Dead Lecturer/distant relative at Wallach Art Gallery, Columbia University

 

 

 

Al Loving, Space, time, Light #1, 1977, Acrylic and paper collage on canvas; 81 x 81 in. © Estate of Al Loving; courtesy Garth Greenan Gallery, New York, NY

Dead Lecturer / distant relative: Notes from the Woodshed, 1950-1980 focuses on works by Asian American and African American artists whose approaches to abstraction provided alternatives to prevailing vocabularies for representation and resistance during the social movements of the 1960s and 70s, and for whom the parameters of visibility continue to remain a problem for thought today.

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After the End: Timing Socialism in Contemporary African Art at Wallach Art Gallery

 

 

Filipe Branquinho, Jorge Macate, Padeiro (Jorge Macate, Baker), 2011. Courtesy the artist.

After the End: Timing Socialism in Contemporary African Art presents a selection of works engaging with the history of African socialisms. It features artists looking at countries including Angola, Ethiopia, Guinea-Bissau and Mozambique. The exhibition is the first in North America to explore aesthetic responses to African socialisms and their aftermath.

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