The Vilcek Foundation is pleased to present Nari Ward: Home of the Brave, Ward’s first solo exhibition with the foundation. The exhibition, curated by Vilcek Foundation President Rick Kinsel, will be on view from May 31, 2022, to February 3, 2023.
Nari Ward: Home of the Brave includes a selection of works and installations by the Jamaican-born artist. The exhibition provokes an examination of the values espoused in iconic American symbols, including the American flag and the Statue of Liberty. The individual works invite viewers to question how the concepts of democracy, liberty, and belonging are experienced by immigrants, Black people, and other underrepresented communities whose experiences put them outside the dominant white narrative.
In the fall of 2022, the Frick presents a special installation that takes inspiration from the institution’s acclaimed Diptych publication series. In conjunction with a volume focused on Claude Monet’s Vétheuil in Winter, the Frick is installing a new work created for the occasion by Olafur Eliasson (b. 1967 Denmark) alongside the Monet painting, one of the museum’s few Impressionist works. The publication, which will be released simultaneously, features a text by Eliasson and an essay by Frick Curator Emerita Susan Grace Galassi. Each book in the Diptych series, which was launched in 2018, focuses on a single work in the collection, pairing an illuminating essay by a curator with a contribution from a contemporary cultural figure.
Kate Oh Gallery invites you to Bong Jung Kim’s world of oriental philosophy merged with western aesthetics. Kim’s art explores a philosophical relationship and quest to the subject matter of love, desire, and longing, bridging the gesture and expression of his body and soul.
A prestigious roster of over 60 internationally acclaimed galleries will open their doors for tours and discussions of their current exhibitions during the Madison Avenue Spring Gallery Walk 2022 on May 14. The event, held in association with ARTnews, is timed to celebrate Madison Avenue Art & Design Weekend and Frieze Week. It encompasses many of the foremost galleries located on Madison Avenue between 57th and 86th streets and the adjoining side streets.
Upsilon Gallery is pleased to announce an exhibition of seminal paintings by the late British artist Clyde Hopkins (1946-2018) titled Chaunticlere: Paintings from the 1980s, on view from April 22 to June 18, 2022. Presented in cooperation with the artist’s estate, this group of works places enormous value on emotional spontaneity, instinctive creation and scale in response to political and social issues in the wake of Thatcherism. This exhibition marks the first showing of Hopkins’ artworks with Upsilon Gallery in New York.
Guided by a desire to illuminate and to inspire reflection on the sculptural form, Dominique Lévy of LGDR invited Rachel Harrison to curate a presentation of 20th-century sculpture. The exhibition that emerged presents a group of works that consider modernism’s devotion to that most fundamental of subjects: the human figure. Stage Fright features works by Louise Bourgeois, Constantin Brancusi, Marcel Duchamp, Marisol Escobar, Alberto Giacometti, Yves Klein, and Alina Szapocznikow that represent the body in extremis—shown ruptured in pieces or pared down to the essentials—in surrogates that stand for the whole.
C1760 is pleased to present “Alviani X Ancient,” a new exhibition featuring a dazzling display of abstract art and jewelry by Getulio Alviani (1939-2018), a key figure in Zero, and Optical, in dialogue with antiquities from three millennia. The most exclusive of Alvin’s works will be on view, including never before shown artworks from his private estate and some only displayed in the most prestigious institutions. “Alviani X Ancient” will be on view at 38 East 70th Street from Thursday, April 7 to Sunday, May 22, 2022.
With her early work, Cindy Sherman revolutionized the role of the camera in artistic practice and opened the door for generations of artists and critics to rethink photography as a medium. On 4 May 2022, Hauser & Wirth New York will present over one hundred works from Sherman’s most groundbreaking and influential early series – including the complete set of 70 Untitled Film Stills, Rear Screen Projections and Centerfolds – in her first major solo exhibition with the gallery.
The new international art venture LGDR will inaugurate its New York City program on April 7, 2022, with the opening of three exhibitions spotlighting exceptional painters and sculptors of the 20th and 21st centuries. Illuminating important contributions to the art historical canon, this trio of presentations will unfold across two locations on Manhattan’s Upper East Side—at the landmark Beaux-Arts building at 3 East 89th Street, which will in late 2022 become LGDR’s flagship, and at 909 Madison Avenue, the gallery’s temporary space.
Renowned for his powerful paintings of American life and scenery, Winslow Homer (1836–1910) remains a consequential figure whose art continues to appeal to broad audiences. Opening April 11, 2022, Winslow Homer: Crosscurrents will reconsider the artist’s work through the lens of conflict, a theme that spans his prolific career. A persistent fascination with struggle permeates Homer’s art—from emblematic images of the Civil War and Reconstruction that examine the effects of the conflict on the landscape, soldiers, and formerly enslaved people to dramatic scenes of rescue and hunting, as well as monumental seascapes and dazzling tropical works painted throughout the Atlantic world. The centerpiece of the exhibition will be The Met’s iconic The Gulf Stream, a painting that reveals Homer’s lifelong engagement with the charged subjects of race, geopolitics, and nature. Featuring 88 oils and watercolors, this major loan exhibition represents the largest critical overview of Homer’s art and life in more than a quarter of a century.
The Schmidt Ocean Institute has a unique way to deepen our understanding of our Ocean. Using artists as storytellers, the Institute created the Artist-at-Sea Program, with artists conceptualizing the important research done by scientists ~ and they do this aboard the research vessel,Falkor.
The Schmidt Ocean Institute’s Artist-at-Sea Collection will be presenting The Nautilus Ocean Exhibit from March 16 through the 20th at the NYC Explorer’s Club.
Czech Center New York in collaboration with UPM, The Museum of Decorative Arts in Prague presents “Mad Silkman: Zika & Lida Ascher Textiles and Fashion,” the first U.S. exhibition focused on the life and work of Zika and Lida Ascher, a husband-and-wife duo who left Czechoslovakia before the outbreak of WW2 and built a textile empire in the United Kingdom, which supplied fabrics to the international fashion industry. The exhibition will be on view March 25-May 20, 2022.
In his curator’s statement, Pema Rinzin begins by speaking about why he chose ‘The Rainbow‘ as the subject for this show. Addressing the difficult times we live in, he asked each artist to choose their own vision of rainbow colors as an expression of their joy. “Just as the rainbow unifies many joyous colors, this group show brings together a color full celebration.”
Beginning March 17, 2022, The Frick Collection will present a one-room installation by Italian artist Giuseppe Penone (b. 1947) at the museum’s temporary home, Frick Madison. Displayed in the broader context of the museum’s decorative arts and Old Master paintings and sculpture, this unprecedented exhibition by the acclaimed Arte Povera artist is the first to feature his work in the medium of porcelain. Consisting of eleven disks created during a 2013 collaboration with the Sèvres Porcelain Manufactory in France, works never before shown publicly, this project invites a dialogue with the Frick’s rich holdings in the medium. Penone’s series of disks will be shown on the third floor in concert with a nearby gallery featuring eighteenth-century porcelains by several renowned manufactories. Propagazioni: Giuseppe Penone at Sèvres is organized by Giulio Dalvit, the Frick’s Assistant Curator of Sculpture, and will be accompanied by a fully illustrated catalogue authored by Dalvit, with an introduction by Xavier F. Salomon, Deputy Director and Peter Jay Sharp Chief Curator.
Kate Oh Gallery will open its doors to the exhibition ‘The Korean Archetype’ on March 1st, with works by artist Miky (Yoohyun) Kim.
In her work, Kim molds countless tile-roofs, metaphorically alluding to Korea’s traditional tile-roof houses that represent Korean women who led lives of obedience, forbearance and self-sacrifice under those very roofs. Through her practice, Kim pays homage to the Korean women who endured suffocating social customs, physical and emotional agony, all the while praying for the wellbeing of her family and loved ones.
Upsilon Gallery, a fine print publisher specializing in International postwar and contemporary art, will open their new flagship location on the Upper East Side at 23 East 67th Street on February 25th with its inaugural exhibition “Kaleidoscope” by artist Osvaldo Mariscotti.
Occupy Networks, a collective of over 100 independent artists and curators, was invited to ‘occupy’ the Consulate General of France in New York. The artists and curators of this exhibition have all lived or worked in France.
Hunter College Art Galleries will open its doors to the traveling group exhibition The Black Index featuring the work of Dennis Delgado, Alicia Henry, Kenyatta A.C. Hinkle, Titus Kaphar, Whitfield Lovell, and Lava Thomas. The artists included in The Black Index build upon the tradition of Black self-representation as an antidote to colonialist images. Using drawing, performance, printmaking, sculpture, and digital technology to transform the recorded image, these artists question our reliance on photography as a privileged source for documentary objectivity and understanding. Their works offer an alternative practice—a Black index—that still serves as a finding aid for information about Black subjects, but also challenges viewers’ desire for classification.
Paper Unbound: The Drawn Menagerie, an exhibition of more than three centuries of works on paper featuring animals, will be on view at Christopher Bishop Fine Art in New York City from January 21 through March 11, 2022. The show will be presented as part of Master Drawings New York, which runs from January 21 – 29, 2022.
Holiday House NYC is returning to New York City for a LIVE event, which will showcase their beloved design industry members and talented interior designers as they come together to raise critical funds for the Breast Cancer Research Foundation (BCRF). The event will run from December 8th through December 10th at The Elizabeth Taylor Mansion located at 10 West 56th Street, NYC.
Since 1986, the Madison Avenue Business Improvement District (B.I.D.) has chosen to celebrate the holidays by presenting Miracle on Madison Avenue. A cherished New York holiday shopping tradition, the 35th Annual Miracle on Madison Avenue will be held this year on Saturday, December 4.
“Thirty-five years ago, two Madison Avenue shop owners organized their neighbors for the first Miracle on Madison Avenue as a coordinated way for Madison Avenue stores and shoppers to give to New York City children in need,” said Matthew Bauer, President of the Madison Avenue B.I.D. “The longevity and continued enthusiasm for this event is testament to the commitment of Madison Avenue to making the holiday season brighter for NYC kids. In this difficult year, we ask shoppers to make their holiday purchases count for so much more, and support the pediatric programs of The Society of MSK simply by buying their gifts on Madison Avenue on December 4.”
Carlton Fine Arts Ltd. will present Miami Art Week in New York, showcasing all the beloved artists one would find at the Miami fairs this December. The gallery will feature key works by Warhol, Haring, Basquiat, Miro, Chagall, Mr. Brainwash, Kaws, Linjie Deng and more. The exhibition will be on view from November 15, 2021 – January 15, 2022, at the Carlton Fine Arts Ltd. location at 543 Madison Avenue, between 54th/55th Streets, NYC.
One of the most eminent image makers and social commentators in America, MacArthur Fellow Carrie Mae Weems returns to the Armory this fall with a major new commission and the largest, most significant exhibition of her multidisciplinary artistic practice in the last decade. Throughout her career, Weems has produced a prolific and complex body of work, pushing the boundaries of photography and blurring the line between art and activism. Her new work, The Shape of Things, builds on the convening of the same name and accompanying public programming that Weems hosted at the Armory during her residency in 2017, using art as a lens to probe the political and social issues of the day. Reflecting the “circus- like” quality of contemporary American political life, Weems conjures a dark setting in the Armory’s Wade Thompson Drill Hall with an exhibition that encompasses the breadth of her artistic output—including new multimedia installations and iconic works from the past decade, as well as a performance series and convening of artists. This timely project, which will be situated in the Drill Hall from December 2 through December 31, 2021, was conceived as a platform for collective investigation and reflection on the complexity of the American experience.
This November, audiences will have the once-in-a-lifetime opportunity to experience rare and newly discovered masterworks by some of the greatest artists of the Italian Renaissance, including Donatello, Tintoretto, Antonio Lombardo, and Benedetto da Rovezzano, in a special exhibition at Colnaghi New York. Featuring five exquisite sculptures— including a recently rediscovered terracotta bust by Donatello—alongside a newly attributed portrait painting by the great Venetian master Jacopo Tintoretto, the exhibition marks a rare occasion in which such a significant number of museum-quality works from the Italian Renaissance will come to the market at one time.
David Zwirner is pleased to present Tree of Knowledge, an exhibition of a rare set of Hilma af Klint’s groundbreaking 1913–1915 series of works on paper of the same title, on view at the gallery’s 34 East 69th Street location in New York. This recently discovered group of eight watercolors is among the few works by the artist to exist outside of the holdings of the Hilma af Klint Foundation. This will be a singular opportunity for New York audiences to experience the artist’s revelatory work, and follows the highly acclaimed 2018–2019 exhibition Hilma af Klint: Paintings for the Future, held at the Solomon R. Guggenheim Museum.
A prestigious roster of internationally acclaimed galleries will open their doors for curator tours and talks of their current exhibitions during the Madison Avenue Fall Gallery Walk on October 23 from 11am-5pm. One of New York’s favorite art events, this is a prime opportunity to visit the participating galleries located on Madison Avenue between 57th and 86th Streets. Organized by the Madison Avenue B.I.D, Madison Avenue Fall Gallery Walk is free and open to the public.
The installation at Frick Madison has prompted new ways of looking at the Frick’s paintings, sculpture, and decorative arts—works predominantly made in Europe from the thirteenth through nineteenth centuries. Living Histories: Queer Views and Old Masters is the latest addition in a broader program in the past decade that has celebrated a range of voices and perspectives through digital productions, installations, publications, and collaborations.
At various times during the next year, four New York–based artists will engage with Old Master paintings in the permanent collection, each presenting a single new work on the second floor, where paintings by Vermeer, Rembrandt, and Holbein are displayed. These “pop-up” presentations, each running for a limited number of months, will initiate fresh conversations with the institution’s traditional figurative holdings, with particular emphasis on issues of gender and queer identity typically excluded from narratives of early modern European art.
Iconic and iconoclastic. Prolific and destructive. Reverential and rebellious. “Loved and detested,” according to his obituary in Le Monde, the French newspaper. What distinguishes César (1921-1998) from other giants of postwar art is the dichotomous, dangerous dynamism of his oeuvre. Within his sculptures, there are antithetical forces at work ~ pushing and pulling against the modern tradition, the French cultural establishment, and the nascent mass consumerism of his time. A founding member of the 20th-century Nouveau Réalisme movement, César looms large in the art canon. His masterpieces remain ever relevant, offering fresh perspectives.
Beginning 30 September, Hauser & Wirth will debut ‘Erna Rosenstein: Once Upon a Time,’ the first monographic exhibition outside of Poland devoted to Erna Rosenstein (1913 – 2004). One of the key figures of the Polish avant-garde, Rosenstein’s wartime survival, commitment to Surrealism, and lifelong adherence to leftist ideologies course through a remarkable array of paintings, drawings, and assemblage sculptures, as well as poems, diaristic writings, and deceptively whimsical children’s stories. Steeped in an extraordinary history and responding to the Nazi occupation of Poland, personal traumas suffered in the Holocaust, the postwar sociopolitical upheaval of her native country, and passionate engagement in the intellectual circles of her times, Erna Rosenstein’s work defies simple classification. Her six-decades long career was fueled by the formation of prewar artistic, intellectual, and political affiliations, and is expressed through her continued oscillation between autobiographical figuration and biomorphic abstraction. Grappling with themes of memory, trauma, longing, and loss, she used paint, ink, and found materials to suggest a world tinged with allegory, enchantment, and fairy tale.
Galerie Gmurzynska is delighted to present a selection of works by Christo (1935-2020) in celebration of the city of New York and the late artist’s relationship to it, as well as other significant sites in the United States during the half-century that Christo lived and worked in America.
Nature/Environments, which will be on view from now through December 31, includes works from 1968-2013, spanning decades of both the city’s history as well as Christo’s career. This exhibition runs in conjunction with Nature/Environments at Galerie Gmurzynska Zurich, which showcases Christo’s European works. These exhibitions are an homage to the late masters upcoming L’Arc de Triomphe, Wrapped, to be shown in Paris September 18 – October 3, 2021. It was Christo’s wish that this remarkable project, originally devised in 1961, be carried out posthumously.
Czech Center New York presents Peter Sis~The Wall, a documentary exhibition by the internationally acclaimed illustrator, author and filmmaker. Curated by Joachim Dvořák and Michaela Šilpochová, the exhibition is based on Sis’s award-winning autobiographical picture book “The Wall: Growing Up Behind the Iron Curtain.”
The Hunter College Art Galleries will be reopening on August 24th with Constance DeJong: a survey exhibition, marking the artist’s first solo show at an institutional gallery. For over four decades, DeJong—“a person of language”—has made daring, original forays into the intersections of the formal avant-garde in experimental prose writing, multi-media spoken text works, and user-navigated digitalprojects. Well known for her contributions to New York’s downtown performance art and avant-garde music scene in the 1970s and ’80s, DeJong is considered one of the progenitors of media art, or “time-based media.”This exhibition highlights DeJong’s hybrid mode of art making, featuring work from the past three decades and debuting several new works by the artist.
Dominique Lévy and Brett Gorvy, co-founders of Lévy Gorvy, announced today that the gallery will host an international exhibition unfolding across its spaces in four world capitals—New York, London, Paris, and Hong Kong—over the course of fall 2021, unveiling interconnected bodies of new work by acclaimed American artist Mickalene Thomas (b. 1971, Camden, NJ). This multi-site presentation, Beyond the Pleasure Principle, will feature paintings, installations, and video works that expand Thomas’ decades-long exploration of the Black female body as a realm of power, eroticism, agency, and inspiration, and a vehicle for reformulating familiar visual idioms of modernism inherited from some of the 20th century’s most influential masters. Presented in uniquely designed environments for each of the four locations, Thomas’ exhibition will also include a video made in collaboration with her life partner and muse Racquel Chevremont, an art advisor, curator, and collector.
Art House, the world’s first fine art hub of its kind, will open its doors in November 2021 at 660 Madison Avenue, the former flagship location of Barneys New York. Art House is envisioned by Co-Founders Michael Plummer, Jeff Rabin, and Geoff Fox, the team who previously collaborated to bring TEFAF to New York in what was a game-changing moment in what an art fair could be. Boasting an architectural refresh by Kulapat Yantrasast and the team of WHY Architecture, Art House provides fresh solutions to the critical needs of a new era in the art world, announced by its press release.
Opera Gallery will celebrate famous painter and sculptor Manolo Valdés with an unprecedented solo exhibition simply titled Manolo Valdés at their New York location (791 Madison Avenue), opening on May 20th and running through June 20th.
The worlds of art and design will intersect during Madison Avenue Art & Design Weekend May 14-16. The Madison Avenue B.I.D., in partnership with Design Pavilion’s WINDOWS Open to the Sky, will showcase student art from the School of Visual Arts (SVA) in a series of available store windows. This NYC End-of-Year Student Design Showcase has been organized by Design Pavilion and ArtsThread, in collaboration with NYCxDesign, to present the work of students in lieu of the cancelled end-of-year student exhibitions due to the pandemic. It will be an extremely noteworthy public display at a time when students, schools and public need uplifting and hope.
New York… In a 1952 lecture at the Detroit Institute of Arts, David Smith (1906 – 1965) described the inspiration behind one of his recent sculptures, saying ‘My wish is that you travel by perception the path which I traveled in creating it. That same wish goes for the rest of my work.’ Taking its title from his remarks, ‘David Smith: Follow My Path’ will go on view at Hauser & Wirth New York beginning 27 April.
Venus Over Manhattan will open its doors to Verdant Malformations, an exhibition of new works by Katie Stout on April 6th.
Stout’s sculptures, referencing the excessive detail of Giuseppe Arcimboldo’s still-life portraits and the dystopian visions of Hieronymus Bosch, evoke states of material decay and regeneration. Her over-ripe, perishing natural forms serve as memento mori, but also as a reminders of life’s resilience. Bold but delicate, Stout’s constructions advance her ongoing exploration of the female form as a site upon which our culture enacts its preoccupations with ornament, allure, and value.
David Zwirner is pleased to present an exhibition of works by William Eggleston and John McCracken—the first time these two iconic American artists have been featured together. On view at the gallery’s East 69th Street location in New York, True Stories places Eggleston and McCracken into dialogue around their expressive use of color and light, and their distinct versions of American vernacular culture.
Craig F. Starr Gallery opened its doors to Notations, a group exhibition including works by John Baldessari, Mel Bochner, Jonathan Borofsky, Heinz Mack, Eleanore Mikus, Robert Morris, Barnett Newman, Georges Noël, Sylvia Plimack Mangold, Edda Renouf, Joel Shapiro, Lenore Tawney, and Cy Twombly. This exhibition, which will be on view by appointment until April 17th, juxtaposes a range of approaches to the idea of “notes” or “notations,” all tracing that fine line where mark-making, the written or printed word, and drawing coexist.
A drawing by Jacopo Ligozzi (Italian 1547-1627), one of the most remarkable artists of the Medici court, is on public view in New York for the first time at Christopher Bishop Fine Art (1046 Madison Avenue at 80th Street) and has been extended through March 31. Ligozzi’s The Contest of Pan and Apollo, c. 1585, presents a musical competition between two gods. An idealized representation of the Golden Age, Ligozzi’s drawing was intended to bring not only prestige but power to his principal patrons, the Medici family of Florence.
The Frick Collection announced today that it will open the doors to Frick Madison, its temporary new home, on Thursday, March 18, 2021. Located at the Breuer-designed building at 945 Madison Avenue at 75th Street, former site of the Met Breuer and the Whitney Museum of American Art, Frick Madison will welcome visitors Thursday through Sunday, 10:00 a.m. to 6:00 p.m. Timed entry tickets will need to be purchased in advance, with online sales beginning February 19. The Frick Collection will operate Frick Madison for approximately two years while its historic buildings on East 70th Street undergo renovation. This temporary relocation enables the Frick to provide public access to its celebrated collections during a time when the museum and library would otherwise be closed.
In honor of centenary of the birth of the artist known everywhere simply as ‘César’, the Fondation César today announced a transatlantic celebration comprising exhibitions in France and United States over the course of 2021. Working in close collaboration with the Fondation and its President and Executive Director Stéphanie Busuttil-Janssen, galleries Salon 94, New York, and Almine Rech, Paris, will present a series of major exhibitions devoted to the ideas and achievements spanning César’s career.
Craig F. Starr Gallery opened its doors to Souvenirs: Cornell Duchamp Johns Rauschenberg, an exhibition which brings together four artistic giants of the twentieth and twenty-first centuries. While Johns continues working today, the influence of Cornell, Duchamp, and Rauschenberg remains pervasive in contemporary art even in their absence. Souvenirs distills their rich and myriad connections down to just six exemplary masterworks—all on loan from prestigious private and public collections—which are now on view in a single intimate space. Focusing on the theme, process, and function of the souvenir, the exhibition puts these carefully selected works into close correspondence.
Lévy Gorvy is pleased to announce a major exhibition of works by the renowned Italian artist Michelangelo Pistoletto. The first US presentation in a decade to feature multiple installations by Pistoletto, it will take visitors on a journey through one of the most influential and enduring artistic practices to unfold from the postwar period to the present. Lévy Gorvy’s exhibition will resonate with the themes that have animated Pistoletto’s body of work for over six decades: perception, time, history, tradition, and the relationship between art, artist, and viewer.
The Guggenheim turns 61 today, so here’s a gift for New York, from New York—“Mind’s Eye: A Sensory Guide to the Guggenheim New York,” a new audio experience designed for blind and low-vision communities, and illuminating for all. Narrated by a diverse cast of quintessential New York voices, including both regular and renowned city dwellers—among them actors Bobby Cannavale and Maggie Gyllenhaal and Bishop Chantel R. Wright—the “Mind’s Eye” guide transports listeners to New York City, bringing them from bustling Fifth Avenue into the uplifting space within the museum.
The 4th Annual Madison Avenue Gallery Walk on Saturday, October 24, is one of the most anticipated highlights of the fall art season in New York. It is a must for art lovers, and free and open to the public. Art enthusiasts will be able to visit participating galleries to view their fall exhibitions, and attend expert talks led by artists and curators on Madison Avenue and its adjacent side streets from East 57th Street to East 86th Street between 11am and 5 pm.
As The Frick embarks on an extensive renovation, it continues to honor its original design plan when it was the private home of Henry Clay Frick in 1914. This year, The Frick will break ground on repurposing nearly 60,000 square-feet. Let’s take a look at the plans from Selldorf Architects and Beyer, Blinder, Belle.
In the meantime, visitors can enjoy The Frick Madison, the institution’s temporary home beginning early 2021 (date to be announced). The Frick Madison is the former home of the Whitney Museum of American Art and Met Breuer, located at 945 Madison Avenue at 75th Street, NYC.