The Solomon R. Guggenheim Museum will present a solo exhibition of Sarah Sze (b. 1969, Boston) featuring a series of site-specific installations by the acclaimed New York–based artist. Sarah Sze: Timelapse will unravel a trail of discovery through multiple spaces of the iconic Frank Lloyd Wright building, from the exterior of the museum to the sixth level of the rotunda and the adjacent tower level gallery. The exhibition will explore Sze’s ongoing reflection on how our experience of time and place is continuously reshaped in relationship to the constant stream of objects, images, and information in today’s digitally and materially saturated world.
Influential and experimental artist Eva Hesse (b. 1936, Hamburg, Germany; d. 1970, New York) sought to make objects that were neither painting nor sculpture, but a hybrid that was all her own. This exhibition centers around Expanded Expansion (1969), a monumental piece from the Guggenheim collection publicly displayed for the first time in 35 years, while also offering a glimpse into the artist’s studio practice and approach to art-making.
The Guggenheim turns 61 today, so here’s a gift for New York, from New York—“Mind’s Eye: A Sensory Guide to the Guggenheim New York,” a new audio experience designed for blind and low-vision communities, and illuminating for all. Narrated by a diverse cast of quintessential New York voices, including both regular and renowned city dwellers—among them actors Bobby Cannavale and Maggie Gyllenhaal and Bishop Chantel R. Wright—the “Mind’s Eye” guide transports listeners to New York City, bringing them from bustling Fifth Avenue into the uplifting space within the museum.
Basquiat’s ‘Defacement’: The Untold Story is one of several exhibitions in New York City of late, focusing on the artists work, with this exhibit veering stunningly close to our current political climate, as Basquiat painted a bitterly similar story of race and relations between police and community. The Guggenheim chose to explore Basquiat’s role of cultural activism in the early 1980s, beginning with his painting, ‘The Death of Michael Stewart (1983), informally known as ‘Defacement.‘