Yoko Matsumoto: Darkness Against Nature to Open at White Cube New York in June

 

 

 

Yoko Matsumoto, Rock Flower, 1993,, Acrylic on canvas. 194 x 260 cm/76 3/8 x 102 3/8 in. © the artist. Photo © White Cube (Theo Christens)

White Cube is pleased to present Darkness Against Nature, a solo exhibition by Japanese artist Yoko Matsumoto. Featuring paintings and works on paper created from the 1980s to the present day, the exhibition marks the artist’s return to New York after almost three decades.

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‘Antony Gormley: Aerial’ at White Cube New York

 

 

 

Antony Gormley, BIG SIDLE, 2023, Cast iron 267.8 x 87.5 x 63.5 cm. Photograph by Stephen White & Co. © the artist

White Cube is pleased to present ‘Aerial’, an exhibition by Antony Gormley, in which the artist considers sculpture as an instrument for proprioception – the body’s innate capacity to sense and perceive its position, movements and orientation in relation to itself and the environment. The exhibition features two recent developments in Gormley’s practice: one explores physical proximity in mass and scale, where two over-life-size bodies merge as one, while the other endeavours to catalyse space almost without mass. On view April 30th.

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‘Richard Hunt: Masterworks’ to Open at White Cube New York

 

 

 

Richard Hunt, Coil, 1966, Welded copper 78.7 x 63.5 x 91.4 cm/31 x 25 x 36 in. © Richard Hunt. Photo © Ron Amstutz

White Cube New York is pleased to present a solo exhibition of works by Richard Hunt (1935–2023). One of the preeminent American sculptors of the 20th century, Hunt’s hybrid creations are characterized by an exploration of dualities – the natural and the industrial, the surreal and the abstract, the geometric and the organic.

Opening on 13 March 2024, Early Masterworks is the gallery’s first exhibition by the artist, and the second-largest gathering of his works in the city for over 50 years, bringing together over 25 important examples from the early part of his oeuvre.

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Theaster Gates: Hold Me, Hold Me, Hold Me to Open at White Cube New York on January 26th

 

 

 

Exhibition ‘Theaster Gates: Hold Me, Hold Me, Hold Me’ at White Cube New York. Photo credit:© Roberta Fineberg

White Cube is pleased to present ‘Hold Me, Hold Me, Hold Me’ by Theaster Gates, the artist’s first solo exhibition at White Cube New York, located at 1002 Madison Avenue.

The title of the exhibition honours the 1970s duet ‘Be Real Black For Me’ by Donny Hathaway and Roberta Flack. Drawing from the echoed repetition of the phrase ‘hold me’ midway through the song, Gates explores the connections between music, composition, and the complex interactions between artistry and mental health, acknowledging the truth of Hathaway’s own profound struggles with fame and creative transmission during his lifetime.

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White Cube & Gagosian to Host the Screening of ‘ANSELM’ at IFC Center in New York

 

 

 

Anselm © 2023, Road Movies

White Cube and Gagosian will host an exclusive screening of ANSELM at the IFC Center in New York this November. The screening will take place on 28 November, with only a limited number of spaces available.

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‘Tracey Emin: Lovers Grave’ to Open at White Cube New York in November

 

 

 

Tracey Emin, And It was Love, 2023. Acrylic on canvas. 80 7/8 x 110 1/16 in. | (205.5 x 279.5 cm).
© Tracey Emin. All rights reserved, DACS 2023. Photo © Prudence Cuming Associates Ltd

‘Lovers Grave’ is the inaugural solo exhibition at White Cube’s New York gallery at 1002 Madison Avenue. Tracey Emin’s (b. 1963, London) first show in the city in almost 8 years brings together new paintings and works on paper completed in her studios in London and Margate, UK. Opening November 4th.

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White Cube New York Announces Inaugural Exhibition, Opening October 3

 

 

 

White Cube New York Photo © White Cube (Nicholas Venezia).

White Cube is pleased to announce the opening of its first permanent New York gallery and its inaugural exhibition Chopped & Screwed, on view October 3 – 28, 2023. White Cube New York is located on the Upper East Side at 1002 Madison Avenue between 77th and 78th and is housed in a landmark building and former bank built for the Fulton Trust Company in 1930. Retaining many of its original exterior features, including a large flagpole and stone bust of the bank’s founder Robert Fulton on the top of the building, the interior has been fully renovated to accommodate three levels of exhibition space and private viewing rooms spanning over 8,000 square feet.

The inaugural exhibition, Chopped & Screwed, is curated by Courtney Willis Blair (Senior Director, US), and considers the use of sourcing and distortion in contemporary art to resist established systems of power and value.

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