Richmond Barthé ‘Exodus & Dance’ at Kingsborough Houses to be Restored

 

 

 

Richmond Barthé’s Green Pastures: The Walls of Jericho (1938), a sculpture located at the Kingsborough Houses (also in Crown Heights). Barthé, who identified as homosexual, is considered the most important sculptor of African-American modernism in the first half of the twentieth century. Photos via NYC LGBT Historic Sites Project

As we approach Black History Month 2021, the Fulton Art Fair, in celebration of its 100th birthday of artist Richmond Barthé, announced the restoration of the much loved relief, ‘Exodus and Dance.’

The celebration will begin on Thursday, January 28th at 2:00pm with a ceremony placing banners on the fence near the frieze located at Kingsborough Houses in Weeksville, Brooklyn.

Weeksville Heritage Society, in partnership with the Public Design Commission, Fulton Art Fair, and with funding provided by the NYC Council, NYCHA announced the restoration of the Richmond Barthé’s frieze, Exodus and Dance, which was installed in 1941.

In addition, on Saturday, January 30th, join a webinar from 2:00-3:00pm for a Zoom conversation of the life of Barthé and his frieze, Exodus and Dance, with Dr. Myrah Brown Green. Register Here.

The project calls for the panels to be removed for restoration and conservation, and a new supporting wall to be constructed. The project design is scheduled to begin in Spring/Summer 2021.

Richmond Barthé (1901-1989) was born in Mississippi. After his studies at the Art Institute of Chicago, he moved to Harlem in 1929, during the Harlem Renaissance. This was the artists first public commission, which was part of the WPA, and was an 80 foot relief created from cast stone. It was originally intended for the Harlem River Houses, but after it was completed, it was instead installed at Kingsborough Houses in Brooklyn.

Follow Fulton Art Fair on Instagram for updates.