The installation at Frick Madison has prompted new ways of looking at the Frick’s paintings, sculpture, and decorative arts—works predominantly made in Europe from the thirteenth through nineteenth centuries. Living Histories: Queer Views and Old Masters is the latest addition in a broader program in the past decade that has celebrated a range of voices and perspectives through digital productions, installations, publications, and collaborations.
At various times during the next year, four New York–based artists will engage with Old Master paintings in the permanent collection, each presenting a single new work on the second floor, where paintings by Vermeer, Rembrandt, and Holbein are displayed. These “pop-up” presentations, each running for a limited number of months, will initiate fresh conversations with the institution’s traditional figurative holdings, with particular emphasis on issues of gender and queer identity typically excluded from narratives of early modern European art.
Continue reading “Living Histories: Queer Views and Old Masters at Frick Madison”