The MET Announces Lauren Halsey as Artist for Spring 2023 Cantor Roof Garden Commission + Nairy Baghramian Commissioned for The Met’s Facade Niches in September & Jacolby Satterwhite will Take Over the Museum’s Great Hall in October
The Metropolitan Museum of Art announced that American artist Lauren Halsey has been commissioned to create a site-specific installation for The Met’s Iris and B. Gerald Cantor Roof Garden for Spring, 2023. Halsey created a full-scale architectural structure imbued with the collective energy and imagination of the South Central Los Angeles Community where she was born and continues to work. Titled the eastside of south central los angeles hieroglyph prototype architecture (I), the installation is designed to be inhabited by The Met’s visitors, who are able to explore its connections to sources as varied as ancient Egyptian symbolism, 1960s utopian architecture, and contemporary visual expressions like tagging that reflect the ways in which people aspire to make public places their own.
If the artists hope was to have her New York viewers feel the connection intuitively, she nailed it. Viewers, young and old, were slowly walking in, out and around this exceptional installation ~ reading and relating her words to their own neighborhoods. This installation was well worth the wait. Lauren Halsey: the eastside of south central los angeles hieroglyph prototype architecture (I) will be on view to October 22, 2023.
Max Hollein, Marina Kellen French Director of The Met, said, “We are thrilled that Lauren Halsey will bring her compelling vision to the Cantor Roof Garden this spring. With this installation, Halsey channels The Met’s unparalleled Egyptian Art collections through the lens of Afrofuturism, while also creating a powerful form of documentation of her neighborhood in South Central Los Angeles. Engaging with the past, while also exploring a space of speculative imagination, Halsey offers us a powerful statement about civic space, social activism, and a reconsideration of the possibilities for architecture and community engagement.”
Sheena Wagstaff, Leonard A. Lauder Chair of Modern and Contemporary Art, commented: “Halsey’s activist vision offers a portal into the near future. She has created a monument to living architecture, carved exquisitely with a pictographic vernacular that meshes ancient hieroglyphs with the visual motifs of her home and community. It proposes an urgent paradigm, an ancient-modern vessel that carries a radical message, a vital corrective to the inequality of lived experience today, both nationally and globally. It proposes the vital tenets of a new civilization characterized by truth and justice. Like the ancient Egyptians, she anticipates a meaningful afterlife for her work, which will be displayed in South Central Los Angeles after its debut at The Met.”
Halsey said, “My installation for The Met’s roof garden reflects my interest in conflating narratives from contemporary South Central Los Angeles with those evoked in ancient pharaonic architecture. My hope is that viewers in New York feel the connections intuitively.”
By adapting elements of ancient Egyptian architecture and sculpture for a contemporary context, Halsey’s commission redeploys the hieroglyph as a tool for documenting and commemorating how community vitality and genre-defying creativity shape the built environments of South Central Los Angeles.
The Roof Garden Commission: Lauren Halsey was conceived by the artist in consultation with Sheena Wagstaff, Leonard A. Lauder Chair of Modern and Contemporary Art, and Abraham Thomas, Daniel Brodsky Curator of Modern Architecture, Design, and Decorative Arts, both of The Met’s Department of Modern and Contemporary Art. It is the tenth in a series of site-specific commissions for the outdoor space.
The exhibition will be accompanied by a publication that will include an interview between Halsey and poet, performer, and librettist Douglas Kearney and an essay by Thomas. The publication is priced at $9.95 and will be available for purchase at The Met Store in June 2022.
About the artist ~ Lauren Halsey (b. 1987, Los Angeles) rethinks the possibilities for art, architecture, and community engagement. She produces both stand-alone artworks and site-specific projects, particularly in the South Central neighborhood of Los Angeles, where her family has lived for several generations. Combining found, fabricated, and handmade objects, Halsey’s work maintains a sense of civic urgency and free-flowing imagination, reflecting the lives of the people and places around her and addressing the crucial issues confronting people of color, queer populations, and the working class. Critiques of gentrification and disenfranchisement are accompanied by real-world proposals as well as a celebration of on-the-ground aesthetics. Inspired by Afrofuturism and funk, as well as the signs and symbols that populate her local environments, Halsey creates a visionary form of culture that is at once radical and collaborative.
Halsey was awarded Seattle Art Museum’s 2021 Gwendolyn Knight and Jacob Lawrence Prize and is currently the subject of a solo exhibition at the museum through July 17, 2022. She has presented solo shows at the Museum of Fine Arts, Boston (2021); David Kordansky Gallery, Los Angeles (2020); Fondation Louis Vuitton, Paris (2019); and Museum of Contemporary Art, Los Angeles (2018). Halsey participated in Made in L.A. 2018, Hammer Museum, Los Angeles, where she was awarded the Mohn Award for artistic excellence. Her work is in the collections of the Institute of Contemporary Art, Miami; Museum of Fine Arts, Boston; Columbus Museum of Art, Ohio; Hammer Museum, Los Angeles; and Museum of Contemporary Art, Los Angeles. She was also part of the group exhibition 100 Drawings from Now at The Drawing Center NYC in 2020. Also in 2020, Halsey founded Summaeverythang Community Center, and she is currently in the process of developing a major public monument for construction in South Central Los Angeles. Halsey lives and works in Los Angeles.
The exhibition is supported by Bloomberg Philanthropies.
Additional support is provided by Cynthia Hazen Polsky and Leon B. Polsky and Vivian and Jim Zelter.
In addition, The Met announces fall 2023 contemporary commissions for the Museum’s Facade and Great Hall. Nairy Baghramian has been commissioned to create new works for The Met Fifth Avenue’s facade niches. Jacolby Saterwhite will take over the Museum’s Great Hall with a major multi-media installation and performance series.
The Facade Commission: Nairy Baghramian,Scratching the Back is conceived by the artist in consultation with Akili Tommasino, Associate Curator in the Department of Modern and Contemporary Art at The Met.
The commission is made possible by Angela A. Chao and Jim Breyer, Robert Denning, Cynthia Hazen Polsky and Leon B. Polsky, and The Hayden Family Foundation.
The Great Hall Commission: Jacolby Satterwhite is conceived by the artist in consultation with Limor Tomer, The Met’s Lulu C. and Anthony W. Wang General Manager of Live Arts, and Lauren Rosati, Assistant Curator in the Department of Modern and Contemporary Art and the Leonard A. Lauder Research Center for Modern Art at The Met.