‘Jaune Quick-to-See Smith: Memory Map’ will Open at The Whitney Museum of American Art in April

 

 

 

Image credit: Jaune Quick-to-See Smith, Indian Map, 1992. Oil, paper, newspaper, and fabric on canvas, two panels: 60 × 100 in. (152.4 × 254 cm) overall. Private collection. © Jaune Quick-to-See Smith. Photograph by David Bowers

Jaune Quick-to-See Smith: Memory Map,on view at the Whitney Museum of American Art from April 19 through August 13, 2023, is a recognition of a groundbreaking artist’s work. For nearly five decades, Jaune Quick-to-See Smith, a citizen of the Confederated Salish and Kootenai Nation, has charted an exceptional and unorthodox career as an artist, activist, curator, educator, and advocate. The exhibition highlights how Smith uses her drawings, prints, paintings, and sculptures to flip commonly held historical narratives and illuminate absurdities in the dominant culture.

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The Exhibition ‘no existe un mundo poshuracán: Puerto Rican Art in the Wake of Hurricane Maria’ to Open at The Whitney, Coinciding with Fifth Anniversary of Hurricane Maria

 

 

 

Gamaliel Rodríguez, Collapsed Soul, 2020–21. Ink and acrylic on canvas, 84 × 112 in. (213.3 × 284.5 cm). © 2021 Gamaliel Rodríguez. Courtesy the artist and Nathalie Karg Gallery NYC. Photograph by Gamaliel Rodríguez

no existe un mundo poshuracán: Puerto Rican Art in the Wake of Hurricane Maria is organized to coincide with the fifth anniversary of Hurricane Maria—a category 5 storm that hit Puerto Rico on September 20, 2017. The exhibition explores how artists have responded to the transformative years since that event by bringing together more than fifty artworks made over the last five years by an intergenerational group of more than fifteen artists from Puerto Rico and the diaspora. no existe un mundo poshuracán—a verse borrowed from Puerto Rican poet Raquel Salas Rivera—is the first scholarly exhibition focused on Puerto Rican art to be organized by a large U.S. museum in nearly half a century.

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Edward Hopper’s New York Opens at Whitney Museum of American Art with Digital Interactive Map of Sites He Painted as They Look Today

 

 

 

Fig. 21. Nighthawks, 1942. Oil on canvas, 33⁄) $ 60 in. (84.1 $ 152.4 cm). Art Institute of Chicago, IL; Friends of American Art Collection

Edward Hopper’s New York, on view at the Whitney Museum of American Art from October 19, 2022, through March 5, 2023, offers an unprecedented examination of Hopper’s life and work in the city that he called home for nearly six decades (1908–67). The exhibition charts the artist’s enduring fascination with the city through more than 200 paintings, watercolors, prints, and drawings from the Whitney’s preeminent collection of Hopper’s work, loans from public and private collections, and archival materials including printed ephemera, correspondence, photographs, and notebooks. From early sketches to paintings from his late in his career, Edward Hopper’s New York reveals a vision of the metropolis that is as much a manifestation of Hopper himself as it is a record of a changing city, whose perpetual and sometimes tense reinvention feels particularly relevant today.

In addition, explore the new interactive digital map inside Edward Hopper’s New York. See the sites he painted as they look today.

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The Whitney Presents ‘At The Dawn of a New Age: Early Twentieth-Century American Modernism’

 

 

 

Installation view of At the Dawn of a New Age: Early Twentieth-Century American Modernism (Whitney Museum of American Art, New York, May 4, 2022-January 2023). From left to right: Georgia O’Keeffe, Black and White, 1930; William Zorach, Woods in Autumn, 1913; Agnes Pelton, Sea Change, 1931; Henrietta Shore, Trail of Life, 1923. Photograph by Ron Amstutz

The Whitney Museum of American Art presents At the Dawn of a New Age: Early Twentieth-Century American Modernism, an exhibition of over sixty works by more than forty-five artists that highlights the complexity of American art produced between 1900 and 1930. The exhibition showcases how American artists responded to the realities of a rapidly modernizing period through an array of abstract styles and media. At the Dawn of a New Age features artworks drawn primarily from the Whitney’s collection, including new acquisitions and works that have not been on view at the Museum for decades. The exhibition provides a broader perspective on early twentieth-century American modernism by including well-known artists like Marsden Hartley, Oscar Bluemner, Elie Nadelman, Charles Burchfield, Aaron Douglas, and Georgia O’Keeffe, as well as groundbreaking, historically overlooked artists like Henrietta Shore, Charles Duncan, Yun Gee, Manierre Dawson, Blanche Lazzell, Ben Benn, Isami Doi, and Albert Bloch.

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Whitney Museum of American Art Celebrates PRIDE! in June, 2022

 

 

 

The Whitney Museum of American Art presents a series of free, on-site public programs and events celebrating Pride, June 9–12. Whitney Pride! will activate the Museum building and surrounding neighborhood with festivities for visitors of all ages. Whitney Pride! is part of the Museum’s ongoing commitment to support LGBTQ+ artists and communities and offer an inclusive space for all to gather and enjoy American art.

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Whitney Biennial 2022: Quiet As It’s Kept ~ 63 Artists & Collectives Selected for the Eightieth Edition at The Whitney

 

 

 

Ralph Lemon, Untitled, 2021. Oil and acrylic on paper, 26 × 40 in. (66.1 × 101.6 cm). Image courtesy the artist

The Whitney Museum of American Art announced today that sixty-three artists and collectives will be participating in Whitney Biennial 2022: Quiet as It’s Kept, co-organized by two Whitney curators, David Breslin and Adrienne Edwards. This will be the eightieth iteration in the long-running series of annual and biennial exhibitions launched by the Museum’s founder, Gertrude Vanderbilt Whitney, in 1932. The 2022 Biennial takes over most of the Whitney from April 6 through September 5, with portions of the exhibition and some programs continuing through October 23, 2022.

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Whitney Museum & Dorothy Lichtenstein Announce Donation of Roy Lichtenstein’s West Village Studio as New Home of Independent Study Program

 

 

 

Roy Lichtenstein’s Studio, 741/745 Washington Street. Image via google maps

Dorothy Lichtenstein, widow of Roy Lichtenstein, and Adam D. Weinberg, Alice Pratt Brown Director of the Whitney Museum of American Art, today announced that the Lichtenstein family has promised to donate the late artist’s studio building to the Museum. The Whitney, which since moving downtown in 2015 has been a neighbor of the studio, operating four blocks north on Gansevoort Street, will adapt the space to serve as the first permanent home of its widely influential Independent Study Program, which was founded in 1968.

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Jasper Johns: Mind/Mirror opens at The Whitney Museum of American Art

 

 

 

Image credit: Jasper Johns, Racing Thoughts, 1983. Encaustic and collage on canvas, 48 1/8 × 75 3/8 in. (122.2 × 191.5 cm). Whitney Museum of American Art, New York; purchase, with funds from the Burroughs Wellcome Purchase Fund; Leo Castelli; the Wilfred P. and Rose J. Cohen Purchase Fund; the Julia B. Engel Purchase Fund; the Equitable Life Assurance Society of the United States Purchase Fund; The Sondra and Charles Gilman, Jr. Foundation, Inc.; S. Sidney Kahn; The Lauder Foundation, Leonard and Evelyn Lauder Fund; the Sara Roby Foundation; and the Painting and Sculpture Committee 84.6. © 2021 Jasper Johns / Licensed by VAGA at Artists Rights Society (ARS), New York

The radical, inventive art of Jasper Johns (b. 1930) continues to influence today’s artists like few others. In an unprecedented collaboration, the Whitney and the Philadelphia Museum of Art will stage a simultaneous retrospective—the largest of Johns’s seven-decade career—that offers a fresh take on the living legend. From his iconic flags to lesser-known and recent works, the exhibition will feature paintings, sculptures, drawings, and prints—nearly five hundred artworks across the two museums, many of which are from Johns’s personal collection and will be shown publicly for the first time.

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David Hammons Permanent Installation ‘Day’s End’ in Hudson River Park + Six Rarely-Seen Works in Exhibit at The Drawing Center

 

 

 

Rendering of the proposed project, Day’s End by David Hammons, as seen from the Whitney Museum of American Art. Courtesy Guy Nordenson and Associates.

On April 29, 2021, the Whitney announced the completion of David Hammons’s permanent public sculpture Day’s End (2021), one of the largest public art projects completed in the United States this year. Located in Hudson River Park along the southern edge of Gansevoort Peninsula, directly across from the Museum, Day’s End was developed in collaboration with the artist and Hudson River Park Trust. The sculpture derives its inspiration and name from multi-media artist Gordon Matta-Clark’s 1975 intervention in which he cut openings into the existing, abandoned Pier 52 shed. With exquisite simplicity, Hammons’s artwork traces the outlines, dimensions, and location of the original Pier 52 shed in slender steel pipes. Visible from numerous vantage points at the Museum and from multiple locations along the Hudson River Park promenade, the sculpture measures 52 feet high at its peak, 325 feet long, and 65 feet wide.

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Dawoud Bey: An American Project opening at The Whitney Museum of American Art

 

 

 

Dawoud Bey, Martina and Rhonda, 1993. Six dye diffusion transfer prints (Polaroid), 48 x 60 in. (121.9 x 152.4 cm) Whitney Museum of American Art, New York; gift of Eric Ceputis and David W. Williams 2018 82a-f © Dawoud Bey

Dawoud Bey (b.1953, Queens, NY) has committed more than four decades to photographing underrepresented subjects and fostering dialogue that addresses African American history and contemporary society and politics. The artist’s first retrospective in twenty-five years, An American Project,, explores the arc of Bey’s career from 1975 to 2017 through nearly eighty works across eight major series. Reflecting the evolution of Bey’s vision, the exhibition examines his enduring engagement with portraiture, place, and history. From early portraits in Harlem and classic street photography to multi-panel studio portraits and nocturnal landscapes, Bey has consistently focused his lens on Black individuals, foregrounding the uniqueness of his subjects while reflecting the profound and ongoing effects of the history of the United States. Co-organized with the San Francisco Museum of Modern Art, An American Project will be on view at the Whitney from April 17, 2021 through October 3, 2021. The exhibition is co-curated by Corey Keller, curator of photography at SFMOMA, and Elisabeth Sherman, assistant curator at the Whitney Museum of American Art, New York.

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Julie Mehretu: A Mid Career Survey at The Whitney in March, 2021

 

 

 

Julie Mehretu, Retopistics: A Renegade Excavation, 2001. Ink and acrylic on canvas, 101 ½ × 208 ½ inches (257.81 × 529.59 cm). Crystal Bridges Museum of American Art, Bentonville, Arkansas 2013.28.  © Julie Mehretu

Co-organized by the Los Angeles County Museum of Art and the Whitney Museum of American Art, Julie Mehretu is a midcareer survey that will unite more than seventy paintings and works on paper dating from 1996 to the present, reflecting the breadth of Mehretu’s multilayered practice. Born in Addis Ababa, Ethiopia, in 1970 and based in New York City, Mehretu has created new forms and found unexpected resonances by drawing on the histories of art and human civilization. Her play with scale and technique, as evident in intimate drawings, large canvases, and complex forms of printmaking, will be explored in depth.

Julie Mehretu at The Whitney. Image taken from Zoom press preview courtesy of The Whitney

Filling the Whitney’s entire fifth floor gallery, the exhibition will take advantage of the expansive and open space to create dramatic vistas of Mehretu’s often panoramic paintings. The first-ever comprehensive survey of Mehretu’s career, Julie Mehretu is organized by Christine Y. Kim, curator of contemporary art at LACMA, with Rujeko Hockley, assistant curator at the Whitney. The installation at the Whitney is overseen by Hockley and on view from March 25 through August 8, 2021.

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The Whitney presents First Solo Museum Exhibition, Salman Toor: How Will I Know

 

 

 

Image credit: Salman Toor, Four Friends, 2019. Oil on plywood, 40 × 40 in. (101.6 × 101.6 cm). Collection of Christie Zhou. © Salman Toor. Image courtesy the artist and Luhring Augustine, New York

Salman Toor’s first solo museum exhibition—originally scheduled to open in March 2020 but postponed due to the pandemic—will be presented by the Whitney Museum of American Art from November 13, 2020 to April 4, 2021. Primarily making intimate oil-on-panel works, Toor expands the tradition of figurative painting by melding sketch-like immediacy with disarming detail to create affecting views of young, queer Brown men living in New York City and South Asia. Salman Toor: How Will I Know is part of the Whitney’s emerging artists program, which most recently included solo shows by Kevin Beasley and Eckhaus Latta, and will be on view in the first-floor John R. Eckel, Jr. Foundation Gallery, which is accessible to the public free-of-charge.

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Working Together: The Photographers of The Kamoinge Workshop to Open at The Whitney

 

 

 

Ming Smith, America seen through Stars and Stripes, New York City, New York, printed ca. 1976. Gelatin silver print, sheet: 15 3/4 × 20 in. (40.01 × 50.8 cm), image: 12 1/2 × 18 1/2 in. (31.75 × 46.99 cm). Virginia Museum of Fine Arts, Adolph D. and Wilkins C. Williams Fund, 2016.241. © Ming Smith

The much anticipated exhibition, Working Together: The Photographers of the Kamoinge Workshop will finally unveil at The Whitney on November 21st. This groundbreaking exhibition features over 150 photographs by fourteen early members of the Kamoinge Workshop, nine of whom are living and working today.

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‘Around Day’s End: Downtown New York, 1970-1986’ at The Whitney

 

 

 

Gordon Matta-Clark (1943-1978), Days End Pier 52.3 (Documentation of the action “Day’s End” made in 1975 in New York, United States), 1975, printed 1977. Gelatin silver print: sheet, 8 × 10 in. (20.3 × 25.4 cm); image, 7 × 9 3/4 in. (17.8 × 24.8 cm). Whitney Museum of American Art, New York; gift of Harold Berg 2017.134. © 2020 Estate of Gordon Matta-Clark / Artists Rights Society (ARS), New York

The exhibition pays homage to Gordon Matta-Clark’s legendary Day’s End (1975) and features works by twenty-two artists who engaged with the Meatpacking District and West Side piers, among other downtown Manhattan locations, in the 1970s and early 1980s. Around Day’s End also anticipates David Hammons’s monumental public artwork Day’s End,  located directly across from the Whitney Museum in Hudson River Park. Drawn primarily from the Whitney’s collection, the exhibition is organized by Laura Phipps, assistant curator, with Christie Mitchell, senior curatorial assistant, and runs through October 25, 2020.

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Pope L ~ Public Art Fund ~ Whitney Museum ~ MoMA ~ a Trio of Exhibitions

 

 

 

POPE.L., The Great White Way, 22 miles, 9 years, 1 street, 2000-2009, Performance © Pope.L Courtesy of the artist and Mitchell-Innes & Nash, New York (and Public Art Fund)

Pope.L: Instigation, Aspiration, Perspiration, is a trio of exhibitions organized by The Museum of Modern Art, the Whitney Museum of American Art, and Public Art Fund. Utilizing both public and private spaces, the expansive presentation addresses many elements of the artist’s oeuvre, from singular early works to a monumental new installation and a new large-scale performative work inspired by the artist’s iconic crawl series on the streets of New York City. Let’s begin there, with the Public Art Fund and Pope. L: conquest on September 21, 2019.

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Jason Moran (and friends) at The Whitney Museum of Art

 

 

 

Image courtesy of The Whitney Museum of Art

The first solo museum show of Jason Moran (b. 1975, Houston, Texas), the interdisciplinary artist who grounds his work in music composition, has made its debut at the Whitney. The exhibition, Jason Moran, presents the range of art Moran has explored, from his sculptures and drawings to collaborations with visual artists to performance and video.

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Westside Exposure: Whitney Staff Art Show 2019 at Westbeth

 

 

 

The annual Whitney Staff Art Show will be returning to Westbeth Art Gallery for its fourth year, featuring established and emerging artists ~ all are talented Whitney museum staff members.

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