A tale of collective ingenuity and individual perseverance in the shadow of national crisis is the subject of Lewis Hine: The WPA National Research Project Photographs, 1936-37, on view at Howard Greenberg Gallery from April 15 through July 2. The Great Depression ravaged the United States in the 1930s, producing extreme levels of poverty and unemployment with a deep and penetrating social pessimism to match. Whereas some photographic endeavors of the time sought to document the misery and misfortune of those hardest hit by these conditions, Lewis Hine set out to photograph the opposite: the optimism taking hold in the nation’s most technologically advanced sites of production, and the persistence and skill of the factory workers who made all of it a reality.
Volvo Cars, a name synonymous with safety, gave the world the first three-point safety belt in 1959. After its introduction, Volvo faced a world of criticism. People questioned the need to wear them, and some felt laws forcing them to wear one was an infringement on human rights.
The new exhibition, A Million Morefeatures portraits and audio recordings that tell the stories of survivors saved by the safety belt, captured by esteemed photographer and Fotografiska alum, Martin Schoeller. The portraits capture the strong emotions in survivors’ faces as they recall their traumatic experiences and the hope and positivity that came from surviving them.
Something kind of special from Keith de Lellis Gallery, with a statement by the photographer’s son, ‘How my father David Attie invented Photoshop in the 1950s. And had his career launched by Truman Capote‘ ~ by Eli Attie. Yes, it got our attention.
In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one iconic image to create another in his extraordinary large-scale works. From a distance, the pieces appear to be a singular image but as the viewer approaches closer, you find each work is a masterfully crafted compilation of minute detailed images layered next to one another, creating a mesmerizing and hypnotic optical illusion.
Keith de Lellis Gallery will be holding the third in a series of online auctions on Saturday, February 27 at 2:00pm. The auction will be offering a diverse grouping of roughly 350 museum-quality photographs and will be available on both the Live Auctioneers and Invaluable platforms.
Claire Oliver Gallery is pleased to present Love Letters for Harlem, an exhibition of photographs by John Pinderhughes, Ruben Natal SanMiguel, Jeffrey Henson Scales and Shawn Walker. Love Letters for Harlem showcases the talents of these four Harlem-based photographers and their work that celebrates the lives and culture of Harlem. A portion of the proceeds from this exhibition will benefit Harlem Community Relief Fund, an initiative of the Greater Harlem Chamber of Commerce (GHCC), who in concert with Harlem Week, ReThink Food NY, NY State Assemblywoman Inez Dickens, CCNY, NAACP are working together to combat food insecurity in Harlem.
For all those who love Paris, you won’t want to miss Galerie l’Atelier, in partnership with Fremin Gallery, in its presentation of Paris Wanderlust. Each artist in this group exhibition brings the city to life, capturing their most treasured places. Here, the gallery describes this pictorial adventure.
Keith de Lellis Gallery presents the work of three early Kamoinge photographers for this winter exhibition. The name “Kamoinge” comes from the Kikuyu language of Kenya and means a group of people acting together. The Kamoinge mission statement: To HONOR, document, preserve, and represent the history and culture of the African Diaspora with integrity and respect for humanity through the lens of Black photographers.” (Kamoinge.com). 3 Points of View ~ Anthony Barboza, Beuford Smith, and Shawn Walker.
Take a look inside Black America: 3 Points of View from Kamoinge Photographers.
Renowned photographer, Peter Turnley was in New York City in the early days of the Covid lockdown. In his own words, “In New York city, the first day of lockdown, I did what was most natural to me-I went out with my camera. I was stunned and shaken by what I saw. I realized immediately that this was the first time I was going to witness a World War with an invisible enemy at “home”, and it became clear to me that this was going to impact every single person on the planet, and every person had a story. I immediately began a daily visual diary. This book represents a visual diary from March until August, in New York, and Paris.”
With most museums and galleries shuttered for months during the Covid pandemic, artists have been yearning to respond, reach out, and connect. MASKED NYC: Witness to Our Time, photos by AJ Stetson, is a Covid-safe exhibition in response to that call.
Today on Frommer’s, we found the most interesting interactive street view map, showing what New York City looked like in and around the 1940s. The site is the creation of software engineer Julian Boilen, and includes all five boroughs. We are totally addicted!
After the financial crisis of the 1970’s decimated New York City’s public programs and infrastructure, the subway in particular was arguably at its nadir in terms of maintenance, upkeep, and crime as the decade came to a close. It was precisely at this moment, however, that Bruce Davidson began photographing it in a sustained and systematic way. The subway he traversed then, from the Bronx down to Coney Island and Rockaway Beach, seems a distant image from the one we ride today. Howard Greenberg and Bruce Davidson sat down recently over Zoom to discuss Davidson’s now-classic project “Subway”. The following conversation has been edited and condensed for clarity.
Howard Greenberg Gallery opened its Online Viewing Room to Pieter Henkel’s Congo Tales, which explores cultural mythologies of the local inhabitants of the Congo Basin, containing some of the largest tropical rainforests in the world. The 2017 series has rarely been exhibited, and this is the first time the work is on view through a U.S. gallery.
The SCNY Photography Show has been unveiled in The Galleries at Salmagundi online viewing room in the Artsy Showroom. The works are presented by Salmagundi Club photographer members. Below are just a few of what will be on view, with the full collection at The Galleries at Salmagundi.
Fotografiska New York, the photography museum located in the Flatiron District of Manhattan, announced today their partnership with United Nations Human Rights and David Clark Cause as the exclusive presenter of the annual Photography 4 Humanity Global Prize Competition and subsequent exhibitions.
Fotografiska New York, the Manhattan-based photography museum, introduces the launch of The Foto Sessions; a new digital exhibition space created to showcase incredible photography while the world stays at home. In light of COVID-19 events, the museum has temporarily closed its doors, but will continue to spotlight both aspiring and accomplished photographers via the online destination. The content hub will feature virtual galleries, artist interviews and profiles, audio recordings from previous live events, and community photography submissions, all designed to bring the museum and its signature programming into living rooms across the globe.
In addition, the new program, Fotographers (in) Focus will flip the camera on the photographers, framing them as the subjects that provoke and sustain creative curiosity in online video interviews.
Keith de Lellis Gallery celebrates the portraiture of Carl Van Vechten (American, 1880-1964) in its spring exhibition, Beyond the Harlem Renaissance: African American Portraits by Carl Van Vechten, opening April 9, 2020.
Every now and then, a documentary comes along, opening a door into the life of someone extraordinary ~ a fellow New Yorker ~ like the documentary, Jay Myself, about Jay Maisel’s move from the historic Germania Bank building he called home for more than 50 years, or Bill Cunningham’s friend and neighbor, Editta Sherman in the documentary, Lost Bohemia.
Fotografiska New York re-opened its doors on August 28th, 2020, and is excited to finally present its new exhibitions, as we approach Fall. The doors will open on specific days and times, and with enhanced COVID-19 safety measures, which you can find at the end of this post.
In New York Stories, Keith de Lellis Gallery examines a familiar subject, New York City, through the lenses of fourteen accomplished photographers. These local artists discovered captivating scenes through their varied approaches to street photography.
With New York City real estate at such a premium, it is hard to image how short a life the single-story structure has these days. And even harder to imagine how many still exist throughout our five boroughs.
In 2015, photographer and long-time East Village resident Adam Friedberg decided to explore all the single-story buildings in the East Village and the Lower East Side. To date, he has documented in photographs nearly 100 sites. Many of these images are now on view in his exhibition, Single-Story Project, at the Center for Architecture. Walk with us down to the lower-level and take a look.
Keith de Lellis Gallery presents an exhibition of fourteen women photographers, represented by four photographs each, for this end-of-year exhibition. Spanning nearly a century, these photographs capture cityscapes, cultures and customs, fashion models, family life, and more.
Diana MacKown was Louise Nevelson’s assistant for many years. The photographic exhibition, Louis Nevelson through Diana MacKown’s Photography offer a unique view into Nevelson’s studio, trips abroad and finished work, like Nevelson Chapel when it was first completed. Whether candid or formal, Diana’s lens is clever, playful and sharp.
Animals have appeared in art for millennia as subjects of wonder, symbols of human triumphs and victims of man’s rapacity. The exhibition, By Hoof, Paw, Wing or fin, explores some of the ways in which photographers have represented animals over the course of the mediums history. Hans P. Kraus Jr. fine Photographs will open its doors to the medium’s history and feature an array of animal life, from birds, butterflies, and fish to lions, hippos, and elephants, in the work of Hill & Adamson, Alois Auer, Giacomo Caneva, J.DE. Llewelyn, Martin Munkacsi, Edward Steichen, Adam Fuss, and others.
Public Art Fund launched a multi-work installation, extending through 100 sites across New York City. The installation, sun to sun, is the work of photographer Ellie Pérez, and consists of a suite of sixteen new photographic works displayed on bus shelters in over thirteen neighborhoods citywide. We caught some of the images along 125th Street in Harlem, and one along Madison Avenue in El Barrio ~ sharing below.
Bryce Wolkowitz will open its doors to the third solo exhibition of photographs by Stephen Wilkes in his continuation of his global photographic project, Day to Night. From capturing cities and natural parks to wildlife and endangered species, it has become the artist’s mission in recent years to extend a heightened and humane awareness of global climate change, particularly its effects on species beyond our own.
Each year, the historic Salmagundi Club opens its doors to a non-member exhibition. Two floors of gallery space devoted to this annual event, which includes painting, sculpture and graphics in the main gallery, and photography in the lower gallery.
Last winter the photographer Stephen Shore Received an unusual request from Howard Greenberg Gallery ~ Would he be interested in curating an exhibition that included his students from the renowned photography program at Bard College? The answer was, “yes,” and the resulting collaboration, Bard x HGG, pairs work by seven of Shore’s recent graduates with photographs by historic 20th century artists from the Gallery’s vast archives.
Keith de Lellis Gallery opened its doors to the mid-century work of Italian photographer Nino Migliori(b. 1926) in this summer’s exhibition. Self-taught, Migliori began making photographs in 1948, documenting his familiar and beloved Italy as it emerged from the second world war. The artist traveled throughout his homeland, from the impoverished south to the more affluent and industrial northern regions, capturing the people with the affection and empathy of an equal.
Great timing for Marcia Grostein’s exhibition, Brighton Beach Bliss: the World as it Should Be, a testament of harmonious coexistence between diverse populations, and one of several wonderful exhibitions currently on view at The National Arts Club.
Mapping Resistance: The Young Lords in El Barrio is a new public art project featuring photographs by renowned photographer, Hiram Maristany ~ a founding member of the Young Lords and their official photographer. Follow along as we take the walking tour, map in hand to view 10 large-scale images across five locations in El Barrio.
Photography on paper was born in 1839 in England at Lacock Abbey. A new exhibition of photographs juxtaposes the work of its inventor William Henry Fox Talbot (1800-1877) with the contemporary work of Hiroshi Sugimoto, Abelardo Morell, and Mike Robinson. Lacock Abbey: Birthplace of Photography on Paper will be on view at Hans P. Kraus Jr. Fine Photographs through May 10, 2019. The exhibition, which pays tribute to Talbot’s beloved ancestral home in Wiltshire, features architectural exteriors and interiors, still lifes, portraits, and tree studies by Talbot, complemented by interpretations from three contemporary artists, who have been inspired by his pioneering photographs.
Howard Greenberg Gallery will open its doors to the exhibition, Bruce Davidson, Subject: Contact ~ contact sheets in context with vintage prints from four seminal projects from the 1950s and 60s ~ Circus, Brooklyn Gang, Time of Change, and East 100th Street. The exhibition illustrates Davidson’s connection to some of the 20th century’s most important social, cultural, and political moments.
Vito Schnabel Projects will open its doors to Pictures From Another Time: Photographs by Bob Colacello, 1976 ~ 1982, an exhibition of photographs taken by Bob Colacello during the years he served as editor of Andy Warhol’s interview Magazine.
Keith de Lellis Gallery showcases the portrait photography of noted fashion photographer and influential artist George Platt Lynes (American, 1907-1955) in its spring exhibition. Though largely concealed during his lifetime (or published under pseudonyms), Lynes’ male nude photographs are perhaps his most notable works today and inspired later artists such as Robert Mapplethorpe and Herb Ritts.
Take a photographic journey back in time at The Metropolitan Museum of Art’s exhibition Monumental Journey: The Daguerreotypes of Girault de Prangey ~ a display of Girault’s daguerreotype process using oversized plates and innovative formats to produce what is today the world’s oldest photographic archive. This is the first exhibition in the United States devoted to Girault, focusing on his Mediterranean journey, with this exhibit featuring approximately 120 of his daguerreotypes, supplemented by examples of his graphic work, watercolors, paintings, and his lithographically illustrated publications.
Keith de Lellis Gallery presents a solo exhibition of 1930s industrial photographs by Harold Haliday Costain, one of the leading American modernist photographers of his generation. Sugar & Salt, Vintage Industrial Photographs by Harold Haliday Costain will open November 29, 2018.
The color work of street photographer Vivian Maier will be the subject of a new exhibition at Howard Greenberg Gallery. Many of the photographs are on view for the first time, deepening the understanding of Maier’s oeuvre and her keenest to record and present her interpretation of the world around her. Dating from the 1950s to the 1980s, Vivian Maier: The Color Workcaptures the street life of Chicago and New York, and includes a number of her enigmatic self-portraits.
Gallery Night at the Fuller Building will be held on Wednesday, September 12th from 6-8pm featuring six renowned galleries, each presenting new exhibitions. The Fuller Building is located at 41 East 57th Street.