As we approached Black History Month 2021, the Fulton Art Fair, in celebration of its 100th birthday of artist Richmond Barthé, announced the restoration of the much loved relief, ‘Exodus and Dance.’
The celebration began Thursday, January 28th with a ceremony placing banners on the fence near the frieze located at Kingsborough Houses in Weeksville, Brooklyn.
Weeksville Heritage Society, in partnership with the Public Design Commission, Fulton Art Fair, and with funding provided by the NYC Council, NYCHA announced the restoration of the Richmond Barthé’s frieze, Exodus and Dance, which was installed in 1941.
The project calls for the panels to be removed for restoration and conservation, and a new supporting wall to be constructed. The project design was scheduled to begin in Spring/Summer 2021. However, as we know, the pandemic has slowed many projects down.
We were delighted to hear (in September 2021) that the Office of Management and Budget has cleared the project, and it is now at the Controller’s Office for registration of the design contract. According to NYC LGBT Historic Sites Project, that means it’s really going to happen, and the anticipated start date for design will be October, 2021.
The current proposal is to move the sculpture several feet to one side to allow more space, possibly to use as seating, with the piece serving as a backdrop to a performance space, which was Barthe’s original intent for the sculpture at Harlem River Houses. Stay tuned.
Richmond Barthé (1901-1989) was born in Mississippi. After his studies at the Art Institute of Chicago, he moved to Harlem in 1929, during the Harlem Renaissance. This was the artists first public commission, which was part of the WPA, and was an 80 foot relief created from cast stone. It was originally intended for the Harlem River Houses, but after it was completed, it was instead installed at Kingsborough Houses in Brooklyn.
- A special thanks to Michele Bogart, historian and author of ‘Sculpture in Gotham‘ for the heads-up on the restoration.