Building on a body of work artist Pamela Council refers to as ‘Fountains for Black Joy,’ A Fountain for Survivors is both an ode to the ways in which we maintain ourselves and an exuberant life-affirming monument for survivors of all kinds. Adorned with a handmade mosaic of hundreds of thousands of acrylic fingernails, a massive cocoon-like structure houses a tiered water fountain inside a warm, welcoming, and enveloping space. Council’s largest public artwork to date, A Fountain for Survivors will be on view and accessible to all in Times Square’s most iconic plaza, Duffy Square, from October 14 to December 8, 2021.
A mesmerizing 3D digital ‘media execution’ arrived in Times Square via Silvercast Media. This spectacular 30,000 square-foot screen, known as The Big Kahuna, will exhibit ‘Whale’, a realistic ocean environment occupied by a massive blue whale moving freely among the waves.
Amanda Phingbodhipakkiya’s We Are More public art campaign celebrates the expansive diversity and individuality of Asian Americans and Pacific Islanders in New York City and around the country. It responds to and rebukes the harassment and violence that has become increasingly severe amidst the COVID-19 pandemic. The titular work in the campaign is a direct address to the bigoted and confining stereotypes of Asians and Asian-Americans in popular culture; other works ask questions both poignant — “When will we stop feeling afraid?” — and pointed — “When will you love us like you love our food?” Still more feature vibrant portraits representative of defiant and proud Asian American and Pacific Islander New Yorkers. Phingbodhipakkiya juxtaposes rich tones and energetic shapes with the language of sorrow and anger to show that despite what AAPI people have faced in New York and elsewhere, they remain undeterred and steadfast members of the cities they call home.
After a one-year hiatus, Riverside Park Conservancy announced that their best interns have come back to the Park this summer. 24 Goats arrived on July 14, 2021 at 11am on Riverside Drive at 120th Street for the ceremonial “Running of the Goats“, with 5 goats planning to stay through the summer in Riverside Park. Get to know the summer resident 5 goats, and be prepared to Vote for the Goat you love the most!
The results of the ranked-choice vote will be announced at a public ceremony on September 14, 2021 at 11am. (originally September 9th, but postponed due to rain). The winning goat will be presented with a medal and bouquet of weeds, with the ceremony overseen by Congressman Jerry Nadler, Assembly Member Danny O’Donnell; Borough President Gale Brewer; Council Member Mark Levine; Conservancy President & CEO Dan Garodnick; George Shea, co-Founder, Major League Eating; and You, their adoring public. The Event will be located at 120th Street and Riverside Park.
The public can review all of the five candidates’ platforms — and cast a vote using the new ranked-choice voting system on Riverside Park Conservancy’s website. Election highlights can be seen on Instagram,Twitter, and Facebook. As of today, nearly 1,000 votes have been case. Every vote will count!
It wouldn’t be Valentine’s Day without the Times Square Valentine Heart Design Competition ~ and this years winner is Love Letterscreated by Soft-Firm, curated by Reddymade. Take a look at the installation that will be unveiled on February 10th at 11am on Father Duffy Square.
Cavalier Gallery, Rockhill Management and NYC Parks have unveiled five sculptures by internationally acclaimed, New York-based artist, Jim Rennert in the Theatre District and Dag Hammarskjöld Plaza. Each of the more than twelve-foot tall sculptures represent a variety of obstacles faced by the working modern man.
Times Square Arts, Poster House, Print Magazine, and For Freedoms have launched a citywide public art campaign featuring artist-designed PSAs and messages of love, gratitude, and solidarity with New York City’s health care and essential workers. Radiating out from the screens of Times Square to the digital billboards above Lincoln Tunnel and nearly 1800 LinkNYC kiosks across all five boroughs, the initiative turns our city’s digital displays into platforms of public service and appreciation through the lens of established and emerging graphic designers and visual artists from around the world.
At New Year’s Eve 2020, two award-winning NYC high school science teachers and four students — all from New York City’s public schools — will push the crystal button on the main stage in the center of Times Square, signaling the lowering of the Waterford Crystal Times Square New Year’s Eve Ball. Viewed by billions around the world, this moment officially begins the 60-second countdown to the New Year and is historically seen as a celebration as the human spirit.
Each year, thousands flock to Times Square for the annual New Years Eve Confetti + Ball Drop. Each piece of falling confetti is a hope and a wish for the new year ahead, written by thousands of people on the NYE Wishing Wall.
Times Square Arts has announced that MODU and Eric Forman Studio’s Heart Squared is the winner of this year’s annual Times Square Valentine Heart Design Competition curated by Cooper Hewitt, Smithsonian Design Museum. As this year’s winning design, Heart Squared will be unveiled on January 30 at 11am at Father Duffy Square, between 46th and 47th Streets. The installation will remain on view for the month of February. Interested in renewing vows? Proposing? How about getting married ~ all on Duffy Square, info below.
While we have seen images of the Kehinde Wiley sculpture, Rumors of War, the images don’t do justice to this stunning, visually imposing new installation on the plaza at 46th Street and Broadway in Times Square.
Did you know that Saturday, September 28th, 2019 is Plant a Tree Day? As part of Facebook’s More Together Campaign, the company is hosting a weekend pop-up greenhouse experience, open to the public, in times Square, September 28-29.
Kehinde Wiley’s first monumental public sculpture, Rumors of War, will be installed this fall on the Broadway Plaza between 46th and 47th Streets before it is permanently installed on historic Arthur Ashe Boulevard in Richmond at the entrance to the VMFA, a recent acquisition to the museum’s world-class collection in 2020.
The installation is a larger-than-life sculpture cast in bronze, of a massive horse mounted proudly on a large stone pedestal, with a young, African-American rider dressed in urban streetwear. It is Wiley’s direct response to the critical national debate around Confederate monuments, and continues the artist’s career-long investigation of representation, race, gender, and power through portraiture.