Venus Over Manhattan will open its doors to Verdant Malformations, an exhibition of new works by Katie Stout on April 6th.
Stout’s sculptures, referencing the excessive detail of Giuseppe Arcimboldo’s still-life portraits and the dystopian visions of Hieronymus Bosch, evoke states of material decay and regeneration. Her over-ripe, perishing natural forms serve as memento mori, but also as a reminders of life’s resilience. Bold but delicate, Stout’s constructions advance her ongoing exploration of the female form as a site upon which our culture enacts its preoccupations with ornament, allure, and value.
Venus Over Manhattan will inaugurate its new gallery space at 120 East 65th Street by opening an exhibition of new paintings by Andrew LaMar Hopkins, curated by Alison M. Gingeras. Entitled Créolité, the artist’s first solo gallery exhibition in New York features more than fifteen works, including new portraits, miniatures, and the artist’s signature architectural tableaux, that all relate to the complexity of Creole identities and the antebellum history of the Gulf States in the American South.
Créolité will be on view at Venus through November 6th. The exhibition will be accompanied by an illustrated publication featuring important archival images selected by Andrew LaMar Hopkins, an introductory essay by Alison M. Gingeras, and an extended interview with the artist.