‘Djamel Tatah: Solitary Figures’ to Open at Bienvenu Steinberg & J in June




Djamel Tatah, Untitled, 2021, oil and wax on canvas, 78 3/4 x 118 1/8 inches (200 x 300 cm). Image courtesy of Bienvenu Steinberg & J.

Solitary Figures, Franco-Algerian artist Djamel Tatah’s first solo exhibition in the United States, will be on view at Bienvenu Steinberg & J, from June 8 to July 15, 2023. Curated by Richard Vine, the exhibition will showcase eleven of Tatah’s full-size figurative paintings, produced between 2011 and 2021. These works question our presence in the world and our relationship to the humanity that surrounds us. A fully illustrated catalogue with essays by Richard Vine and art historian Barbara Stehle will accompany the exhibition.

Tatah’s works…comport perfectly with a major strain of postwar European thought and sensibility. To immerse one’s self in Tatah’s compositions is to feel the world of Beckett, and Sartre, Giacometti, and Antonioni,” Vine contends. “But what are we to make of Tatah’s figures, his silent arrivals, in an American context? Truth be told, they are more recognizable here, more disturbingly relevant, than we care to admit.”

Djamel Tatah, Untitled, 2012, oil and wax on canvas 2 – 82 11/16 x 157 1/2 inches (210 x 400 cm) overall.

The son of Algerian immigrant parents living in France, Djamel Tatah produces enigmatic, untitled canvases whose subtle combinations of figures and abstract shapes explore the connection between the personal and the universal. As a child, Tatah grew up in a diverse environment that included many immigrant families. The melancholic, plainly garbed, Mediterranean-looking figures that populate his paintings pay tribute to displaced persons throughout the world).  Reflecting the concerns of thinkers such as Albert Camus, Tatah’s characters can be read as icons of existential despair. Stripped of visual detail and narratives, they inhabit a universe of emptiness. My painting is silent, and imposing silence on all the chaos of life is almost like making a political statement,” Tatah has said. “It allows one to step back and examine one’s relationship to others and to society as a whole.”

Reflecting both and modernity and hybridization, Tatah’s paintings of isolated figures or groups of people engaged in subtle psychological interactions recall Eugène Delacroix, Édouard Manet, Eadweard Muybridge, Edward Hopper and Alex Katz. Elements from Islamic art, Byzantine icons and Fayum mummy portraits as well as motifs from Persian, Indian and Arabic illuminations are also present.

The genesis of Tatah’s paintings is a digital-image database that includes family photographs, news shots and historical works. He manipulates these images to create line drawings that he then projects and traces on the canvas. Painted with a mixture of oil and wax, the figures attain life-size proportions against abstract backgrounds flooded with color. Tatah’s alterations seek to rid the original figures of all superficiality and give them a timelessness. The chalkiness of his white mask-like faces conceal personal identities. The artist  has withdrawn all forms of accessory to concentrate solely on movements, postures and backgrounds. The generic nature of the figures’ gazes, their facial expressions, and body gestures invites the viewer’s personal interpretation.

Above video ~ Djamel Tatah unveils exhibition at Musée Fabre, in his hometown of Montpellier, France.

About the artist ~ Born in 1959 in St. Chamond, France,  Djamel Tatah studied at the École des Beaux-Arts de Saint-Etienne from 1981 to 1986. He has taught at the École Nationale Supérieure des Beaux-Arts de Paris since 2008. He lives and works in Montpellier.

Tatah has presented his works throughout France and the world over at venues including the Salamanca Arts Centre (Spain 2002), Guangdong Museum of Art (China 2005), MAMAC Nice and Château de Chambord (France 2009-2011), Villa Medici (Italy 2010), Museum of Modern and Contemporary Art in Algiers (Algeria 2013), Maeght Foundation in Saint-Paul (France 2013-2014), Modern and Contemporary Art Museum of Saint-Etienne Métropole (France 2014), Lambert Collection in Avignon (France 2017-2018), Berggruen Museum Berlin (Germany 2021) and Fabre Museum Montpellier (France 2022-2023). Tatah’s work is included in prominent private and public collections such as the Barjeel Art Foundation (UAE), The British Museum (UK), Musée National d’Art Moderne Centre Georges Pompidou (France), MAACAL (Morocco), Maeght Foundation (France), Lambert Collection (France), Modern and Contemporary Art Museum in Saint-Etienne Métropole (France), and Fabre Museum Montpellier (France).

Djamel Tatah: Solitary Figures will be on view from June 8 to July 15, 2023 at Bienvenu Steinberg & J, 35 Walker Street, TriBeCa. An Opening Reception will be held on Thursday, June 8th from 6-8pm.