The Studio Museum in Harlem Shares New Design by Adjaye Associates

 

 

Exterior View from 125th Street Plaza. Image via Studio Museum, courtesy Adjaye Associates

The Studio Museum in Harlem will be breaking ground in late fall of 2018 on the its anticipated 82,000 square foot building, located at the current Museum site at 144 West 125th Street. The new building, designed by Adjaye Associates in collaboration with Cooper Robertson, will replace its century-old commercial building that they have occupied since the early 1980s.

Below are a few illustrations of what we can expect.

Street Level View from 125th Street. Image via Studio Museum courtesy Adjaye Associates

 

Facade View from 125th Street. Image via Studio Museum courtesy Adjaye Associates

The Museum will begin winding down activity in its present building at the close of the current exhibitions, on January 7, 2018.  Once closed, Studio Museum will “engage with a diverse group of cultural partners in the Harlem community through collaborative initiative inHarlem. Stay tuned.

Cross Section Perspective from Lenox Avenue. Studio Museum courtesy Adjaye Associates

From the latest Press Release ~ The design for the new Studio Museum provides:

  • an increase of approximately 115 percent in space for exhibiting art and conducting the Artist-in-Residence program, from the existing 8,050 square feet to almost 17,300 square feet,
  • an increase of some 47 percent in indoor space for education, public programs, and public amenities, from 6,340 square feet to more than 9,300 square feet,
  • and an increase in outdoor space of 105 percent, from 3,900 square feet to almost 8,000 square feet.  The 82,000-square-foot structure will have:
  • a lower level for presentations (lectures, screenings, performances, educational activities, etc.), a welcome center, a café, and public amenities,
  • and a roof terrace spanning the entire building.

    Taking its cues from the brownstones, churches, and bustling sidewalks of Harlem, David Adjaye’s design provides the Studio Museum with a dynamic, sculptural facade that contrasts strongly with the surrounding commercial buildings. The building has a porous, welcoming presence at street level, a light- lled core that soars up through the entire interior, and a tiered public hall, which the architect has likened to an “inverted stoop” that invites people to step down from the street into a multiuse space that will be free and open to the public during Museum hours and used for presentations and informal gatherings.

    The masonry-framed windows of Harlem’s vernacular architecture nd an echo in the rhythmic composition of the facade, with its textured, precast concrete and windows of varying proportions.
    The radiant, soaring volumes of Harlem’s sanctuaries nd a counterpart in the top-lit central hall,
    with its ample wall area for large-scale artworks and its switchback stair, which provides multiple lookout points from its landings. A wide set of pivoting glass doors, which can be opened in di ering con gurations, draws directly on the convivial bustle of West 125th Street by establishing a transparent secondary entrance that leads directly to the descending step/seats of the tiered public hall.

    Galleries for temporary exhibitions and the Studio Museum’s unparalleled permanent collection are provided on the second, third, and fourth oors. An education center occupies part of the third oor, adjacent to a double-height gallery with a barrel-vaulted ceiling. The fourth oor accommodates both an exhibition gallery and dedicated spaces for the signature Artist-in- Residence program, which puts the “Studio” in the Museum’s name. Sta o ces are located on the fth oor, and the roof is designed for use as a terrace and event space. Niches on the facade on both the 125th and 124th

    Street sides of the building will display outdoor sculpture. Artworks will permeate the entire interior of the building as well—in the graciously proportioned formal galleries provided with ne-art temperature and humidity controls, and (for less sensitive objects) in the public corridors and common areas.

Interior View of Lobby. Image via Studio Museum courtesy Adjaye Associates

Fall 2017:  A Last Look at the Historic Studio Museum

While the Studio Museum prepares to begin construction in 2018, its fall 2017 schedule presents the nal group of exhibitions that will be shown in the existing building.

On view through January 7, 2018, these exhibitions include:

  • Fictions, a major survey of recent work by emerging artists of African descent that emphasizes the development of narrative content in recent years,
  • We Go as They, featuring works created at the Studio Museum by its 2016–17 artists in residence, Autumn Knight, Julia Phillips, and Andy Robert,
  • and Their Own Harlems, organized in honor of the centennial of the birth of Jacob Lawrence (1917–2000), with works by some twenty artists of di erent generations re ecting on Harlem as both an actual neighborhood and a symbolic place.

    While these exhibitions o er the public a last chance to visit the historic galleries, the Studio Museum will also be looking ahead. Its autumn Gala, held this year on October 30, will honor David Adjaye in recognition of the outstanding vision he has brought to the Studio Museum and the world at large.

Interior View of Public Hall. Flexible, tiered space that can serve as public hall for lectures, performances, or films, or an informal gathering place. Image via Studio Museum courtesy Adjaye Associates