New Museum to Open Art Preserve in Wisconsin on June 26, 2021

 

 

 

The Art Preserve of the John Michael Kohler Arts Center, Sheboygan, WI. Photo by Durston Saylor, courtesy John Michael Kohler Arts Center.

The John Michael Kohler Arts Center has announced the opening date for the Art Preserve, the world’s first museum dedicated to the presentation, care and study of art environments. Due to delays caused by COVID-19, the Art Preserve, originally set to open its doors this past August, is scheduled to open June 26, 2021. The postponement allows for finalizing interior construction and installation of works of art.

Here’s how the Art Preserve will turn the museum experience inside out, presenting treasures usually held behind the scenes.

The Art Preserve’s 56,000-square-foot, three-level building will provide exhibition space and visible storage for more than 25,000 works in the Arts Center’s world-renowned collection, which includes complete and partial environments by more than 30 vernacular, self-taught, and academically trained artists. As a new satellite campus, the Art Preserve will complement the John Michael Kohler Arts Center’s main location three miles away in downtown Sheboygan, a small city along Lake Michigan an hour north of Milwaukee. Considered a local treasure with an international presence, the John Michael Kohler Arts Center holds the world’s largest collection of art environments, a unique art form created by artists who often transform their homes and yards into multifaceted works of art.

James Tellen Woodland Sculpture Garden (site detail, pioneer woman and cowboy tableau, Town of Wilson, WI), c. 1942–1957. John Michael Kohler Arts Center Collection, gift of Kohler Foundation Inc.

Thirteen of the Art Preserve’s artists will be represented with major installations of their work, including Levi Fisher Ames, Emery Blagdon, Loy Bowlin, Eugene Von Bruenchenhein, Jesse Howard, Nek Chand, Annie Hooper, Mary Nohl, Dr. Charles Smith, Fred Smith, Lenore Tawney, Stella Waitzkin, and Ray Yoshida. Two of these artists were recently featured in exhibitions at the John Michael Kohler Arts Center: Dr. Charles Smith: Aurora; and Lenore Tawney: Mirror of the Universe.

“Despite the delay, excitement continues to build for the opening of the Art Preserve,” noted Sam Gappmayer, director, John Michael Kohler Arts Center. “Over 10 years in the making, the Art Preserve serves as a contemporary setting for our distinctive and expansive collection and for the ongoing explorations and investigations into these unique sites and their creators. We’re proud to be an institutional steward of the works, and look forward to the ways the Art Preserve will strengthen our position as an art destination.”

Marie Von Bruenchenhein, Ruth Kohler, and Phil Martin of the Wisconsin Arts Board at the Von Bruenchenhein home, not long after Eugene Von Bruenchenhein’s death in 1983. Photo: Milwaukee Journal Sentinel via USA TODAY NETWORK

The Art Preserve was the brainchild of Ruth DeYoung Kohler II (1941-2020), who envisioned a center devoted to art environments. As the director of the John Michael Kohler Arts Center from 1972-2016, she guided the growth of a local arts center into an internationally-recognized institution presenting contemporary art, the work of vernacular artists including art environments, and performing arts. In 2016, Ruth stepped away from the directorship to concentrate on making the Art Preserve a reality as director of special initiatives. She worked with the board of directors, Arts Center staff, and the architectural firm Tres Birds in the design and completion of plans for the new museum.

Pre-Opening in January to Allow for Visitor Input and Fine Tuning
Prior to the June grand opening, the Art Preserve will open its doors to a limited number of Arts Center members and visitors to view the completion of the collection areas. During this pre-opening period, from January 13 (with early access for members from January 6-10) through May 3, 2021, visitors will be encouraged to fill out surveys that will be used to fine-tune the Art Preserve experience.

Arts Center staff will work in public view—a practice for which the building was designed. The pre-opening offers the opportunity to showcase the experimental nature of the Art Preserve and to engage with the public.. In addition, the completed collection areas will be open for viewing, including those featuring work by Blagdon, Howard, and Chand.

“The Art Preserve is based on a responsive model that is reflected in the architecture of the building and ongoing commissioning of work by contemporary artists. The experience is one that will evolve and change in response to our audience input and needs,” said Amy Horst, associate director, John Michael Kohler Arts Center.

The Building
Embracing an aesthetic in harmony with the work it houses, the $40 million Art Preserve is located at 3636 Lower Falls Rd., Sheboygan, within an attractive natural setting on 38 acres on the city’s west side. The Denver-based firm Tres Birds served as planners and architects for the project.

The design incorporates materials favored by the creators of art environments into the building’s exterior façade and interior, and enhances interaction with the artwork while addressing exhibition and preservation concerns. The building is a primarily concrete structure, a material choice in keeping with the prevalence of concrete as a medium in the creation of many art environments.

A forest of soaring timbers, angled like the trees growing on the site, forms a dramatic entrance to the Art Preserve. These “timber shades” shield the collection from direct sunlight entering the building through the windows, while allowing views out to the trees, river, and meadow. The Art Preserve also incorporates other innovative structures and technologies that protect the artwork while allowing the beauty of the natural setting to permeate the space. Complementing the surrounding habitats, the design respects land conservancy initiatives related to adjacent acreage along the Sheboygan River.

Detail of Michelle Grabner’s Patterns and Practicalities washroom installation at the Art Preserve, 2021.

To foster the sense of wonder and discovery inherent in art environments, the Art Preserve will also feature artist-designed washrooms that respond to the collection. Four installations maintain the exploratory spirit that pervades the building and provide a link to the Arts Center’s celebrated Arts/Industry residency program, a collaboration administered by the John Michael Kohler Arts Center and hosted and funded by Kohler Co. The artists commissioned – Michelle Grabner, Beth Lipman, and the team Joy Feasley and Paul Swenbeck – were given access to the materials and support team of the Kohler Co. factory to execute their washrooms.

Detail of Beth Lipman’s Wild Madder washroom installation at the Art Preserve, 2021.

On the first floor, Wisconsin-based artists Beth Lipman and Michelle Grabner were tasked with creating spaces that speak to some particularities of Wisconsin. Lipman cites the physical landscape as inspiration for her washroom, Wild Madder, which depicts over 1,000 flora species found in Sheboygan County. Grabner chose a combined investigation of the materiality and the labor of art environments through a study of familiar Midwestern domestic surfaces and textures for her washroom Patterns and Practicalities. For the third-floor washrooms, the team Feasley and Swenbeck have created an immersive, fantastical environment, Listen, the Snow Is Falling. The aurora borealis is the central image of their icy wonderland landscape.

Detail of Joy Feasley and Paul Swenbeck’s Listen, the Snow Is Falling washroom installation at the Art Preserve, 2021.

Each of the new artist-designed washrooms is an immersive experience. Ambitious in experimentation and boundary-pushing vision, each serves as a reminder that there is no limit to how and where art can come into one’s life.

“JMKAC is famous for its fanciful, artist-designed washrooms,” said Sam Gappmeyer, director, John Michael Kohler Arts Center. “We couldn’t open the Art Preserve without continuing the tradition.”

Sheboygan Men’s Room located in East Wing. Brooklyn artist Ann Agee was first invited to be an artist-in-residence in the Arts/Industry program in 1991. Trained as a painter at Yale and with an MFA from Cooper Union School of Art, Agee had no formal training in ceramics but began painting on clay through a desire to create three-dimensional paintings. For the washroom commissioned in 1998, Agee chose to work with rich cobalt blue and white, deliberately reminiscent of Delft and Staffordshire ceramics. She glazed hundreds of tiles, the lavatories, urinal, toilets, and counter with intricate patterns inspired by historic motifs and with imagery devoted to the subject of water, particularly how it touches the lives of Sheboygan-area residents. All of the images in the washroom represent actual places in Sheboygan County; from a local car wash to views of Lake Michigan, a community swimming pool to supermarket shelves laden with bottled water, a water treatment plant to hundreds of Sheboygan homes with sprinklers and swimming pools.
The Social History of Architecture. Location, Atrium Men’s Room. New York artist Matt Nolen created a ceiling-to-floor tile mural for the largest of the washrooms. His interpretive The Social History of Architecture is a tour of architectural periods from ancient Egypt to the present. On the longest uninterrupted wall, illustrations of architectural icons progress through the ages, beginning with the modern era and continuing through the art historical periods of Art Nouveau, Victorian, Baroque, Gothic, Medieval, ancient Rome, and ancient Egypt. On the opposite wall, tiles and fixtures portray the hands of rulers or visionaries from each successive period with appropriate symbols of power, from a cell phone to the Pope’s ring. While in the washroom, as you make use of the various fixtures, you can imagine yourself a Pharaoh, Caesar, pontiff, or CEO. This subtle empowerment of the individual is reinforced by a quote by poet, writer, and natural philosopher Johann Wolfgang von Goethe that rings the soaring blue ceiling of the room: “Whatever you can do or dream, you can begin it. Boldness has genius, power, and magic in it.”

The Artworks
The Art Preserve will emphasize Wisconsin’s rich history in the field of art environments while also presenting national and international artists. The John Michael Kohler Arts Center possesses the largest collection available of many of the artists’ oeuvres. The Art Preserve will house a wide range of work that was made around the world, from Chandigarh, India, to rural Mississippi to the Hotel Chelsea in New York City. Previously, the 25,000 works in the collection could be seen only when on view at the John Michael Kohler Arts Center or on loan for exhibition at other institutions.

Among the installations will be:

  • Emery Blagdon’s “Healing Machine” (incorporating bent wire, masking tape, sheet metal, aluminum foil, minerals, lights, and mechanical odds and ends), which he believed could channel the earth’s electricity and harness curative powers;
  • a facsimile of Eugene Von Bruenchenhein’s pastel-colored Milwaukee home, inside of which is a selection of his photographs, paintings, sculptures, and other works presented based on historical photographs; with additional works that can be viewed in curated storage cabinets and on racks;
  • a re-creation of Lenore Tawney’s loft studio environment, where the innovative fiber artist surrounded herself with only those things that enabled creative work; and
  • a homage to Levi Fisher Ames’ background as a performer with a space that serves as a home for his elaborate wood carvings as well as a location for small performances.

“Whether walking through the installations or discovering the contents of curated storage shelves and racks, visitors will have unprecedented access to this fascinating art form,” added Gappmayer.

While safely housing the Arts Center’s expanding collection, the Art Preserve also addresses growing scholarly interest in these artists and includes an education area, library, study collection, and other spaces that will provide access to the collection for researchers, tour groups, and the public. Several of the artists’ archives, including Nohl, Von Bruenchenhein, and Howard, will be accessible to scholars and researchers seeking deeper understanding of the artists’ processes and inspirations.

A Low Carbon Footprint
The Art Preserve has been built with low embodied energy with the goal of achieving low operating energy. The building is built from 70 percent local river rock, which requires no manufacturing energy and uses very little transportation energy. Like a wine cellar, the Art Preserve is built into the side of a hill, tapping into the Earth’s constant underground temperature. This relationship helps the building maintain more consistent interior temperatures.

Tres Birds worked in close collaboration with the global engineering, design, and consulting firm Arup on innovative and sustainable design features including specialized heating and cooling systems, integrated lighting, acoustic, and MEP (mechanical, electric, plumbing) design solutions that provide energy savings, feature and preserve artwork, and enhance the patron experience.

The acoustic design includes specialized and strategically located sound-absorbing treatments to help mitigate noise propagation throughout the museum and promote intelligible speech from museum docents to enhance learning. In addition, the default state of the building is darkness, which is quite rare for a museum. The energy-saving lighting system utilizes motion-activated controls to light exhibition spaces when patrons are near the art and turn off when no one is nearby. All of these elements of the Art Preserve are interconnected to create a system with reduced fossil fuel usage.

About the John Michael Kohler Arts Center
Founded in 1967, the John Michael Kohler Arts Center is dedicated to making innovative arts programming accessible to a broad audience that ranges from artists to academics to families. Central to its mission is promoting understanding and appreciation of the work of self-taught and contemporary artists through original exhibitions, commissioned works of art, performing arts programs, community arts initiatives, and publications.

The Arts Center’s collections focus primarily on works by art-environment builders, self-taught and folk artists, and works created in the Arts/Industry residency program. Since the 1970s, the John Michael Kohler Arts Center has preserved, studied, and exhibited art environments. Today, with well over 25,000 individual works of art by 30 different creators of art environments in the collection, the Arts Center is the world’s leading center for research and presentation of this work.

Looking to the future, the Arts Center will continue to foster creative exchanges between an international community of artists and a diverse public at both its New York Avenue and Lower Falls Road locations. The John Michael Kohler Arts Center is supported by corporate and foundation donors, government grants, and its many members. The Arts Center is not an entity of Kohler Co. or its subsidiaries.

JMKAC Virtual Gala 2021 will be held on February 27, 2021 at 7:00pm Purchase tickets Here.

The John Michael Kohler Arts Center is located at 608 New York Avenue, Sheboygan, WI. Admission is always free. For information, call 920-458-6144, or visit jmkac.org, Facebook, Twitter, or Instagram.

The Art Preserve is located at 3636 Lower Falls Road, Sheboygan, WI 53081. For more information visit artpreserve.org. Admission is always free.

Follow the Art Preserve on Twitter.  Prepare to Visit.