Day With(out) Art 2023 ~ Everyone I Know Is Sick ~ a Program of Five Videos ~ Grey Art Gallery, NYU on World AIDS Day

 

 

 

Image: Beau Gomez, This Bed I Made, 2023. Video commissioned by Visual AIDS for Everyone I Know Is Sick.Image courtesy Grey Art Gallery

On World AIDS Day, Friday, December 1, 3:00–5:00 pm (EDT)
Auditorium, King Juan Carlos I of Spain Center, First Floor Room 113
53 Washington Square South, New York, NY 10012. Film screening and panel discussion (in-person).

NYU’s Grey Art Gallery and the King Juan Carlos I of Spain Center (KJCC) are proud to partner with Visual AIDS for Day With(out) Art 2023 by presenting Everyone I Know Is Sick, a program of five videos generating connections between HIV and other forms of illness and disability.

The program features newly commissioned work by Dorothy Cheung (Hong Kong), Hiura Fernandes & Lili Nascimento  (Brazil), Beau Gomez (Canada/Philippines), Dolissa Medina & Ananias P. Soria (USA), and Kurt Weston (USA).

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Loss, Longing, Belonging: Shahzia Sikander’s Khorfakkan Series ~ a Discussion at NYU

 

 

 

Image: Shahzia Sikander, The Cypress Despite Its Freedom Is Held Captive to the Garden, 2012–2013, Sharjah, Khorfakkan Cinema, UAE. Courtesy of Shahzia Sikander Studio.

Join NYU Abu Dhabi Institute in New York on March 7th for an exciting dialogue, presented by the Intersectional Feminist/Queer Studies Collective with 19 Washington Square North, and co-sponsored by the Grey Art Gallery.

Alongside the opening of the exhibition of work by Pakistani-American artist Shahzia Sikander at 19WSN, the gallery opens its doors to a dialogue between Sikander and Gayatri Gopinath (Director, Center for the Study of Gender and Sexuality, NYU). Sikander’s photographs, initially taken in 2012, depict the ruin and desolation of a South Asian movie theater and its sole caretaker in Khorfakkan, Sharjah, and speak poignantly to the questions of home, displacement, belonging, and unbelonging that touch the lives of many South Asian migrants in the UAE.

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Grey Art Gallery @ NYU Receives Transformational Gift

 

 

 

Deborah Kass, Jim and Joe, 1993. Silkscreen on canvas, 40 x 55 in. Cottrell-Lovett Collection. Promised gift, NYU Art Collection

The Grey Art Gallery, New York University’s widely admired fine arts museum, is pleased to announce a major gift from Dr. James Cottrell and Mr. Joseph Lovett, longtime art patrons, social activists, and downtown Manhattan residents. The gift includes over 200 artworks from their extensive collection of downtown New York artists from the past 50 years.

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Exploring the Wonders of Ishtar Gate, ‘A Wonder to Behold’ at ISAW in November

 

 

 

Reconstructed panel of bricks with a striding lion. Neo-Babylonian Period (reign of Nebuchadnezzar II, 604–562 BCE). Molded and glazed baked clay. Processional Way, El-Kasr Mound, Babylon, Iraq. H. 99.7 cm; W. 230.5 cm. Lent by The Metropolitan Museum of Art, New York, Fletcher Fund, 1931: 31.13.2. CC0 1.0 Image courtesy of The Metropolitan Museum of Art.

The Institute for the Study of the Ancient World (ISAW) presents A Wonder to Behold: Craftsmanship and the Creation of Babylon’s Ishtar Gate, opening new avenues for understanding one of the most spectacular achievements of the ancient world. On view from November 6, 2019, through May 24, 2020, the exhibition features 180 objects that bring to life the synthesis of masterful craftsmanship and ancient beliefs that transformed clay, minerals, and organic materials—seen as magically potent substances—into this powerful monument.

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Hymn to Apollo: The Ancient World and the Ballets Russes at ISAW

 

 

 

Image: By Léon Bakst. Costume Design for Tamara Karsavina as Chloé, for Daphnis et Chloé. ca. 1912. Graphite and tempera and/or watercolor on paper. Wadsworth Atheneum Museum of Art, Hartford, CT, The Ella Gallup Sumner and Mary Catlin Sumner Collection Fund: 1933.392. Image provided by Allen Phillips/Wadsworth Atheneum.

The Institute for the Study of the Ancient World (ISAW) will open its doors to the exhibition Hymn to Apollo: The Ancient World and the Ballets Russes, an exploration of the seminal role of antiquity in shaping the radically new creations of the famed ballet troupe founded in 1909 by Sergei Diaghilev.

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