the late 1940s, his greatest achievement was his stunning reinvention of the photographic portrait. Focused on the short period between 1969 and 1971, this exhibition will explore a critical juncture in the artist’s career, when, after a hiatus from portraiture, he began working with a new camera and a new sense of scale. The exhibition will be organized around three monumental photomurals in The Met collection (the largest measures nearly 10 x 35 feet) that depict the era’s preeminent artists, activists, and politicians. Uniting the murals with session outtakes and contemporaneous projects, the exhibition will track Avedon’s evolving approach to group portraiture, through which he transformed the conventions of the genre.
Think!Chinatown, a cultural community organization, presents “A Place for Us: Reflections from Chinatown / 我們的歸宿”. From the grit of Mom & Pop legacy businesses to the joys of reclaiming public spaces, the exhibition explores the many strengths and vulnerabilities that lie within Manhattan’s historic and ever-changing Chinatown community. Displayed at Think!Chinatown’s new community art space, this exhibition is a celebration of the powerful sense of belonging and connection Chinese- and Asian-Americans have for Chinatown.
What Is Psychedelic, co-presented by Mishkin Gallery and Pioneer Works, marks the first institutional survey of New York-born artist Aura Rosenberg. This two-venue exhibition traces the artist’s trajectory from early paintings of the 1970s to her more recent endeavors in photography, film, sculpture, and installation. Throughout her five decades long career in New York and Berlin, Rosenberg has moved through diverse styles, preferring to work thematically and serially while often returning to ideas from past projects. The exhibition also includes several previously unseen works, and Rosenberg’s collaborations with artists like Ei Arakawa, Mary Heilmann, Mike Kelley, Louise Lawler, and Haim Steinbach, all of which chronicle the breadth of her multifaceted career.
As the world commemorates Hip-Hop’s 50th anniversary, the Caribbean Cultural Center African Diaspora Institute (CCCADI) launches its latest in-person exhibition entitled, Rhythm, Bass and Place: Through the Lens. Launching on March 17, 2023 with a free public reception at CCCADI (120 E 125th Street, NY, NY 10035), this exhibition, featuring the photographs of New York photographers Joe Conzo Jr. and Malik Yusef Cumbo, explores the moments in which musical styles were created in New York City’s African Diasporic communities. From portrait to photojournalism, this exhibition is a testament to a social movement, a cultural renaissance and a communally crafted sound experience that reverberates worldwide.
On view at Salmagundi Club, Birthday Suit: An Artful Exploration of Nude Photography. This exhibition highlights the talents of Salmagundi photography members and two specially selected non-member artists, showcasing the beauty and complexities of the human form through the art of nude photography.
Edward Burtynsky’s powerful new photography series African Studies, a seven- year project spanning ten countries, will have its New York premiere with two solo gallery exhibitions this March. The exhibitions will be on view at Sundaram Tagore Gallery from March 2 through April 1 at 542 West 26th Street and at Howard Greenberg Gallery from March 4 through April 22 at 41 East 57th Street. Opening receptions will be held at Sundaram Tagore Gallery Thursday, March 2, 6 – 8 p.m. and at Howard Greenberg Gallery Saturday, March 4, 3 – 5 p.m. The artist will attend both receptions.
Cavalier Galleries is delighted to announce DARK—a solo exhibition of Mark S. Kornbluth’s photographs of Broadway theaters during the pandemic closure. The series comprises large-format photographs of dozens of New York City theater exteriors, a majority of which will be on display in the exhibition. Images of the Ambassador, Barrymore, Booth, Eugene O’Neill, Imperial, Lunt-Fontanne, Lyric, Music Box, New Victory, and Richard Rodgers theaters are featured, among others. Broadway shows captured in the historical moment include The Book of Mormon, Hamilton, Hangmen, Harry Potter and the Cursed Child, The Inheritance, Moulin Rouge, Who’s Afraid of Virginia Woolf? and TINA: The Tina Turner Musical. The exhibition opens Thursday, March 2, with an artist reception from 6–8 p.m., and runs through Saturday, April 15, 2023.
Museum of the City of New York, NYC’s storyteller for nearly 100 years, today announced the list of 33 image-makers whose work will be included in the inaugural presentation of New York Now: Home – a photography triennial. Opening on March 10, 2023, the first installation focuses on the theme of “Home” and features photographs and artworks by artists that reveal a complex understanding of home in New York’s five boroughs. With works ranging from social documentary to conceptual, the artists in New York Now: Home explore the ways that homes cross geographic borders; how homes are havens of safety for some but not all; the fact that homes are chosen as much as they are inherited; and the experience of homes that is made in our bodies. Together, the work celebrates the diversity of what home, family, kinship, and community are and can be in New York, now.
The Photography Show presented by AIPAD has announced the exhibitors for the 2023 show, which will be on view from March 31 through April 2, 2023, at Center415 on Fifth Avenue between 37th and 38th streets. The fair will open with a VIP Preview on March 30. The roster of galleries includes members of the prestigious Association of International Photography Art Dealers known as AIPAD, recognized as the world’s leading galleries of fine art photography, as well as an exceptional selection of emerging galleries new to AIPAD.
Opening at The Metropolitan Museum of Art on March 2, 2023, Berenice Abbott’s New York Album, 1929 will present selections from a unique unbound album of photographs of New York City created by American photographer Berenice Abbott (1898–1991), shedding new light on the creative process of one of the great artists of the 20th century. Consisting of 266 small black-and-white prints arranged on 32 pages, the album comprises a kind of photographic sketchbook, offering a rare glimpse of an artist’s mind at work. In addition to some 20 framed album pages, the exhibition will feature photographs from The Met collection of Paris streets by Eugène Atget, whose archive Abbott purchased and promoted; views of New York by her contemporaries Walker Evans and Margaret Bourke-White; and selections from Abbott’s federally funded documentary project, Changing New York (1935–39).
The International Center of Photography (ICP) has opened its doors to the exhibition Face to Face: Portraits of Artists by Tacita Dean, Brigitte Lacombe and Catherine Opie. Organized by renowned writer and curator Helen Molesworth, the exhibition presents portraits of luminaries in the arts by three of the most prominent portraitists of our time. Face to Face will be accompanied by a fully illustrated catalogue published by ICP and MACK, London, with essays by Molesworth and writer and curator Jarrett Earnest. ‘Face to Face’ has been extended through May 7th.
Keith de Lellis Gallery is pleased to present a group exhibition of over forty photographs created during the 19th and 20th centuries that historically altered and redefined the capabilities of the medium by utilizing pre-digital innovations such as photo montage, photo collage, double exposures and the darkroom process of composite printing. This show elegantly brings together photographs motivated by both advertising and artistic intents to highlight the significant level of ingenuity applied by artists across the fields to deliberately visualize their subject matter, of which many on display are painstakingly constructed by hand. An example of such artistry is found in a star-studded montage published by L. J. Lipp Publishing of Hollywood, California in 1928 with hundreds of faces of Hollywood’s famous actors and actresses, including Charlie Chaplin and Tom Mix, Hollywood’s first Western star. In another photograph we witness a beaming Fred Astaire miraculously dancing through the clouds as he plays the role of Charlie Hill from the 1952 film The Belle of New York.
To celebrate the centennial of Richard Avedon’s birth in 1923, The Metropolitan Museum of Art will present a selection of the photographer’s most innovative group portraits in the exhibition Richard Avedon: MURALS, opening January 19, 2023. Although Avedon first earned his reputation as a fashion photographer in the late 1940s, his greatest achievement was his stunning reinvention of the photographic portrait. Focused on the short period between 1969 and 1971, this exhibition will explore a critical juncture in the artist’s career, when, after a hiatus from portraiture, he began working with a new camera and a new sense of scale. The exhibition will be organized around three monumental photomurals in The Met collection (the largest measures 10 x 35 feet) that depict groups of the era’s preeminent artists, activists, and politicians. Uniting the murals with session outtakes and contemporaneous projects, the exhibition will track Avedon’s evolving approach to group portraiture, through which he transformed the conventions of the genre.
The exhibition is made possible by Joyce Frank Menschel.
Taken during research for his series of talks exploring the architectural details and clues of past use of the Salmagundi Clubhouse, architectural historian (and Club member) Anthony Bellov presents highly personal images of oft-overlooked aspects of the building, exciting and challenging the viewer to explore their own perceptions and assumptions of this unique structure.
High and Dry, an exhibition of new photographs by Victoria Sambunaris, documents the inexorable evidence of human activity on the desert landscape from the literal to the geological. The work will be on view at Yancey Richardson from January 5 through February 18, 2023, and will feature seven new large-scale photographs traversing the intersection of the natural open terrain and the interventions shaped by climate change, resource depletion, and environmental degradation. An opening will be held on Thursday, January 5, from 6-8 p.m. The artist will be present.
Fotografiska New York is pleased to present a new exhibition that traces hip-hop’s origins—starting in the Bronx in 1973, as a social movement by-and-for the local community of African, Latino, and Caribbean Americans—to the worldwide phenomenon it has become 50 years later. Hip Hop: Conscious, Unconscious amplifies the individual creatives involved in the movement while surveying interwoven focus areas such as the set of women who trail blazed amid hip-hop’s male dominated environment; hip-hop’s regional and stylistic diversification; and the turning point when hip-hop became a billion-dollar industry that continues to mint global household names.
Hip Hop: Conscious, Unconscious is a major new exhibition of over 200 photographs, dated 1972 to 2022, traces the rise and proliferation of hip-hop through five decades of work from the trailblazing image-makers who helped codify hip-hop as the most influential pop culture movement of its generation. Ranging from iconic staples of visual culture (presented with new context) to rare and intimate portraits of hip-hop’s biggest stars, the works on view traverse intersecting themes such as the role of women in hip-hop; hip-hop’s regional and stylistic diversification and rivalries; a humanistic lens into the 1970s-Bronx street gangs whose members contributed to the birth of hip-hop; and the mainstream breakthrough that saw a grassroots movement become a global phenomenon.
Opening January 26, 2023
The International Center of Photography (ICP) opened its doors to the exhibition Close Enough: New Perspectives from 12 Women Photographers of Magnum, which offers unique viewpoints on the extraordinary relationships that photographers forge with global situations, communities, and individual subjects. As part of the exhibition, each of the contributing photographers openly reflects upon their intentions and practices, creating a timely chorus of creative voices responding to enduring and urgent human experiences. On view through January 9, 2023, Close Enough takes its title from Magnum photos co-founder Robert Capa’s well-known quote “If your pictures aren’t good enough, you’re not close enough.”
The Holidays are here, and the Nostalgia Train will once again offer NYC subway riders a chance to step aboard on November 27th, December 4th, December 11th and December 18th, 2022.
Local photographer Ken Lee created a wonderful video taking viewers back in time, for a ride on a City of New York Nostalgia Train.
The Museum of Jewish Heritage – A Living Memorial to the Holocaust opened the first major museum exhibition in the United States of Martin Schoeller’s Survivors: Faces of Life After the Holocaust, an exhibition featuring 75 close-up portraits of Holocaust survivors. The exhibition is on view in the newly named Rita Lowenstein Gallery.
The exhibition Anthony Barboza: Moments of Humanity will open at Keith de Lellis Gallery on November 22nd, highlighting Barbara’s ability to use the camera as a tool for establishing an empowering narrative of hope for the Black Community in America during a historic time of inequality and adversity.
Denny Dimin Gallery will open its doors to Ann Shelton’s third solo exhibition with the gallery, i am an old phenomenon open from November 4 to December 22, 2022. Shelton is recognized as one of New Zealand’s leading photographic artists and will have her first institutional solo exhibition in the United States in 2024.
The New York City Fire Museum is presenting an exhibition showcasing award-winning photographer Jill Freedman’s moving collection of photographs documenting New York City firefighters on the job in the ‘70s. Firehouse: The Photography of Jill Freedman is open now through April 2, 2023.
The exhibition features a number of images contained in Freedman’s book, Firehouse, which was released in 1977 and garnered rave reviews highlighting their honesty and grit that captured the danger, tragedy, heroism, and camaraderie of being a firefighter in New York City.
Save the Date, November 3rd from 6-9pm for ‘A Night at the FDNY Museum’ celebrating the 35th anniversary along with this new exhibition.
The Museum of Sex is pleased to announce Self Power | Self Play: 50 years of Erotic Portraiture by Linda Troeller. For half a century, artist Linda Troeller (b. 1949) has used the camera as a tool for sensual empowerment. The first museum retrospective of Troeller’s work in New York City, Self Power | Self Play will feature over sixty erotic photographs on loan from the artist’s studio and Bryn Mawr College Special Collections which highlight her radical and playful photographic practice. The museum will host a private opening reception on the evening of Monday, October 17th and the exhibition will be open to the public on Wednesday, October 19th.
Keith de Lellis Gallery is pleased to present a group exhibition on the subject of photographic images of industrial buildings and structures by American and European photographers in the twentieth century. Inspired by The Metropolitan Museum of Art’s Bernd & Hilla Becher exhibition now on view at the museum through November 6, Industrial Architecture in Photography pays homage to the renowned husband and wife team Bernd and Hilla Becher. The prolific contemporary German artist duo focused on photographing and preserving a visual record of the industrial architecture of Western Europe and North America by methodically recording blast furnaces, water towers, grain elevators and other buildings with meticulous precision.
Few photographers had the insider access Oakland native Jeffrey Henson Scales did around the Black Panther Party in the late 1960s. Capturing intimate portraits and protest images of the organization and its leaders in a time of societal upheaval, Scales’s archive lay dormant and forgotten for 40 some years. Then in 2018, when his mother died and the contents of the family home were sorted, the negatives were discovered.
Join Jeffrey Henson Scales for a celebration of his book and book signing of “In A Time of Panthers”, early photographs by Jeffrey Henson Scales, to be held on September 28th at Claire Oliver Gallery.
In 1983, Baldwin Lee left his home in Knoxville, Tennessee, and set off on a road trip through the American South. He did not know what his subject would be, but during the trip, he found himself drawn to photographing Black Americans at home, at work and at play, in the street and amid nature. Over the next seven years, he made numerous road trips to the South to continue his work.
Over the past three decades, Zoe Leonard has probed the conditions of image-making and the politics of display, merging photography, sculpture, and installation in her acclaimed conceptual practice. This fall, Hauser & Wirth will present a selection from her expansive photographic project ‘Al río / To the River’ (2016–2022) on the second floor of the gallery’s 22nd Street location.
A larger-than-life outdoor public art exhibit is opening on August 12 on St. Nicholas Avenue between 120thand 121st Streets as part of the continuing Harlem is . . . Healing campaign by Community Works and New Heritage Theatre Group and in partnership with the NYC Department of Transportation’s Art Program. The installation has been extended to May 1, 2023.
World Photography Day is an annual event ~ a celebration of the art and history of photography. This year, World Photography Day takes place on Friday, August 19th. All are encouraged to share their best photos at #WorldPhotographyDay. We will spend the day at Fotografiska New York, located in the historic church, Missions House at 281 Park Avenue South, NYC.
Portfolio Development is a guided independent study program for photographers of all levels who are interested in honing their artistic eye and building their body of work by participating in this community of photographers.
This seventh season of Portfolio Development began work in the fall of 2019, and was scheduled to ‘graduate’ and have their Soho Photo Gallery show in July of 2020 — but a little something came along to disrupt that schedule! During the Covid shutdown their intrepid photographers found inventive ways to keep working while we all waited for the gallery (and City) to reopen.
Our Selves brings images that span more than one hundred years of photography into dialogue with each other. All of them were made by women artists who have responded to asymmetrical systems of power and have reframed gender and subjectivity in the process. Modernist artists in the first half of the twentieth century interrogated the politics of the gaze and explored new forms of address in portraiture, documentary images, and advertising; contemporary artists have highlighted the intersections of women’s rights, diasporic histories, and Indigenous sovereignty through oblique fabulation, queer language, and performative actions.
Keith de Lellis Gallery is pleased to present a group exhibition of prominent Italian photographers who poetically document the heart of Catholic life in Italy during the mid-twentieth century, a time when the sanctity of religion was deeply intertwined with daily life. Italy is the home of Vatican City, the eminent holy city for Catholics which has served as the headquarters of the Roman Catholic Church since the fourth century and remains the largest Christian church in the world today.
See New York City in 1968 through the lens of photographer Katrina Thomas with “Streets in Play”. Curated from the NYC Parks Photo Archive collection, the exhibition features more than 40 of Thomas’ photographs of “Playstreets” or residential blocks closed to traffic and equipped with recreational and cultural activities. With dynamic black-and-white images that document carless streets and children engaged in inventive and self-directed forms of play, the 1968 images speak to present-day questions of whom and what purposes city streets might serve. Where were you in 1968?
Howard Greenberg Gallery will open its doors to William Klein: Afrique from June 23 through September 17, 2022. The exhibition highlights a rediscovered body of work by William Klein, one of the leading photographers of the 20th century.
Howard University and The Gordon Parks Foundation today announced a historic acquisition of 252 photographs representing the arc of Gordon Parks’s career over five decades. The breadth of the collection–which spans Parks’s earliest photographs in the 1940s through the 1990s–makes it one of the most comprehensive resources for the study of Parks’s life and work anywhere in the world. The Gordon Parks Legacy Collection, a combined gift and purchase, will be housed in the Moorland-Spingarn Research Center. Organized thematically by subject into 15 study sets, the photographs serve as a rich repository for the development of exhibitions and multidisciplinary curricula that advances scholarship on Parks’s contributions as an artist and humanitarian.