A View inside the Restoration of Louise Nevelson Chapel of The Good Shepherd at St. Peter’s Church and Nevelson at Noon




Nevelson Chapel. Image via nevelsonchapel.org

The Nevelson Chapel is finally open to the public. With a slight variation ~ entry is generally 8am to 4pm Sunday through Friday.

Thanks to generous contributions, the Church has raised 90% of their initial $3 million fundraising goal. If you wish to help, your Donation Here.

Nevelson at Noon meditative recitals will be returning this month, broadcast on Facebook and YouTube beginning May 17, 2022 at Noon. May 24th, Bálint Karosi, Organ; May 31st, Heloïse Degrugillier, Recorder,  Bálint Karosi, Organ; June 7th, Edson Scheid, Violin, Bálint Karosi, Organ; June 14th, Heloïse Degrugillier, Recorder,  Bálint Karosi, Organ; June 21st, Isabelle Seula Lee, Baroque Violin; June 28th, Jonghee Yoon, Organ; July 5th, Edson Scheid, Violin; Bálint Karosi, Organ; July 12th, Edson Scheid, Violin; Bálint Karosi, Organ.

Below, watch as the critical restoration of Nevelson’s sculpture environment progresses to completion, with approval from the New York Landmarks Preservation Commission.

Image courtesy Nevelson Chapel

“This phase in a project timeline is always detail focused. In order to ensure every component is put into production to match original conditions and specified requirements, you have to verify every single detail.

No “t” is too small to cross, no “i” too insignificant to dot. For projects like these there is just one time to get it right, and so we are reviewing everything from door hardware to piping runs.” David Hottenroth, AIA, Nevelson Legacy Council

Image via nevelsonchapel.org. Surface Consolidation Summer 2016

Above and below, Surface Consolidation Summer 2016

Image via nevelsonchapel.org ~ Construction Underway

Long-term damage of the Chapel was widespread. Over the years, chemical reaction of water-soluble paint being applied over her original alkyd paint produced flaking, deterioration and discoloration. Caretakers of Nevelson’s work in the chapel followed her guidelines ~ not knowing the future consequences. The good news is that because the care taking did not involve sanding her work down to the wood, it preserved Nevelson’s original paint ~ valuable for research and artistic preservation.

Image via nevelsonchapel.org ~ Environmental Management

Above image, Environmental Management.

The Louise Nevelson Chapel of the Good Shepherd has been undergoing a four-phase restoration process. It began with the stabilization of flaking paint and protecting areas most sensitive to HVAC damage. The restoration moved on to securing the sculptures in advance of the work, modernizing windows and the skylight, installation of properly directed ductwork and lighting, replacing the ceiling, and installing a dedicated HVAC/humidification unit outside the Chapel isolation zone.

Image via nevelsonchapel.org ~ Ethics and Paint

Above, Ethics and Paint

Phase 3 is now underway, which addresses paint damage, removing non-Nevelson paint and the conservation of original paint, as well as providing for future conservation and research. This phase also includes the development of cultural and educational programming.

Image via nevelsonchapel.org ~ Restoring the Lintel and Columns

Above and below, Restoring the Lintel and Columns

Step three presents particular challenges. It addresses nevelson’s original paint, now stretched in many areas. Additionally, this alkyd paint is changing color with exposure to air and light, and has not yet settled. Conservators continue to tone the work for consistent coloration.

Image via nevelsonchapel.org ~ Restoring the Lintel and Columns

The final phase, Phase 4, is in the planning stage. It will include endowing the Chapel to provide funds for its upkeep, and shining a light on the artists’ ground-breaking work. This phase will also include providing opportunities for contemporary artists.

Just outside the tiny room that houses the Louise Nevelson Chapel

At present, the Chapel, which is a small room just off the main entrance to St. Peter’s Church, has much work yet to be done. We were given a peek inside in 2019, then lined with scaffolding and protective paper and plastic.

Inside the Louise Nevelson Chapel, June 17, 2019

Each pieces of artwork, removed to be cleaned and restored, then returned to the chapel walls (above and below).

Another image of the Louise Nevelson Chapel under renovation, June 17, 2019

In the meantime, one finished piece and a cardboard model of what we can expect once the chapel is completed, sits in an adjacent office where we were fortunate to visit in mid June, 2019 (below).

One finished piece of artwork and a model of what the chapel will look like once completed.

Of the Nevelson Chapel’s many pieces, Grapes and Wheat Lintel is in the poorest condition and presents the most challenges for conservation. The piece continues to undergo active research and regular work by conservators from The Objects Conservation Studio and labs at Pratt Institute.

Model of Louise Nevelson Chapel. June 17, 2019
Model, Louise Nevelson Chapel
The Model, Louise Nevelson Chapel, June 17, 2019

Below ~ the beautiful St. Peter’s Church.

St. Peter’s Church

The Nevelson Chapel, a comprehensive sculptural environment in the heart of Saint Peter’s Church, is located at 619 Lexington at 54th Street, NYC.

In January, 2021, Saint Peter’s Church suffered damage from a water main break from the system located under the plaza shared by Saint Peter’s, the Citigroup Center, and the subway entrance at the corner of 53rd Street and Lexington Avenue. This flood caused significant flooding in the sanctuary and basement level. Nevelson Chapel and street level offices were not effected.

Below, a few pictures from our visit to the Chapel in August, 2023.

Nevelson Chapel, August 2023


Nevelson Chapel, August 2023


Nevelson Chapel, August 2023


Nevelson Chapel, 2023


Nevelson Chapel, 2023


Nevelson Chapel, August 2023