Marcia Grostein: Brighton Beach Bliss ~ The World as it Should Be at The National Arts Club




Marcia Grostein, Beauty and the Beast, 2014; 40×30 in. Courtesy National Arts Club

Great timing for Marcia Grostein’s exhibition, Brighton Beach Bliss: the World as it Should Be, a testament of harmonious coexistence between diverse populations, and one of several wonderful exhibitions currently on view at The National Arts Club.

The exhibition is comprised of intimate yet unabashed beachgoer portraits. The series reveals a rare intermingling of races, religions, relationships, and body types that characterizes the ocean-side community of Brighton Beach.

Is Not for the Public, 2014. Image courtesy of National Arts Club

The unique history of Brighton Beach paved the way for the diversity that Grostein documents within her photographs. In the mid-1970s, the neighbor-hood became a popular place for Soviet immigrants to settle – particularly for Russian and Ukrainian Jews. Since the 1990s, however, the ethnic demographics of Brighton Beach have begun shifting rapidly. The area, while still home to many Jewish residents, has also become a nexus for Hispanic and Central Asian Muslim immigrants, among others. Today, roughly seventy-five percent of Brighton Beach’s inhabitants were born in countries other than the United States.

Happiness is in the Air, 2014. Image courtesy National Arts Club

Grostein’s raw shots – taken over the course of 7 years– offer viewers a glimpse of these multigenerational migrations, which have merged into a single, unique-ly globalized locale. While the beachgoers are immersed in their own activities, they also partake in the broader activity of community-building, simply by way of their proximity to one another. Vignettes – characterized by mutual respect be-tween the photographer and protagonists – depict interactions that are harmo-nious, warm, or meditative, with all inhabitants seeking a distinct form of rejuve-nation by the sea shore. Adolescents make memories that will last well into adulthood and the aging carry on with habits formed over a lifetime. While the individual photos stand as strong images of inter-personal respect and self-care, the series as a whole conflates distinct fields of anthropological investigation – asking us to consider how diverse biologies, cultures, and linguistics can togeth-er enact an unified present

Tea Time, 2018. 19×16 in. Courtesy The National Arts Club

Grostein portrays this amazingly diverse microcosm with an air of pride and hope. Through her careful documentation of these heartening realities, it is sug-gested that all inclusive environments have the potential for world-wide replica-tion. Indeed, while discussing the series the artist has made the following point: “This place where all forms and genres of cultural manifestations coexist say so much about the progress we made over centuries, and presents an impressive opposition to the current political scenario.

We especially loved this image entitled ‘Eternal Beauty’

In the Brighton Beach Bliss series perfection is not defined by a single perfectly-proportioned body; rather, Grostein asks us to find beauty that can be found in the human gaze, and in a mutual desire to act together within natural and built environments. The inhabitants of Brighton Beach demonstrate what it means to slough social, political, and cultural stigmas in favor of respect and understand-ing.

Marcia Grostein’s Brighton Beach Bliss will be on view at The National Arts Club through May 31, 2019. The National Arts Club is located at 15 Gramercy Park South, NYC.

While you’re there, Iké Udé – Portraiture and Transgressions and Studio in the Street: Symbols – Totems – Ciphers.