Fridman Gallery Celebrates its 10th Year with “Interior Resonances’ Opening July 13th

 

 

 

Kazumi Tanaka, Harmony, 2021, deer skull fragments. mother of pearl, metal string, brass, old piano key Two String Bass: 10 ½ x 3 ¼ x 2 ¼” Harmonica: 1 ¾ x 2 ½ x 2 ½”

It has been 10 years since the first show at Fridman Gallery. From the beginning, the gallery aimed to show emerging artists working in painting, sculpture and installation, often giving the artists space to create new work and experiment and guest curators room to explore ideas. The gallery saw the value of giving artists free reign of the space, including setting aside time between the exhibitions to allow for live music, experimental performance, dance and other interdisciplinary works. Serial programs emerged and took root such as the annual New Ear Festival showcasing some of New York’s most exciting experimental performers every January, and, more recently, Radial – electronic music as an art form, and Morir Soñando, a series pairing electro-acoustic musicians with free-improv instrumentalists.

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