The Melt Goes on Forever: The Art & Times of David Hammons Opens at Film Forum

 

 

 

David Hammons. Photo credit: Dawoud Bey

Film Forum will open it’s doors to ‘The Melt Goes On Forever ~ The Art & Times of David Hammons’, a film by Judd Tully and Harold Crooks, on Friday, May 5th.

Continue reading “The Melt Goes on Forever: The Art & Times of David Hammons Opens at Film Forum”

David Hammons Permanent Installation ‘Day’s End’ in Hudson River Park + Six Rarely-Seen Works in Exhibit at The Drawing Center

 

 

 

Rendering of the proposed project, Day’s End by David Hammons, as seen from the Whitney Museum of American Art. Courtesy Guy Nordenson and Associates.

On April 29, 2021, the Whitney announced the completion of David Hammons’s permanent public sculpture Day’s End (2021), one of the largest public art projects completed in the United States this year. Located in Hudson River Park along the southern edge of Gansevoort Peninsula, directly across from the Museum, Day’s End was developed in collaboration with the artist and Hudson River Park Trust. The sculpture derives its inspiration and name from multi-media artist Gordon Matta-Clark’s 1975 intervention in which he cut openings into the existing, abandoned Pier 52 shed. With exquisite simplicity, Hammons’s artwork traces the outlines, dimensions, and location of the original Pier 52 shed in slender steel pipes. Visible from numerous vantage points at the Museum and from multiple locations along the Hudson River Park promenade, the sculpture measures 52 feet high at its peak, 325 feet long, and 65 feet wide.

Continue reading “David Hammons Permanent Installation ‘Day’s End’ in Hudson River Park + Six Rarely-Seen Works in Exhibit at The Drawing Center”

David Hammons: Body Prints, 1968-1979 at The Drawing Center

 

 

 

David Hammons, Untitled (Man with Flag), n.d. Grease, pigment, and white crayon on paper, 29 3/4 x 39 3/4 inches (75.6 x 101 cm). Glenstone Museum, Potomac, Maryland, Photograph by Alex Jamison, courtesy of Mnuchin Gallery, New York.

The first museum exhibition dedicated to David Hammons’s pivotal early works on paper, David Hammons: Body Prints, 1968–1979 brings together the monoprints and collages in which the artist used the body as both a drawing tool and printing plate to explore performative, unconventional forms of image making. More than a half century after they were made, these early works on paper remain a testament to Hammons’s desire to reinterpret notions of the real; his celebration of the sacredness of objects touched or made by the Black body; his biting critique of racial oppression; and his deep commitment to social justice.

Continue reading “David Hammons: Body Prints, 1968-1979 at The Drawing Center”